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The Amazing Spider-Man Omnibus
The Amazing Spider-Man Omnibus, Vol. 2
The Stan Lee/John Romita era starts here! Lee and Romita transformed the web-slinger into Marvel's top title with stories that raised your spirits, tore at your heartstrings and kept you on the edge of your seat. From the revelation of the Green Goblin's secret identity to the unforgettable entrance of Mary Jane Watson, these classics define Spidey to this day - with star-studded debuts including the Kingpin, the Rhino and Captain Stacy; Spidey's disastrous first tryout with the Avengers; the iconic "Spider-Man No More!" issue; and an epic battle against the Green Goblin! COLLECTING: AMAZING SPIDER-MAN 39-67, ANNUAL 3-5; SPECTACULAR SPIDER-MAN (1968) 1-2
960 pages, Hardcover
First published July 1, 1968
28 people are currently reading
353 people want to read
About the author
Stan Lee
7,567 books2,335 followersStan Lee (born Stanley Martin Lieber) was an American writer, editor, creator of comic book superheroes, and the former president and chairman of Marvel Comics.
With several artist co-creators, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Fantastic Four, Thor as a superhero, the X-Men, Iron Man, the Hulk, Daredevil, the Silver Surfer, Dr. Strange, Ant-Man and the Wasp, Scarlet Witch, The Inhumans, and many other characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. He subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
With several artist co-creators, most notably Jack Kirby and Steve Ditko, he co-created Spider-Man, the Fantastic Four, Thor as a superhero, the X-Men, Iron Man, the Hulk, Daredevil, the Silver Surfer, Dr. Strange, Ant-Man and the Wasp, Scarlet Witch, The Inhumans, and many other characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. He subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation.
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Displaying 1 - 22 of 22 reviews
April 30, 2019
The Amazing Spider-Man Omnibus Vol. 2 is a worthy successor to the first Amazing Spider-Man omnibus, offering more action, more villains, more teenage drama, and more web-spinning all-around. In my quest to read every Spider-Man comic, this omnibus was my second stop, and though it was a long read, it was also highly enjoyable the whole way through. This massive collection of classic comics showcases why Spider-Man was such a monumental hit back in the day, unrivaled by any of its Marvel or DC contemporaries.
As any seasoned Spidey fan would (and should) know, the Green Goblin is probably Spider-Man's greatest villain of all-time. Thankfully for us mega-fans, we get a lot of him in this omnibus. In The Amazing Spider-Man Omnibus Vol. 1, we were introduced to the Green Goblin and got some decent outings between him and the Wall-Crawler, but nothing too substantial. In this second omnibus volume, things start to heat up with this deranged green lunatic, giving us some of the best and most tense Spider-Man comic issues of his early days. As the cover suggests, the Green Goblin learns who Spider-Man really is, and that bit of knowledge makes this deadly foe all the more formidable. The stories of the Green Goblin that that follow really showcase what The Amazing Spider-Man as a comic was capable of accomplishing back in the day: excitement, action, tension, high-stakes, drama, and longlasting consequences for both Spidey and the Goblin. If you are only a passing Spider-Man fan not interested in an entire omnibus-worth of comics, you will want to at least read the high quality Green Goblin material in here.
Many of the villains of the first omnibus return here, to great fanfare (mostly). Doc Ock, in particular, has some really great arcs in this omnibus, solidifying him as one of the best villains in Spider-Man's rogues' gallery. Mysterio returns a few times, and he's one of my personal favorites. Kraven also comes back, but they made him weird. Everyone knows him for his deranged performance in Kraven's Last Hunt, but did you know he employed nipple lasers in his early career? Well, they come out of the lion eyes on his vest, but it looks like they're being shot from his nipples, and that really dampens his character's sting as a serious and deadly foe. Although I was no fan of this strange addition to Kraven's abilities, that was the worst of any returning character's changes or additions.
On top of returning bad guys are a wave of new villains, such as the Kingpin, Rhino, Shocker, and a second, younger Vulture, among others. The Kingpin is featured heavily (pun intended) throughout several issues, and he makes for a great crime lord in the Spider-Man universe. However, I always knew the Kingpin to be a Daredevil villain, so it was unfortunate that he and Spider-Man did not join forces in this omnibus to take him on. Oh well, maybe a team-up is coming up in the next volume? I also found Shocker's issue to be one of the more entertaining in the collection, albeit a bit run-of-the-mill. Shocker never gets the attention he deserves, and I'm looking forward to seeing more of him, even if I'm the only one! Seeing such a diverse variety of old and new villains together in one volume goes to show how great Spider-Man's rogues' gallery is, so if you're in it for the villains, you won't be left wanting after reading this omnibus.
The villains aren't the only ones getting all the attention this time around, for plenty of Spidey's friends and allies get their time to shine. I liked how, in particular, Peter Parker's life was far more developed in this omnibus than it was in the last; I find myself enjoying his normal teenager life much more than a a lot of his standard crime-fighting stuff, which can admittedly get a bit dreary after reading so much of it. Gwen Stacy is becoming a more important figure in Peter Parker's life, and it's interesting to see this relationship develop slowly over time, with both highs and lows along the way. J. Jonah Jameson is as angry as ever, and Aunt May dotes over her “frail” nephew like always, so some things haven't changed too much among Peter Parker's inner circle. Peter's alter ego Spider-Man also comes across some heavy-hitters of the Marvel Universe, such as the Avengers, Fantastic Four, and the Hulk. Personally, I can't stand the Fantastic Four and wish there weren't so many crossovers featuring the Human Torch. Is there a worse superhero team than the Fantastic Four? I don't think so. I'm also not the biggest fan of the Avengers, so seeing them pop up wasn't as exciting as it should have been for me. Nothing really happens in their issue, which was doubly disappointing; if they at least fought a major villain together or saved a bunch of people by teaming up, then maybe I would have enjoyed it more, but all it ended up being was a glorified cameo. I'll take Daredevil over the Fantastic Four or Avengers any day!
Fan-favorite love-interest Mary Jane Watson finally gets introduced in this omnibus. As a first-time reader of these early comics (as shameful as that is to admit), I was surprised to find out that she was introduced so late in the run. I always thought she was there from the very beginning, as the movies or some shows would have suggested, but she came around fairly deep into the comic's run. As opposed to her more nuanced self in later comics, she is this ditzy party girl who can never seem to be serious or somber when appropriate. I already know where her character arc is heading, but to anyone new to Spider-Man as a whole, I would not hold it against them if they absolutely hated this character. She even has some of the worst lingo I've ever encountered in any form of media. She refers to everyone as “Dad” when speaking to them, but I highly doubt that such a phrase was ever in actual use in the '60s/'70s (can anyone corroborate that?). Even if it was a real phrase, it sounds so stupid! I just ignored her dialogue every time I saw her about to say it, so much did it annoy me. Another thing about her character that peeved me was her change of hair style halfway through the omnibus. She went from having really nice long straight hair to having this ugly short and curly style (no offense to those with that hair style – it just doesn't suit this character, which is the point of my criticism). So far, Mary Jane Watson has not impressed me in her earliest outings.
The artwork in The Amazing Spider-Man Omnibus Vol. 1 was done by the legendary Steve Ditko, and I really liked its simplicity and creativity. In The Amazing Spider-man Omnibus Vol. 2, the art shifted over to John Romita who improved on the art in every way. I did not notice too great a shift in the art style (it's still has that old-school comic book art look), but the quality increased noticeably, especially with attention to detail. While both artists are legends in their own rights, I think John Romita is the more prolific Spider-Mam artist between the two, and this volume showcases why that is. Ditko may have laid the groundwork for Spidey comics, but Romita perfected it.
The issues in The Amazing Spider-Man Omnibus Vol. 2 are an overall improvement to those in the first omnibus. Although the stories told in both omnibuses are unique and can't be compared directly, things such as the dialogue, character development, and artwork were a bit more improved, and the stakes of some of Spider-Man's encounters were much higher this time around. The Amazing Spider-Man Omnibus Vol. 2 is another 1000 pages of Spidey-goodness compiled to satisfy Spidey's greatest and most devoted fans, so this is one collection you don't want to skip over if you fancy yourself a True-Believer!
As any seasoned Spidey fan would (and should) know, the Green Goblin is probably Spider-Man's greatest villain of all-time. Thankfully for us mega-fans, we get a lot of him in this omnibus. In The Amazing Spider-Man Omnibus Vol. 1, we were introduced to the Green Goblin and got some decent outings between him and the Wall-Crawler, but nothing too substantial. In this second omnibus volume, things start to heat up with this deranged green lunatic, giving us some of the best and most tense Spider-Man comic issues of his early days. As the cover suggests, the Green Goblin learns who Spider-Man really is, and that bit of knowledge makes this deadly foe all the more formidable. The stories of the Green Goblin that that follow really showcase what The Amazing Spider-Man as a comic was capable of accomplishing back in the day: excitement, action, tension, high-stakes, drama, and longlasting consequences for both Spidey and the Goblin. If you are only a passing Spider-Man fan not interested in an entire omnibus-worth of comics, you will want to at least read the high quality Green Goblin material in here.
Many of the villains of the first omnibus return here, to great fanfare (mostly). Doc Ock, in particular, has some really great arcs in this omnibus, solidifying him as one of the best villains in Spider-Man's rogues' gallery. Mysterio returns a few times, and he's one of my personal favorites. Kraven also comes back, but they made him weird. Everyone knows him for his deranged performance in Kraven's Last Hunt, but did you know he employed nipple lasers in his early career? Well, they come out of the lion eyes on his vest, but it looks like they're being shot from his nipples, and that really dampens his character's sting as a serious and deadly foe. Although I was no fan of this strange addition to Kraven's abilities, that was the worst of any returning character's changes or additions.
On top of returning bad guys are a wave of new villains, such as the Kingpin, Rhino, Shocker, and a second, younger Vulture, among others. The Kingpin is featured heavily (pun intended) throughout several issues, and he makes for a great crime lord in the Spider-Man universe. However, I always knew the Kingpin to be a Daredevil villain, so it was unfortunate that he and Spider-Man did not join forces in this omnibus to take him on. Oh well, maybe a team-up is coming up in the next volume? I also found Shocker's issue to be one of the more entertaining in the collection, albeit a bit run-of-the-mill. Shocker never gets the attention he deserves, and I'm looking forward to seeing more of him, even if I'm the only one! Seeing such a diverse variety of old and new villains together in one volume goes to show how great Spider-Man's rogues' gallery is, so if you're in it for the villains, you won't be left wanting after reading this omnibus.
The villains aren't the only ones getting all the attention this time around, for plenty of Spidey's friends and allies get their time to shine. I liked how, in particular, Peter Parker's life was far more developed in this omnibus than it was in the last; I find myself enjoying his normal teenager life much more than a a lot of his standard crime-fighting stuff, which can admittedly get a bit dreary after reading so much of it. Gwen Stacy is becoming a more important figure in Peter Parker's life, and it's interesting to see this relationship develop slowly over time, with both highs and lows along the way. J. Jonah Jameson is as angry as ever, and Aunt May dotes over her “frail” nephew like always, so some things haven't changed too much among Peter Parker's inner circle. Peter's alter ego Spider-Man also comes across some heavy-hitters of the Marvel Universe, such as the Avengers, Fantastic Four, and the Hulk. Personally, I can't stand the Fantastic Four and wish there weren't so many crossovers featuring the Human Torch. Is there a worse superhero team than the Fantastic Four? I don't think so. I'm also not the biggest fan of the Avengers, so seeing them pop up wasn't as exciting as it should have been for me. Nothing really happens in their issue, which was doubly disappointing; if they at least fought a major villain together or saved a bunch of people by teaming up, then maybe I would have enjoyed it more, but all it ended up being was a glorified cameo. I'll take Daredevil over the Fantastic Four or Avengers any day!
Fan-favorite love-interest Mary Jane Watson finally gets introduced in this omnibus. As a first-time reader of these early comics (as shameful as that is to admit), I was surprised to find out that she was introduced so late in the run. I always thought she was there from the very beginning, as the movies or some shows would have suggested, but she came around fairly deep into the comic's run. As opposed to her more nuanced self in later comics, she is this ditzy party girl who can never seem to be serious or somber when appropriate. I already know where her character arc is heading, but to anyone new to Spider-Man as a whole, I would not hold it against them if they absolutely hated this character. She even has some of the worst lingo I've ever encountered in any form of media. She refers to everyone as “Dad” when speaking to them, but I highly doubt that such a phrase was ever in actual use in the '60s/'70s (can anyone corroborate that?). Even if it was a real phrase, it sounds so stupid! I just ignored her dialogue every time I saw her about to say it, so much did it annoy me. Another thing about her character that peeved me was her change of hair style halfway through the omnibus. She went from having really nice long straight hair to having this ugly short and curly style (no offense to those with that hair style – it just doesn't suit this character, which is the point of my criticism). So far, Mary Jane Watson has not impressed me in her earliest outings.
The artwork in The Amazing Spider-Man Omnibus Vol. 1 was done by the legendary Steve Ditko, and I really liked its simplicity and creativity. In The Amazing Spider-man Omnibus Vol. 2, the art shifted over to John Romita who improved on the art in every way. I did not notice too great a shift in the art style (it's still has that old-school comic book art look), but the quality increased noticeably, especially with attention to detail. While both artists are legends in their own rights, I think John Romita is the more prolific Spider-Mam artist between the two, and this volume showcases why that is. Ditko may have laid the groundwork for Spidey comics, but Romita perfected it.
The issues in The Amazing Spider-Man Omnibus Vol. 2 are an overall improvement to those in the first omnibus. Although the stories told in both omnibuses are unique and can't be compared directly, things such as the dialogue, character development, and artwork were a bit more improved, and the stakes of some of Spider-Man's encounters were much higher this time around. The Amazing Spider-Man Omnibus Vol. 2 is another 1000 pages of Spidey-goodness compiled to satisfy Spidey's greatest and most devoted fans, so this is one collection you don't want to skip over if you fancy yourself a True-Believer!
April 22, 2018
Marvel, call me! I’ve got a great pitch to bring back Montgomery G. Bliss...
June 29, 2023
John Romita Sr. takes over art duties, and the series continues to modernize. This is the era I love most. Romita’s best art is in the first half of this omnibus, but it is great all the way though. The series blends fun and hardships far better in this era. This series features the debuts of the Rhino, the Shocker, and the Kingpin! It also has some amazing returns from Doctor Octopus, the Vulture, and Mysterio!
Amazing Spider-Man #39 ⧫ 4 Stars “How Green Was My Goblin!”
I forgot how quickly Harry and Gwen relax once Romita shows up. The college issues are really more defined from here than earlier. Also, the Green Goblin returns, and he is shockingly revealed! At least, he was. It’s still a little silly, but this is a classic.
Amazing Spider-Man #40 ⧫ 3.5 Stars “Spidey Saves the Day!”
This is a climactic fight that has its own level of silliness, though what really bogs it down is there is way too much exposition and dialogue. Stan needed to calm down. Also, this begins the Goblin’s amnesia that will influence his status quo for this era. Also, it’s not the last amnesia…
Amazing Spider-Man #41 ⧫ 4 Stars “The Horns of the Rhino!”
The first original villain of this era is the Rhino! He’s pretty fun, and I think his build up and continuing presence over the next few issues are what distinguish him as a threat and make him memorable. Pete and Betty meet again and officially end their relationship on a more positive note. Also, John Jameson returns to become more of a recurring supporting character. This continues the more lax social bleedover that makes this era of Spider-Man feel much more modern.
Amazing Spider-Man #42 ⧫ 4 Stars “The Birth of a Super-Hero!”
So, this issue’s villain is the worst part of it. Everything else surrounding that is far more significant, including the college crew continuing to form. Oh, and possibly the most iconic Spider-Man panel ever: “Face it, tiger… You just hit the jackpot!” Yep, the actual intro of the amazing Mary Jane!
Amazing Spider-Man #43 ⧫ 4.5 Stars “Rhino on the Rampage!”
Mary Jane immediately sets herself apart, and this issue even works with a retcon that comes later. This wraps up the Rhino and preps the return of the Lizard. Why so highly rated? I think Romita’s style is really beginning to click, though his paneling will get better. It’s just a good handoff that feels like what this era is remembered for.
Amazing Spider-Man Annual #3 ⧫ 2 Stars “...To Become An Avenger!”
Ugh, the Avengers are jerks in this, and it’s just not a very fun issue to read with so much procedure and legalism. Some have pointed out that the moment of understanding Spider-Man has with the Hulk is great, but that’s one page. I wouldn’t join the Avengers either.
Amazing Spider-Man #44 ⧫ 4 Stars “Where Crawls the Lizard!”
The Lizard returns as Mary Jane joins the college crowd! It’s a little more like the Ditko era in the ironic downer ending of this and the next Lizard story. The continued formation of the supporting cast, both the college crowd and Conners’ family, continue to fuel my enjoyment of this era.
Amazing Spider-Man #45 ⧫ 4 Stars “Spidey Smashes Out!”
Spider-Man defeats the Lizard in an original way and just more good fun from the supporting cast! From here on, the action panels are large and intricate. I love the way Romita distinguishes distinct action from the close up dialogue scenes. It’s something that he continues for the rest of the run.
Amazing Spider-Man #46 ⧫ 4.5 Stars “The Sinister Shocker!”
The second new villain of the era, the Shocker has become something of a joke in recent years, but he’s rather cool here. I like how well thought out the suit is and the fact that the combat is very well thought out. Also, there’s been a Bugle reported named Foswell who’s become suspicious of Peter who is also dealt with cleverly in this issue.
Amazing Spider-Man #47 ⧫ 4 Stars “In the Hands of the Hunter!”
This is an iconic issue because of the hangout scene, a defining feature of the era, and Kraven’s attack on the hangout. Also, Kraven has laser nipples… Just touching on the important stuff.
Amazing Spider-Man #48 ⧫ 4 Stars “The Wings of the Vulture!”
I might just have to give it up and say the Vulture is one of my favorite villains. even here with the silly new vulture, I rather like him. The snow really helps distinguish this issue, though it begins the disturbing trend of villains not checking if Spider-Man is dead and just assuming it. It’s annoying, but I forgive it because I love everything else.
Amazing Spider-Man #49 ⧫ 3.5 Stars “From the Depths of Defeat!”
Believe it or not, this is the first time Spidey’s faced two major supervillains at the same time, unless you count the Goblin and Crime-Master back in issues 26-27. Thus, it’s more fighting, which aren’t my favorite issues, but this one is unique enough.
Amazing Spider-Man #50 ⧫ 5 Stars “Spider-Man No More!”
This issue is iconic, and I can’t really disagree. Both the cover and the page #8 splash have been reproduced countless times. It does feel a little out of nowhere because it’s touching on the endings from issues #43-45 and #47, not the last few issues since Spider-Man has been too hurt/injured. So, it just feels a little weird. Otherwise, it’s awesome, and it ends on the introduction of the Kingpin! In other words, it holds up as the best issue since #33.
Amazing Spider-Man #51 ⧫ 4.5 Stars “In the Clutches of the Kingpin!”
This issue establishes Kingpin as a real threat. It’s back to the blend of personal and superheroes, and I think this continues in the fine tradition of early Spidey three-parters.
Amazing Spider-Man #52 ⧫ 4 Stars “To Die a Hero!”
So, the biggest issue here is Kingpin not removing Spider-Man’s mask and using a death trap. It’s some sillier 60s stuff that is a little out of place. I suppose one could say the Kingpin is arrogant and wants their drowning deaths to look like an accident, but it is the weakest part of the trilogy. It does have some good J.J.J. and Foswell stuff.
Amazing Spider-Man Annual #4 ⧫ 3.5 Stars “The Web and the Flame!”
Okay, this is another use of the movie making trap trope, but it also displays what I think is the first use of Spider-Man villains having backup plans. Also, I love the Human Torch.
Amazing Spider-Man #53 ⧫ 4 Stars “Enter: Dr. Octopus”
Some good, classic Spider-Man here with Spidey’s personal life leading into his superhero life. Also, there’s some Professor Warren and Gwen interaction that read very differently based on some later events.
Amazing Spider-Man #54 ⧫ 4.5 Stars “The Tentacles and the Trap!”
The series continues and gets way more fun. Some people like to make fun of this issue, but I actually love how Doc Ock showing up at Peter���s home goes. It feels like a more committed version of the Goblin’s visit in #39.
Amazing Spider-Man #55 ⧫ 4 Stars “Dock Ock Wins!”
I feel like I say a lot of similar things for this era: great art, good blend of plots, and cool villains. This one has all that with a little complication at the end that I’ll talk about next time.
Amazing Spider-Man #56 ⧫ 4.5 Stars “Disaster!”
I gave some crap for the Goblin amnesia, but I like the Spider-Man loss of identity two-parter. It allows a look at what a lonely existence Spider-Man would have without the others as well as provides some drama.
Amazing Spider-Man #57 ⧫ 4 Stars “The Coming of Ka-zar!”
The J. Jonah stuff is a little repetitive, but otherwise, I like the conclusion to the amnesia arc. Ka-Zar is a logical guest start and doesn’t feel too intrusive.
Amazing Spider-Man #58 ⧫ 2.5 Stars “To Kill A Spider-Man!”
Ugh, I hate Spider-Slayers, and this is no different. The one thing that’s changed is that Smythe is crazy now. The continuing supporting cast stuff is the main reason to read this.
Amazing Spider-Man #59 ⧫ 3.5 Stars “The Brand of the Brainwasher!”
This story gets some crap because it is a little silly, but I rather like it. The epilogue to the amnesia storyline starts the issue, and I appreciate the character development for Peter, Captain Stacy, and Gwen. For a silly story, it has a killer cliffhanger.
Amazing Spider-Man #60 ⧫ 3.5 Stars “O, Bitter Victory!”
This is also the closest that the series has gotten to refuting the Mary Jane retcon, and Mary Jane’s movements in this storyline are actually rather confusing. She just disappears after talking to Captain Stacy and shows up next issue like nothing happened. Peter and Gwen fall out here for relatively good reasons that turn a little sour next issue.
Amazing Spider-Man #61 ⧫ 3 Stars “What a Tangled Web We Weave...!”
The series ends weaker than I’d like with more deathtraps from Kingpin and Peter being an idiot again. Just explain to Gwen!
Amazing Spider-Man #62 ⧫ 3.5 Stars “Make Way for... Medusa!”
Romita wanted to draw Medusa, so he concocted a fun little plot to do it. It’s fun
Spectacular Spider-Man Magazine #1
“Lo, This Monster” ⧫ 2.5 Stars
This story is very out of place in the Omnibus as it completely ignores the state of Gwen and Peter’s relationship. However, I can’t seem to find anywhere that it could really go… Honestly, this pseudo-Frankenstein political drama is only worth reading for the art.
Amazing Spider-Man #63 ⧫ 4 Stars “Wings in the Night!”
Vulture vs. Vulture with Spidey in the middle. I’m actually really glad the original Vulture returned. Though his escape is… shaky. It creates a cool story that escapes the diminish returns that villains can have.
Amazing Spider-Man #64 ⧫ 4.5 Stars “The Vulture's Prey”
Ugh, I’m tempted to rate this down for MJ’s terrible haircut. The rest of this is great, though. The Bugle setting and the cliffhanger ending are classic.
Amazing Spider-Man #65 ⧫ 4.5 Stars “The Impossible Escape!”
Spider-Man and Captain Stacy escape prison. It’s another creative setup with fantastic use of setting and tone.
Amazing Spider-Man #66 ⧫ 4 Stars “The Madness Of Mysterio!”
I’ve given some crap to Mysterio’s previous plans, but I like this one. Also, another great cliffhanger.
Amazing Spider-Man #67 ⧫ 4.5 Stars “To Squash A Spider!”
Cool setup, cool conclusion. True, Mysterio’s skill is still questionable, but it looks great!
Spectacular Spider-Man Magazine #2 ⧫ 3.5 Stars “The Goblin lives!”
Infinitely better than the first and a somewhat unique Goblin story, though it doesn’t stand out as much as many others. This is the last of the magazine format, and I think it’s for the best as it seems to mostly need to have disposable stories.
Amazing Spider-Man Annual #5 ⧫ 3.5 Stars “The Parents of Peter Parker!”
Peter Parker’s parents become kind of a mess, but this is a neat little story. I am suspicious about how much Peter’s solution will work, but I guess I’m not a spy.
Other Omnibus Reviews
Amazing Spider-Man Omnibus #1
Untold Tales of Spider-Man Omnibus
Amazing Spider-Man Omnibus #3
Amazing Spider-Man Omnibus #4
Spectacular Spider-Man Omnibus #1
Amazing Spider-Man #39 ⧫ 4 Stars “How Green Was My Goblin!”
I forgot how quickly Harry and Gwen relax once Romita shows up. The college issues are really more defined from here than earlier. Also, the Green Goblin returns, and he is shockingly revealed! At least, he was. It’s still a little silly, but this is a classic.
Amazing Spider-Man #40 ⧫ 3.5 Stars “Spidey Saves the Day!”
This is a climactic fight that has its own level of silliness, though what really bogs it down is there is way too much exposition and dialogue. Stan needed to calm down. Also, this begins the Goblin’s amnesia that will influence his status quo for this era. Also, it’s not the last amnesia…
Amazing Spider-Man #41 ⧫ 4 Stars “The Horns of the Rhino!”
The first original villain of this era is the Rhino! He’s pretty fun, and I think his build up and continuing presence over the next few issues are what distinguish him as a threat and make him memorable. Pete and Betty meet again and officially end their relationship on a more positive note. Also, John Jameson returns to become more of a recurring supporting character. This continues the more lax social bleedover that makes this era of Spider-Man feel much more modern.
Amazing Spider-Man #42 ⧫ 4 Stars “The Birth of a Super-Hero!”
So, this issue’s villain is the worst part of it. Everything else surrounding that is far more significant, including the college crew continuing to form. Oh, and possibly the most iconic Spider-Man panel ever: “Face it, tiger… You just hit the jackpot!” Yep, the actual intro of the amazing Mary Jane!
Amazing Spider-Man #43 ⧫ 4.5 Stars “Rhino on the Rampage!”
Mary Jane immediately sets herself apart, and this issue even works with a retcon that comes later. This wraps up the Rhino and preps the return of the Lizard. Why so highly rated? I think Romita’s style is really beginning to click, though his paneling will get better. It’s just a good handoff that feels like what this era is remembered for.
Amazing Spider-Man Annual #3 ⧫ 2 Stars “...To Become An Avenger!”
Ugh, the Avengers are jerks in this, and it’s just not a very fun issue to read with so much procedure and legalism. Some have pointed out that the moment of understanding Spider-Man has with the Hulk is great, but that’s one page. I wouldn’t join the Avengers either.
Amazing Spider-Man #44 ⧫ 4 Stars “Where Crawls the Lizard!”
The Lizard returns as Mary Jane joins the college crowd! It’s a little more like the Ditko era in the ironic downer ending of this and the next Lizard story. The continued formation of the supporting cast, both the college crowd and Conners’ family, continue to fuel my enjoyment of this era.
Amazing Spider-Man #45 ⧫ 4 Stars “Spidey Smashes Out!”
Spider-Man defeats the Lizard in an original way and just more good fun from the supporting cast! From here on, the action panels are large and intricate. I love the way Romita distinguishes distinct action from the close up dialogue scenes. It’s something that he continues for the rest of the run.
Amazing Spider-Man #46 ⧫ 4.5 Stars “The Sinister Shocker!”
The second new villain of the era, the Shocker has become something of a joke in recent years, but he’s rather cool here. I like how well thought out the suit is and the fact that the combat is very well thought out. Also, there’s been a Bugle reported named Foswell who’s become suspicious of Peter who is also dealt with cleverly in this issue.
Amazing Spider-Man #47 ⧫ 4 Stars “In the Hands of the Hunter!”
This is an iconic issue because of the hangout scene, a defining feature of the era, and Kraven’s attack on the hangout. Also, Kraven has laser nipples… Just touching on the important stuff.
Amazing Spider-Man #48 ⧫ 4 Stars “The Wings of the Vulture!”
I might just have to give it up and say the Vulture is one of my favorite villains. even here with the silly new vulture, I rather like him. The snow really helps distinguish this issue, though it begins the disturbing trend of villains not checking if Spider-Man is dead and just assuming it. It’s annoying, but I forgive it because I love everything else.
Amazing Spider-Man #49 ⧫ 3.5 Stars “From the Depths of Defeat!”
Believe it or not, this is the first time Spidey’s faced two major supervillains at the same time, unless you count the Goblin and Crime-Master back in issues 26-27. Thus, it’s more fighting, which aren’t my favorite issues, but this one is unique enough.
Amazing Spider-Man #50 ⧫ 5 Stars “Spider-Man No More!”
This issue is iconic, and I can’t really disagree. Both the cover and the page #8 splash have been reproduced countless times. It does feel a little out of nowhere because it’s touching on the endings from issues #43-45 and #47, not the last few issues since Spider-Man has been too hurt/injured. So, it just feels a little weird. Otherwise, it’s awesome, and it ends on the introduction of the Kingpin! In other words, it holds up as the best issue since #33.
Amazing Spider-Man #51 ⧫ 4.5 Stars “In the Clutches of the Kingpin!”
This issue establishes Kingpin as a real threat. It’s back to the blend of personal and superheroes, and I think this continues in the fine tradition of early Spidey three-parters.
Amazing Spider-Man #52 ⧫ 4 Stars “To Die a Hero!”
So, the biggest issue here is Kingpin not removing Spider-Man’s mask and using a death trap. It’s some sillier 60s stuff that is a little out of place. I suppose one could say the Kingpin is arrogant and wants their drowning deaths to look like an accident, but it is the weakest part of the trilogy. It does have some good J.J.J. and Foswell stuff.
Amazing Spider-Man Annual #4 ⧫ 3.5 Stars “The Web and the Flame!”
Okay, this is another use of the movie making trap trope, but it also displays what I think is the first use of Spider-Man villains having backup plans. Also, I love the Human Torch.
Amazing Spider-Man #53 ⧫ 4 Stars “Enter: Dr. Octopus”
Some good, classic Spider-Man here with Spidey’s personal life leading into his superhero life. Also, there’s some Professor Warren and Gwen interaction that read very differently based on some later events.
Amazing Spider-Man #54 ⧫ 4.5 Stars “The Tentacles and the Trap!”
The series continues and gets way more fun. Some people like to make fun of this issue, but I actually love how Doc Ock showing up at Peter���s home goes. It feels like a more committed version of the Goblin’s visit in #39.
Amazing Spider-Man #55 ⧫ 4 Stars “Dock Ock Wins!”
I feel like I say a lot of similar things for this era: great art, good blend of plots, and cool villains. This one has all that with a little complication at the end that I’ll talk about next time.
Amazing Spider-Man #56 ⧫ 4.5 Stars “Disaster!”
I gave some crap for the Goblin amnesia, but I like the Spider-Man loss of identity two-parter. It allows a look at what a lonely existence Spider-Man would have without the others as well as provides some drama.
Amazing Spider-Man #57 ⧫ 4 Stars “The Coming of Ka-zar!”
The J. Jonah stuff is a little repetitive, but otherwise, I like the conclusion to the amnesia arc. Ka-Zar is a logical guest start and doesn’t feel too intrusive.
Amazing Spider-Man #58 ⧫ 2.5 Stars “To Kill A Spider-Man!”
Ugh, I hate Spider-Slayers, and this is no different. The one thing that’s changed is that Smythe is crazy now. The continuing supporting cast stuff is the main reason to read this.
Amazing Spider-Man #59 ⧫ 3.5 Stars “The Brand of the Brainwasher!”
This story gets some crap because it is a little silly, but I rather like it. The epilogue to the amnesia storyline starts the issue, and I appreciate the character development for Peter, Captain Stacy, and Gwen. For a silly story, it has a killer cliffhanger.
Amazing Spider-Man #60 ⧫ 3.5 Stars “O, Bitter Victory!”
This is also the closest that the series has gotten to refuting the Mary Jane retcon, and Mary Jane’s movements in this storyline are actually rather confusing. She just disappears after talking to Captain Stacy and shows up next issue like nothing happened. Peter and Gwen fall out here for relatively good reasons that turn a little sour next issue.
Amazing Spider-Man #61 ⧫ 3 Stars “What a Tangled Web We Weave...!”
The series ends weaker than I’d like with more deathtraps from Kingpin and Peter being an idiot again. Just explain to Gwen!
Amazing Spider-Man #62 ⧫ 3.5 Stars “Make Way for... Medusa!”
Romita wanted to draw Medusa, so he concocted a fun little plot to do it. It’s fun
Spectacular Spider-Man Magazine #1
“Lo, This Monster” ⧫ 2.5 Stars
This story is very out of place in the Omnibus as it completely ignores the state of Gwen and Peter’s relationship. However, I can’t seem to find anywhere that it could really go… Honestly, this pseudo-Frankenstein political drama is only worth reading for the art.
Amazing Spider-Man #63 ⧫ 4 Stars “Wings in the Night!”
Vulture vs. Vulture with Spidey in the middle. I’m actually really glad the original Vulture returned. Though his escape is… shaky. It creates a cool story that escapes the diminish returns that villains can have.
Amazing Spider-Man #64 ⧫ 4.5 Stars “The Vulture's Prey”
Ugh, I’m tempted to rate this down for MJ’s terrible haircut. The rest of this is great, though. The Bugle setting and the cliffhanger ending are classic.
Amazing Spider-Man #65 ⧫ 4.5 Stars “The Impossible Escape!”
Spider-Man and Captain Stacy escape prison. It’s another creative setup with fantastic use of setting and tone.
Amazing Spider-Man #66 ⧫ 4 Stars “The Madness Of Mysterio!”
I’ve given some crap to Mysterio’s previous plans, but I like this one. Also, another great cliffhanger.
Amazing Spider-Man #67 ⧫ 4.5 Stars “To Squash A Spider!”
Cool setup, cool conclusion. True, Mysterio’s skill is still questionable, but it looks great!
Spectacular Spider-Man Magazine #2 ⧫ 3.5 Stars “The Goblin lives!”
Infinitely better than the first and a somewhat unique Goblin story, though it doesn’t stand out as much as many others. This is the last of the magazine format, and I think it’s for the best as it seems to mostly need to have disposable stories.
Amazing Spider-Man Annual #5 ⧫ 3.5 Stars “The Parents of Peter Parker!”
Peter Parker’s parents become kind of a mess, but this is a neat little story. I am suspicious about how much Peter’s solution will work, but I guess I’m not a spy.
Other Omnibus Reviews
Amazing Spider-Man Omnibus #1
Untold Tales of Spider-Man Omnibus
Amazing Spider-Man Omnibus #3
Amazing Spider-Man Omnibus #4
Spectacular Spider-Man Omnibus #1
May 27, 2021
One of the picadillos of these old comics is that Peter Parker is... kind of sexist. He may have been a missed radioactive spider-bite away from becoming an incel. Don't refer to women as "females," dude. You're better than that.
October 16, 2023
This omnibus continues the Amazing Spider-Man series. When Spider-Man co-creator Steve Ditko left as artist, Stan Lee had to find a new artist to draw the Spider-Man comics, and that artist was the late John Romita Sr., who passed away earlier this year.
In this volume, Peter befriends his college classmate Harry Osborn (about whose father we learn a surprising truth in this collection), later moving into his apartment, buys a motorcycle, and also begins dating Gwen Stacy, marking multiple changes in Peter Parker’s life. Also in this volume, the triumphs, trials and tragedies of Spidey continue as old faces - friend and foe- return: Peter Parker’s first girlfriend Betty Brant returns, as well as some of Spidey’s iconic villains, such as the Green Goblin (whose secret identity is revealed in this volume after he learns Spider-Man’s secret identity, establishing himself as Spidey’s most dangerous enemy!), Doctor Octopus, the Lizard, Kraven the Hunter, Mysterio and the Vulture (with a new face taking the mantle, though the original Vulture also returns). New faces include Mary-Jane Watson, Gwen Stacy’s dad Captain George Stacy, the Rhino, the Kingpin among others.
This omnibus also includes the letters in The Spider’s Web, the fan mail section of the Spider-Man comics, which not just included letters from children and college students, but also adults- some parents, teachers and even those in the Army and Navy. I was surprised and touched at how the Spider-Man comics had impacted its readers, which made Spider-Man one of the best loved characters in comics history.
The stories in this omnibus kept me turning the page. Some notable adventures see Spider-Man being offered an invitation to join the Avengers, Peter uncovering the truth about his parents, Spidey fighting crime while suffering a broken arm, as well as Peter making the shocking decision to stop being Spider-Man. This omnibus is a must-read for comic fans wanting to read the original Spider-Man comics.
In this volume, Peter befriends his college classmate Harry Osborn (about whose father we learn a surprising truth in this collection), later moving into his apartment, buys a motorcycle, and also begins dating Gwen Stacy, marking multiple changes in Peter Parker’s life. Also in this volume, the triumphs, trials and tragedies of Spidey continue as old faces - friend and foe- return: Peter Parker’s first girlfriend Betty Brant returns, as well as some of Spidey’s iconic villains, such as the Green Goblin (whose secret identity is revealed in this volume after he learns Spider-Man’s secret identity, establishing himself as Spidey’s most dangerous enemy!), Doctor Octopus, the Lizard, Kraven the Hunter, Mysterio and the Vulture (with a new face taking the mantle, though the original Vulture also returns). New faces include Mary-Jane Watson, Gwen Stacy’s dad Captain George Stacy, the Rhino, the Kingpin among others.
This omnibus also includes the letters in The Spider’s Web, the fan mail section of the Spider-Man comics, which not just included letters from children and college students, but also adults- some parents, teachers and even those in the Army and Navy. I was surprised and touched at how the Spider-Man comics had impacted its readers, which made Spider-Man one of the best loved characters in comics history.
The stories in this omnibus kept me turning the page. Some notable adventures see Spider-Man being offered an invitation to join the Avengers, Peter uncovering the truth about his parents, Spidey fighting crime while suffering a broken arm, as well as Peter making the shocking decision to stop being Spider-Man. This omnibus is a must-read for comic fans wanting to read the original Spider-Man comics.
February 21, 2017
Stan Lee's run on The Amazing Spider-Man progresses, joined now by the most significant co-creator from whom he was not subsequently alienated, John Romita, Sr. Romita brought his considerable background writing romance comics to the series, substantially retooling it to fit his preferred style. This change was remarked upon in the letters columns at the time, with some bemoaning the loner Peter Parker's increasing circle of friends, acquaintances, and potential love interests -- Mary Jane Watson makes her iconic first appearance in these pages (paying off a running joke in the Lee/Steve Ditko era), and Gwen Stacy, a character in the late Ditko period, is substantially revised into a more sympathetic and likeable character. To me, these changes fit perfectly well with Peter's move toward a more mature college lifestyle, and the character certainly does not lack for the angst resulting from his complicated double life as Spider-Man (Aunt May, incidentally, is still rather insufferably insipid in her Silver Age format).
Outside of Peter's social life, memorable new characters, particularly villains, continue to be introduced at a regular clip, including the Kingpin and the Rhino, as well as supporting characters like Captain George Stacy and Daily Bugle city editor Robbie Robertson (and his son Randy). As hinted at by the cover, though, the most significant stories in this volume involve the Green Goblin, whose mysterious early appearances are finally paid off with the revelation of his true identity. The character is revisited further later, in a story that clearly inspired a key scene in the 2002 Spider-Man film.
Outside of Peter's social life, memorable new characters, particularly villains, continue to be introduced at a regular clip, including the Kingpin and the Rhino, as well as supporting characters like Captain George Stacy and Daily Bugle city editor Robbie Robertson (and his son Randy). As hinted at by the cover, though, the most significant stories in this volume involve the Green Goblin, whose mysterious early appearances are finally paid off with the revelation of his true identity. The character is revisited further later, in a story that clearly inspired a key scene in the 2002 Spider-Man film.
March 26, 2022
Well that was a humdinger. After about 700 pages I started to NOT read all the letters pages, it was just too much of a slog, so only read one, two or three letters on a letters page. Very cool that they presented the letters pages, don't get me wrong, but in a 992 page comic book that can be quite dagwood sandwich of reading material. Okay, enough about that - what about the book? Well it's the classic Spider-Man of the mid to late 60's that for the most part presents the artwork of the definitive Spider-Man penciller, John Romita. Although Stan Lee takes the credit for the writing, I think knowing what we know about the Marvel Method that Jazzy John carried the load in this area as well. Good thing because this is when most of the great Spidey story lines originate and like I said the best Spider-Man art that would be carried through by others in the 70's. I don't have much more to say than that, this ain't high art or fine literature but it's about as good as it gets when it comes to superhero comic books which is a genre I can't help but love in spite of my life-long pursuit of intellectual status. I really just want to see pics of Mary Jane doing the frug in her ginchy mod dresses, daddy-o.
April 4, 2025
I started this years back but most of the time it sat on the shelf as I read everything else. Recently I've decided to get back into my comics and have been more consistent.
The second omnibus (for me) is a step up. While I enjoyed Ditko's weird style, John Romita's approach blends classic looks with more modern approaches and this mirrors the evolving nature of the writing and storylines. We start getting multi-parters, expansion of lore and character development. This volume has an overarching Green Goblin theme but we also get some excellent Doc Ock and Mysterio stories as well. The supporting cast expands, we finally meet MJ, Pete and Gwen hook up, Aunt May remains insufferable (in this persistently frail version) and Pete has some growth. We also get some new characters, Kingpin and Rhino and Shocker being the most important.
So, while there are still some clunkers, there's a lot of variety and enjoyment to be had.
Before moving on to volume 3, I'm going to go back and read Untold tales. Good stuff.
The second omnibus (for me) is a step up. While I enjoyed Ditko's weird style, John Romita's approach blends classic looks with more modern approaches and this mirrors the evolving nature of the writing and storylines. We start getting multi-parters, expansion of lore and character development. This volume has an overarching Green Goblin theme but we also get some excellent Doc Ock and Mysterio stories as well. The supporting cast expands, we finally meet MJ, Pete and Gwen hook up, Aunt May remains insufferable (in this persistently frail version) and Pete has some growth. We also get some new characters, Kingpin and Rhino and Shocker being the most important.
So, while there are still some clunkers, there's a lot of variety and enjoyment to be had.
Before moving on to volume 3, I'm going to go back and read Untold tales. Good stuff.
October 21, 2020
the shift from ditko to romita here also rings in a more "60s" style, with fashion and hipster language and a more intense focus on peter's relationships with his friends, including gwen stacy, mj, harry osborne, and flash thompson (who goes to fight in vietnam). here too is where we settle into long form storytelling, with arcs that don't end for years and years, particularly with spider-man's relationship with the green goblin and how that intersects with his personal life. ditko's era established what this character means - to be an underdog everyman, grounded in his emotional attachments and the juxtaposition of real problems like poverty and sickness in the family with science fiction problems like battling men with metal arms - then the romita era foresees the future of comics, with serialized storytelling that exists in a perpetual second act. reading this comics it to watch an art form discover itself.
September 25, 2023
While I love Steve Ditko, I prefer the artwork of John Romita, Sr. a whole lot more. I remember teenage me arguing with some nerds at the comic shop circa 1987. This guy said Ditko all the way. I argued that Ditko is great and laid the foundation, but it was John Romita, Sr. who defined the contemporary Spider-Man that we know and love. This was right before Todd McFarlane would do a hard reset and make Ditko the only acceptable reference point for the character for decades to come. Those of us who were Bronze Age children know Romita's version as the one who adorned t-shirts and luncboxes.
This stuff is art of the highest order. There are too many highlights for me to do a blow by blow, but I'll take a shortcut and tell you that if you are not familiar with this run that it is top shelf material and it belongs in everyone's library.
This stuff is art of the highest order. There are too many highlights for me to do a blow by blow, but I'll take a shortcut and tell you that if you are not familiar with this run that it is top shelf material and it belongs in everyone's library.
June 30, 2022
If the first volume set the groundwork of strong characters, great design, and compelling teenage drama, this volume successfully pushes Spidey closer to the one we all know and love today. The original artist (Steve Ditko) departed leading to a cleaner, more modern (albeit less avant garde and strange) look thanks to John Romita. They also build longer story arcs and really expand the supporting cast to introduce the popular conception of people like Mary Jane, Gwen Stacy, and the Osborns.
The omnibus runs a bit out of steam towards the end, but overall it's incredibly well written (even by modern standards), compellingly plotted and drawn, and an overall joy to read!
The omnibus runs a bit out of steam towards the end, but overall it's incredibly well written (even by modern standards), compellingly plotted and drawn, and an overall joy to read!
October 22, 2018
4.5 - More classic stories with this great character that are all drawn fantastically. But two character depictions really got on my nerves. There's Aunt May getting hospitalized every 5 or so issues just to make Peter feel guilty about not being around. And then there's the almost incomprehensible 60's slang spitting Mary Jane Watson who seems down right sociopathic in her lack of actual personality.
January 18, 2022
Some really great issues in this run which covers ASM 39-67. It also starts to get a lot more serialised and to have longer-term consequences than the first issues, and becomes a proper ongoing story.
November 15, 2017
Really enjoyed this one Stan Lee reigns in the dialog a bit and allows the characters to breath.
October 8, 2018
I love Silver Age Spider-Man and I love John Romita Sr art.
May 14, 2019
The high point of the silver age marvel tales. Fantastic Four has its high points but no other series is as consistently good, or holds up as well as Peter’s earliest stories.
February 1, 2022
placeholder for #101-200
February 5, 2022
the parker fan club is now in session
May 23, 2025
My favorite Spider-Man omnibus, filled with so many of my favorite stories. From doc ock, green goblin, spider-man no more, and so much more. This is some of the best spider-man stories ever made.
November 28, 2014
Still working my way through the Amazing Spider-Man. I slacked off for a couple months, but lately have returned to it with considerable dedication. I'm into late 1970 now, issue #89 next up. At this point Spidey/Peter's relationship with Gwen Stacy has been well-established, Peter and Harry are sharing an apartment, Harry is dating MJ, and Flash Thompson is serving in Vietnam. Civil rights issues of the day are making their appearance in the stories, often ham-handedly shoehorned in where they really don't belong. And of course, poor old Aunt May has been on Death's doorstep pretty much from the very beginning.
Very interesting to see the changes in tone and texture as the series develops.
Very interesting to see the changes in tone and texture as the series develops.
April 23, 2014
I think the stories and dialogue are much improved over Ditko's run but Romita's art is a little too clean and traditional for my liking. Let's see... I think my major issue with this run has to be Romita's decision to make Peter handsome and popular with the ladies. I loved the original Peter, the one who was a loser, who had no friends and studied all day. He wore glasses and looked frail enough to tip over by a gust of wind. The idea that someone like this could be a superhero was the selling point and main attraction to me. In this run, he had been sterilized... Now he looked like your average joe schmo. Still, this volume was a very fun read with stories that are superior to Ditko's IMO.
June 23, 2012
4.5 stars - These individual comics (all of which I once owned) were such a large part of my youth, I knew I'd buy this omnibus collection and I'm glad I did. The stories themselves still hold up well, even though many aspects and cultural references are dated. Great memories and lots of fun!
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