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The Uncanny X-Men Omnibus
The Uncanny X-Men Omnibus, Vol. 2
Chris Claremont, Dave Cockrum and John Byrne took a little reprint series called X-MEN and turned it into the all-new, all-different titan that conquered comicdom. Now, you can experience the thrills and excitement of their classic tales from "The Dark Phoenix Saga" to "Days of Future Past" and so much more in this enormous Omnibus!
COLLECTING: X-MEN (1963) 132-141, ANNUAL (1970) 4-5; THE UNCANNY X-MEN (1981) 142-153; AVENGERS ANNUAL (1967) 10; MARVEL FANFARE (1982) 1-4; MARVEL TREASURY EDITION (1974) 26-27; MARVEL TEAM-UP (1972) 100; BIZARRE ADVENTURES (1981) 27; PHOENIX: THE UNTOLD STORY (1984) 1
COLLECTING: X-MEN (1963) 132-141, ANNUAL (1970) 4-5; THE UNCANNY X-MEN (1981) 142-153; AVENGERS ANNUAL (1967) 10; MARVEL FANFARE (1982) 1-4; MARVEL TREASURY EDITION (1974) 26-27; MARVEL TEAM-UP (1972) 100; BIZARRE ADVENTURES (1981) 27; PHOENIX: THE UNTOLD STORY (1984) 1
869 pages, Hardcover
First published January 1, 1982
69 people are currently reading
525 people want to read
About the author
Chris Claremont
3,278 books888 followersChris Claremont is a writer of American comic books, best known for his 16-year (1975-1991) stint on Uncanny X-Men, during which the series became one of the comic book industry's most successful properties.
Claremont has written many stories for other publishers including the Star Trek Debt of Honor graphic novel, his creator-owned Sovereign Seven for DC Comics and Aliens vs Predator for Dark Horse Comics. He also wrote a few issues of the series WildC.A.T.s (volume 1, issues #10-13) at Image Comics, which introduced his creator-owned character, Huntsman.
Outside of comics, Claremont co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas. This trilogy continues the story of Elora Danan from the movie Willow. In the 1980s, he also wrote a science fiction trilogy about female starship pilot Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont was also a contributor to the Wild Cards anthology series.
Claremont has written many stories for other publishers including the Star Trek Debt of Honor graphic novel, his creator-owned Sovereign Seven for DC Comics and Aliens vs Predator for Dark Horse Comics. He also wrote a few issues of the series WildC.A.T.s (volume 1, issues #10-13) at Image Comics, which introduced his creator-owned character, Huntsman.
Outside of comics, Claremont co-wrote the Chronicles of the Shadow War trilogy, Shadow Moon (1995), Shadow Dawn (1996), and Shadow Star (1999), with George Lucas. This trilogy continues the story of Elora Danan from the movie Willow. In the 1980s, he also wrote a science fiction trilogy about female starship pilot Nicole Shea, consisting of First Flight (1987), Grounded! (1991), and Sundowner (1994). Claremont was also a contributor to the Wild Cards anthology series.
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Displaying 1 - 30 of 77 reviews
May 13, 2018
I had grand visions of giving this volume of X-Men the "Doctor, Doctor" treatment, but I fear spare time has been about as abundant in my life as unicorn hamburgers (sadly). Rest assured, however, that I’ll gin something up for Vol. 3, and it’ll make Doctor, Doctor look like Everybody Loves Raymond (whatever that means).
In the meantime, I’ll just say this: the Dark Phoenix Saga was the very first comic story I read when I was 10 and it informed my idea of what a comic book was, so I may be biased. That said, every story in this volume is emblematic of what I love about superhero team comics: grand, epic adventures combined with deep character building and soap opera drama. Yes, there’s the annoying every-issue recap of who everyone is and what’s going on (a reflection of the fact that, when these stories were originally published, editorial dictates mandated those features because 1) comic specialty shops were not yet in vogue and distribution was hit or miss, so it wasn’t a given that someone would know what had happened previously; and 2) comic readership turned over much more frequently, so the likelihood that a given issue was someone’s first was higher), but that’s a minor issue when stacked against the breathtaking imagination of Messrs. Claremont and Byrne and Claremont’s knack for characterization (not to mention creating strong female characters—something very few of his contemporaries even thought about doing).
(Side note: there are approximately 8 million words per page (rough estimate) here, which will be jarring for those of you who came to the comics scene later on; that’s partially a reflection of the era, and partially a reflection of the fact that Claremont is just one verbose bastard. I dig it, but it may not be for everyone.)
For those of you who only know the X-Men from movies, you’ll find a lot of plot points were lifted from these (and later) Claremont yarns.
In the meantime, I’ll just say this: the Dark Phoenix Saga was the very first comic story I read when I was 10 and it informed my idea of what a comic book was, so I may be biased. That said, every story in this volume is emblematic of what I love about superhero team comics: grand, epic adventures combined with deep character building and soap opera drama. Yes, there’s the annoying every-issue recap of who everyone is and what’s going on (a reflection of the fact that, when these stories were originally published, editorial dictates mandated those features because 1) comic specialty shops were not yet in vogue and distribution was hit or miss, so it wasn’t a given that someone would know what had happened previously; and 2) comic readership turned over much more frequently, so the likelihood that a given issue was someone’s first was higher), but that’s a minor issue when stacked against the breathtaking imagination of Messrs. Claremont and Byrne and Claremont’s knack for characterization (not to mention creating strong female characters—something very few of his contemporaries even thought about doing).
(Side note: there are approximately 8 million words per page (rough estimate) here, which will be jarring for those of you who came to the comics scene later on; that’s partially a reflection of the era, and partially a reflection of the fact that Claremont is just one verbose bastard. I dig it, but it may not be for everyone.)
For those of you who only know the X-Men from movies, you’ll find a lot of plot points were lifted from these (and later) Claremont yarns.
October 10, 2021
I love how these editions are collecting Chris Claremont's peak X-Men straight through. The first 3rd of this is his fantastic collaboration with John Byrne. The Dark Phoenix Saga and Days of Future Past are the two most iconic stories in the X-men's iconic past. And then John Byrne ends his run on my first X-Men comic, Demon where Kitty Pryde is left alone in the mansion being chased by the N'Garai. It's the first time you really get to see what a badass she could be. Her fear also really shines through. As an 8-year old boy this issue used to terrify me.
John Byrne abruptly left the book after issue #143 so they brought back original All-New X-Men artist Dave Cockrum. It has team-ups with the Fantastic Four and Spider-Man, along with the first time Spider-Man gets devolved into Man-Spider while traveling in the Savage Land. The X-Men fight Dr. Doom, Arcade, Magneto, and the Hellfire Club. Some interesting groundwork gets laid that affect the X-Men years later like when Magneto crushes a Russian sub and the inkling of the Reavers is formed when Cole makes his first appearance. He was a Hellfire Club henchman that Wolverine mauled during The Dark Phoenix Saga and needed to have his limbs replaced with cybernetics. Rogue's first appearance also begins some things that will affect her and Carol Danvers (Captain Marvel) for years. I also enjoyed how Kitty Pryde kept making these awful costumes that only a 13-year old girl would come up with.
I'm really digging these Omnibus editions. I love all the extras added, including the letters pages. I love how one issue had a letter from Kurt Busiek and he was complaining about Jean Grey's treatment and was dropping the book. Plus, there's these little oddball stories I never knew existed like the black and white stories from Bizarre Adventures. Seeing the original version of How The Dark Phoenix Saga ended was really neat too. I do think Jim Shooter was correct in making them change it though.
John Byrne abruptly left the book after issue #143 so they brought back original All-New X-Men artist Dave Cockrum. It has team-ups with the Fantastic Four and Spider-Man, along with the first time Spider-Man gets devolved into Man-Spider while traveling in the Savage Land. The X-Men fight Dr. Doom, Arcade, Magneto, and the Hellfire Club. Some interesting groundwork gets laid that affect the X-Men years later like when Magneto crushes a Russian sub and the inkling of the Reavers is formed when Cole makes his first appearance. He was a Hellfire Club henchman that Wolverine mauled during The Dark Phoenix Saga and needed to have his limbs replaced with cybernetics. Rogue's first appearance also begins some things that will affect her and Carol Danvers (Captain Marvel) for years. I also enjoyed how Kitty Pryde kept making these awful costumes that only a 13-year old girl would come up with.
I'm really digging these Omnibus editions. I love all the extras added, including the letters pages. I love how one issue had a letter from Kurt Busiek and he was complaining about Jean Grey's treatment and was dropping the book. Plus, there's these little oddball stories I never knew existed like the black and white stories from Bizarre Adventures. Seeing the original version of How The Dark Phoenix Saga ended was really neat too. I do think Jim Shooter was correct in making them change it though.
August 25, 2023
Reread August 2023! Love these stories. Start right in the mix of the Dark Phoenix Saga and roll right into Days of Future Past. What a way to open the book. Love seeing the friendship of Wolverine and Nightcrawler blooming throughout these pages. Storm being the new leader and Kitty Pride becoming a house hold name with the X-Men. One more step closer to the unread stuff in Uncanny X-Men vol 5 and beyond. Can’t wait!!
Finally done!!! Had a lot going on this past week but I made it through. First, for any new comic book readers out there that may be reading this review, I will say that these older comics do reiterate stuff a lot. Marvel back then figured any one of these issues could be some kids first time buying it, therefore they did a lot of recapping of what happened before and retelling you the characters abilities. This makes these issues take longer to read than current comics. With that being said, I had so much fun reading this. Loved seeing what the X-men were up to in the early days. I already hold the X-men as my favorite team and really liked characters like Kurt and Kitty. Reading this makes me like then even more. I had already read the trades for Dark Phoenix saga, Days of Future past and read the facsimile of Avenges annual 10. It was cool re-reading those as they were really good. Definitely was excited to get to the rest that I hadn’t read. So many adventures to be had. Anyone interested in the mutants or already a X fan, these stories are highly recommended. Can’t wait for the 3rd omnibus to drop next month!!
Finally done!!! Had a lot going on this past week but I made it through. First, for any new comic book readers out there that may be reading this review, I will say that these older comics do reiterate stuff a lot. Marvel back then figured any one of these issues could be some kids first time buying it, therefore they did a lot of recapping of what happened before and retelling you the characters abilities. This makes these issues take longer to read than current comics. With that being said, I had so much fun reading this. Loved seeing what the X-men were up to in the early days. I already hold the X-men as my favorite team and really liked characters like Kurt and Kitty. Reading this makes me like then even more. I had already read the trades for Dark Phoenix saga, Days of Future past and read the facsimile of Avenges annual 10. It was cool re-reading those as they were really good. Definitely was excited to get to the rest that I hadn’t read. So many adventures to be had. Anyone interested in the mutants or already a X fan, these stories are highly recommended. Can’t wait for the 3rd omnibus to drop next month!!
August 17, 2020
This second volume opens fast and strong, starting with the two most famous X-Men stories of all time, X-Men: The Dark Phoenix Saga and X-Men: Days of Future Past. We see Kitty Pryde join the X-Men and there’s a lot of Hellfire Club action. The beginning is definitely the high point of the book and the quality dips a lot after that (possibly even more than the first volume), with many of the stories being forgettable and repetitive. They once again battle Magneto, once again fight Arcade, and there’s yet another way-too-long adventure in the Savage Land. But, there were notable elements though! I loved the fact that Storm’s role is much stronger and more present. There’s a great Avengers story that provides the introduction of Rogue and has an exciting battle with the Brotherhood of Evil Mutants. It’s been fun revisiting these classic X-Men days!
August 9, 2014
Another collection of Claremont's X-Men at its best. The Dark Phoenix Saga, Days of Future Past, Demon, and the later Magneto and Hellfire tales are all quite good, and still being mined by authors today.
The Dark Phoenix Saga (132-137) that leads things off is really Claremont & Byrne at their best. The first issues with the Hellfire Club presents some great new villains every bit as interesting as Magneto and his Brotherhood a decade and a half before, but it's really the shocking changes in Jean that result and her ultimate fate that make this an unprecedented blockbuster. I also love the decision to bring Angel & Beast back for this pivotal story [10/10].
Shorts (138-144, Annual 4). It's amazing how many short stories appear in this book, really depicting a different era of comic writing. Most would agree that "Days of Future Past" (141-142) is the highlight here, and if it's faded a bit from age, it's only because it's been so frequently revisited, and so the core imagination of the idea is no longer apparent. However, my favorite is "Demon" (143) which is the story that really turns Kitty into a hero. I also enjoy the big recap issue (138); it was the comic that revealed to me the mythology of the X-Men, back in the early '80s. The rest of the stories run the gamut from weak (Annual, D'Spayre) to OK (Alpha Flight) [7+/10].
Doom & Arcade (145-147). This was the first extended X-Men arc that I ever read, so it's no surprise that it's still among my favorites. Still, it's a great arc. The X-Men enter the wider world through a confrontation with Doom; Claremont expands the cast by bringing in four old members, showing the future potential for a franchise (though most of them afterward disappear without any explanation); and every character gets the chance to shine through the individual death traps. Storm's role may be the coolest, because we see her potential to be a ... goddess [7+/10].
Avengers Annual #10. I've been wanting to read this intro to Rogue for decades, but honestly it was a little disappointing. The whole story runs too long, which makes the battles with the Brotherhood drag. Sadly, Rogue doesn't get a lot of attention and to my surprise the whole battle with Ms. Marvel took place off screen. The best part of the story is the coda, which resolves an old Ms. Marvel / Avengers plotline, but that's always where Claremont was at his best in this era: when dealing with characters [6+/10].
Magneto (148-150). Another story that might be extra beloved by me because it was one of my earliest X-Men reads. Still, this is good stuff, with Claremont deftly weaving together a growing Magneto menace with the X-Men's other tales. The introduction of Caliban (148) is good mainly for what it sets up in the future. The invasion of Magneto's old base (149) is very eerie and also does a great job of reminding us of the comic's history. Finally, the conclusion (150) is a terrific story, mainly for how it ends — and for how it'll change Magneto's character in years to come [8/10].
Annual #5. I've never loved this story, and apparently some thing never change. It's just such an off-kilter story with Arkon vs. the Badoon; when I read it in the '80s I had no idea who all this people were, but even today it feels unimportant to the X-Men's overall arc. Besides that, it's slow (a frequent problem with annuals from the era) and is mainly just a big fight against he Badoon. Seeing the X-Men and the FF work together was the whole special bit, and though that was amazing in the '80s, it's not in the modern, interconnected Marvel universe [5/10].
Marvel Fanfare. I would have expected these to be super-star issues, since they were stories for a high-quality Marvel magazine. Instead they're mediocre. The first two issues, which appear to be two issues of Marvel Team-Up (Spider-Man and Angel + Spider-Man and Ka-Zar) are the worst, but even when Claremont brings the whole team in for issues #3 & #4, things just improve slightly thanks to the team dynamics. I loved seeing the Savage Land and the Mutates, many of who would return for much better roles late in Claremont's run, but this story has no depth [5/10].
Fortunately, things improve when we return to the main comic proper ...
Hellfire Gambit (151-152). Another great story, mainly for its focus and expansion of the Hellfire Club. Emma Frost and Ororo both get great screen time here, and the Hellfire Club continues to be a fearsome adversary. You can also see the seeds of the Hellions-based academy stories that would run through the New Mutants and later Generation X [8/10].
Kitty's Fairie Tale (153). I loved this more when I was younger, but it's still an innovative and fun story. Again, you can also see foreshadowing of everything from Lockheed the Dragon to the Bamfs, making it another idea-filled story [7/10].
Shorts. The solo stories that finish the book aren't that notable. In fact, the Wolverine and Angel stories are quite bad -- shallow and clichéd. It's only the Bizarre Adventures stories that raise the bar back up a bit, mostly thanks to the in-depth look at all of the characters, plus the funny in the Nightcrawler story. Still, as a whole: [5/10].
The Dark Phoenix Saga (132-137) that leads things off is really Claremont & Byrne at their best. The first issues with the Hellfire Club presents some great new villains every bit as interesting as Magneto and his Brotherhood a decade and a half before, but it's really the shocking changes in Jean that result and her ultimate fate that make this an unprecedented blockbuster. I also love the decision to bring Angel & Beast back for this pivotal story [10/10].
Shorts (138-144, Annual 4). It's amazing how many short stories appear in this book, really depicting a different era of comic writing. Most would agree that "Days of Future Past" (141-142) is the highlight here, and if it's faded a bit from age, it's only because it's been so frequently revisited, and so the core imagination of the idea is no longer apparent. However, my favorite is "Demon" (143) which is the story that really turns Kitty into a hero. I also enjoy the big recap issue (138); it was the comic that revealed to me the mythology of the X-Men, back in the early '80s. The rest of the stories run the gamut from weak (Annual, D'Spayre) to OK (Alpha Flight) [7+/10].
Doom & Arcade (145-147). This was the first extended X-Men arc that I ever read, so it's no surprise that it's still among my favorites. Still, it's a great arc. The X-Men enter the wider world through a confrontation with Doom; Claremont expands the cast by bringing in four old members, showing the future potential for a franchise (though most of them afterward disappear without any explanation); and every character gets the chance to shine through the individual death traps. Storm's role may be the coolest, because we see her potential to be a ... goddess [7+/10].
Avengers Annual #10. I've been wanting to read this intro to Rogue for decades, but honestly it was a little disappointing. The whole story runs too long, which makes the battles with the Brotherhood drag. Sadly, Rogue doesn't get a lot of attention and to my surprise the whole battle with Ms. Marvel took place off screen. The best part of the story is the coda, which resolves an old Ms. Marvel / Avengers plotline, but that's always where Claremont was at his best in this era: when dealing with characters [6+/10].
Magneto (148-150). Another story that might be extra beloved by me because it was one of my earliest X-Men reads. Still, this is good stuff, with Claremont deftly weaving together a growing Magneto menace with the X-Men's other tales. The introduction of Caliban (148) is good mainly for what it sets up in the future. The invasion of Magneto's old base (149) is very eerie and also does a great job of reminding us of the comic's history. Finally, the conclusion (150) is a terrific story, mainly for how it ends — and for how it'll change Magneto's character in years to come [8/10].
Annual #5. I've never loved this story, and apparently some thing never change. It's just such an off-kilter story with Arkon vs. the Badoon; when I read it in the '80s I had no idea who all this people were, but even today it feels unimportant to the X-Men's overall arc. Besides that, it's slow (a frequent problem with annuals from the era) and is mainly just a big fight against he Badoon. Seeing the X-Men and the FF work together was the whole special bit, and though that was amazing in the '80s, it's not in the modern, interconnected Marvel universe [5/10].
Marvel Fanfare. I would have expected these to be super-star issues, since they were stories for a high-quality Marvel magazine. Instead they're mediocre. The first two issues, which appear to be two issues of Marvel Team-Up (Spider-Man and Angel + Spider-Man and Ka-Zar) are the worst, but even when Claremont brings the whole team in for issues #3 & #4, things just improve slightly thanks to the team dynamics. I loved seeing the Savage Land and the Mutates, many of who would return for much better roles late in Claremont's run, but this story has no depth [5/10].
Fortunately, things improve when we return to the main comic proper ...
Hellfire Gambit (151-152). Another great story, mainly for its focus and expansion of the Hellfire Club. Emma Frost and Ororo both get great screen time here, and the Hellfire Club continues to be a fearsome adversary. You can also see the seeds of the Hellions-based academy stories that would run through the New Mutants and later Generation X [8/10].
Kitty's Fairie Tale (153). I loved this more when I was younger, but it's still an innovative and fun story. Again, you can also see foreshadowing of everything from Lockheed the Dragon to the Bamfs, making it another idea-filled story [7/10].
Shorts. The solo stories that finish the book aren't that notable. In fact, the Wolverine and Angel stories are quite bad -- shallow and clichéd. It's only the Bizarre Adventures stories that raise the bar back up a bit, mostly thanks to the in-depth look at all of the characters, plus the funny in the Nightcrawler story. Still, as a whole: [5/10].
October 26, 2018
It's pretty astounding that "Days of Future Past" came out only 5 months after "The Dark Phoenix Saga." Claremont was on fire in 1980!
I also think it's hilarious that Scott Summers' secondary mutation is apparently ghosting girlfriends.Of course, Colleen Wing will go on to bigger and better things, but Aleytys Forrester, we hardly knew you.
Hopefully things will work out for him and this Madelyne Pryor I've heard so much about...
I also think it's hilarious that Scott Summers' secondary mutation is apparently ghosting girlfriends.Of course, Colleen Wing will go on to bigger and better things, but Aleytys Forrester, we hardly knew you.
Hopefully things will work out for him and this Madelyne Pryor I've heard so much about...
December 31, 2020
This is peak Claremontian X-Men, pretty much essential reading for X-Men fans. From Dark Phoenix, the introduction of Kitty Pryde, the Hellfire Club, Days of Future Past, to some fun bonus content including the introduction of Rogue, the positioning of Carol Danvers in X-Men territory for a while after her shameful mistreatment in the Avengers, and the original ending of the Dark Phoenix saga, rightfully scrapped. There isn't much more to say about it, but this is influential and very enjoyable stuff.
June 18, 2025
The quality continues! Dark Phoenix Saga was epic. After this I feel like I’m sort of going into unfamiliar territory since I’m unaware of any characters or events that are coming around the corner now.
July 14, 2018
2018 PARTIAL REREAD:
I tried getting through this book again. I could not. It was hard. But Dark Phoenix Saga still effing rules, my dude.
ORIGINAL READ, 2016:
I don't know when Marvel started putting out UXM omnibi again -- I bought the first one ten years ago and thought that would be it. But now there's two more (!), and despite already owning the best bits of this particular volume in shorter paperbacks, I had to drop some cash on this one because I finally realized that one of the many things that was horrible and shitty about 2016 was that I DID NOT READ ONE NEW X=MEN COMIC.
With this in mind, a penance had to be paid. Is my consumption of X-Men comics directly related to the well-being of the universe itself, you ask? All's I'm saying is that it's not not, if you take my meaning.
So, one thing we should be clear on -- in 2017, I'm reading so much fucking X-Men. X-Men till my eyes goddamn bleed.
But anyway. all that notwithstanding, there are things that are great and amazing about Omnibus, Vol 2. Aside from getting the psychotically good Dark Phoenix Saga and the not-as-good-as-you-remember-but-cool-titled Days of Future Past, this volume is mostly insane for how completely-complete it is. Suggesting that this merely collects a few years of early Uncanny isn't really accurate. Not only are all the lettercolumns from those days carefully reprinted, but basically every strange little X-Men cameo from any Marvel comic of the time period has been pieced together as well -- miniseries and one-offs I've never heard of take up well over 200 pages of the book, if not more. As a meticulous completist, this book exceeds even my ludicrous need to devour absolutely everything X-Men, and that's saying something.
The downfall to the collection, of course, is that all that weird content makes the book a bit of a disjointed slog. As a writer, Claremont was master of the soap opera, and one of the things that makes his early comics work is the seamless nature of his ongoing storylines. Though he's written probably 97% of the comics here, the work is scattered over a half dozen separate titles. On top of that, Claremont is clearly sowing his oats in being able to pull out all the toys in the Marvel toybox. Beside the aforementioned X-Men-centric storyarcs, and another excellent two-parter toward the volume's end that focuses on Emma Frost, Vol 2 is loaded with non-X superhero cameos that make the whole thing feel, well, just a little less X-y, if you take my meaning.
The Fantastic Four, Doctor Doom, Doctor Strange, Black Panther, Spider-Man AND Spiderwoman all take turns adventuring with the X-Men in the issues collected here, and if you're not a diehard fan of teamups (which I'm not) or all things Marvel (not that either), the middle of the book is a grinding read. There's a hundred pages of a Marvel Fanfare miniseries that's just Angel and Spidey fighting dinosaurs in the Savage Land, for example, which should be cool I guess, except if I wanted a hundred pages of Spider-Man I'd just go buy some Spider-Man, and if I wanted a hundred pages of Angel I would kill myself because obviously I'd have been taken over by pod people, because Angel fucking sucks.
I guess what I'm saying is that Vol 2 dances along the line of being an insanely complete book, or a collection that's half filler, and I'm not sure which side of that line it ends up on.
Anyway, if you're reading this review to try and decide whether or not to spend the Amazon giftcards you'll receive today (check the postdate, nerd) on an insane amount of X-Men comics, I guess there's worse things you could drop your cash on. There's also better things, of course, but if they don't have "X-Men" in the title I wouldn't bother with them if I were you, which I am, because pod people, because 2017, because X-Men, because X-Men, because X-Men.
I tried getting through this book again. I could not. It was hard. But Dark Phoenix Saga still effing rules, my dude.
ORIGINAL READ, 2016:
I don't know when Marvel started putting out UXM omnibi again -- I bought the first one ten years ago and thought that would be it. But now there's two more (!), and despite already owning the best bits of this particular volume in shorter paperbacks, I had to drop some cash on this one because I finally realized that one of the many things that was horrible and shitty about 2016 was that I DID NOT READ ONE NEW X=MEN COMIC.
With this in mind, a penance had to be paid. Is my consumption of X-Men comics directly related to the well-being of the universe itself, you ask? All's I'm saying is that it's not not, if you take my meaning.
So, one thing we should be clear on -- in 2017, I'm reading so much fucking X-Men. X-Men till my eyes goddamn bleed.
But anyway. all that notwithstanding, there are things that are great and amazing about Omnibus, Vol 2. Aside from getting the psychotically good Dark Phoenix Saga and the not-as-good-as-you-remember-but-cool-titled Days of Future Past, this volume is mostly insane for how completely-complete it is. Suggesting that this merely collects a few years of early Uncanny isn't really accurate. Not only are all the lettercolumns from those days carefully reprinted, but basically every strange little X-Men cameo from any Marvel comic of the time period has been pieced together as well -- miniseries and one-offs I've never heard of take up well over 200 pages of the book, if not more. As a meticulous completist, this book exceeds even my ludicrous need to devour absolutely everything X-Men, and that's saying something.
The downfall to the collection, of course, is that all that weird content makes the book a bit of a disjointed slog. As a writer, Claremont was master of the soap opera, and one of the things that makes his early comics work is the seamless nature of his ongoing storylines. Though he's written probably 97% of the comics here, the work is scattered over a half dozen separate titles. On top of that, Claremont is clearly sowing his oats in being able to pull out all the toys in the Marvel toybox. Beside the aforementioned X-Men-centric storyarcs, and another excellent two-parter toward the volume's end that focuses on Emma Frost, Vol 2 is loaded with non-X superhero cameos that make the whole thing feel, well, just a little less X-y, if you take my meaning.
The Fantastic Four, Doctor Doom, Doctor Strange, Black Panther, Spider-Man AND Spiderwoman all take turns adventuring with the X-Men in the issues collected here, and if you're not a diehard fan of teamups (which I'm not) or all things Marvel (not that either), the middle of the book is a grinding read. There's a hundred pages of a Marvel Fanfare miniseries that's just Angel and Spidey fighting dinosaurs in the Savage Land, for example, which should be cool I guess, except if I wanted a hundred pages of Spider-Man I'd just go buy some Spider-Man, and if I wanted a hundred pages of Angel I would kill myself because obviously I'd have been taken over by pod people, because Angel fucking sucks.
I guess what I'm saying is that Vol 2 dances along the line of being an insanely complete book, or a collection that's half filler, and I'm not sure which side of that line it ends up on.
Anyway, if you're reading this review to try and decide whether or not to spend the Amazon giftcards you'll receive today (check the postdate, nerd) on an insane amount of X-Men comics, I guess there's worse things you could drop your cash on. There's also better things, of course, but if they don't have "X-Men" in the title I wouldn't bother with them if I were you, which I am, because pod people, because 2017, because X-Men, because X-Men, because X-Men.
April 24, 2021
Still amazing, but I think I OD'd on comics by reading two omnibuses back to back. This one took a while longer to get through, and felt a teensy bit like a chore, despite really enjoying the content. That's not on the comics or their quality, it's more on me being anal and having to read something straight through without pausing for breaks. I'm sure if I was reading these issue by issue with a month between, it would never feel too arduous.
SPOILERS BELOW
What I really admire in this volume (and didn't know going in, given that I only knew the X-Men through cartoon and movie form before reading omnibus #1 last month) is that Jean Grey dies! Wow. I always complain that the major flaw in superhero stories that keeps me from loving them is that there's really nothing at stake. Sure, there will be obstacles and a side character the hero loves might die. But you know, for the sake of serializing and keeping the story going (and now, with lucrative film franchises, keeping that cash flowing!), the hero will always win/survive whatever is thrown at them. Sure, it's fun to see how they overcome the problems and obstacles. But the ending is never surprising or in question. Well, surprise I was, and that's what I love about X-Men. I was genuinely surprised to see Jean perish and learn that in the comics she has been dead for the past 40 years. None of the audiovisual renderings of the X-Men have had the guts to do this. I felt real sadness for Cyclops and the others. Kudos to Chris Claremont and the team.
Also, there's a Storm and Black Panther comic included here. They meet because Storm comes across young T'Challa being attacked by a group of white men in police uniforms. And guess what? She says, "Are those enslavers or police? Either way, that young man needs my help and I'm going to give it to him." She doesn't automatically assume that the young black man is a threat or did something to merit being attacked. She sees he's the victim of a cruel and corrupt system of police violence. This is the shit we're seeing through social media and smartphones now helping capture corrupt, terroristic policing. It's been going on for centuries. Heartbreaking. In the comic book world, it's inspiring to see Storm spring into action, take flight for the first time, help save the day, and bond with T'Challa. But in the real world, could I be so brave and take action like Storm if I saw something heinous happening, like George Floyd being murdered? I want to say yes, but you don't know what you're made of until being in that position. So, we have Storm showing us an ideal of what we'd like to see in ourselves. And the hope you could be so righteous.
SPOILERS BELOW
What I really admire in this volume (and didn't know going in, given that I only knew the X-Men through cartoon and movie form before reading omnibus #1 last month) is that Jean Grey dies! Wow. I always complain that the major flaw in superhero stories that keeps me from loving them is that there's really nothing at stake. Sure, there will be obstacles and a side character the hero loves might die. But you know, for the sake of serializing and keeping the story going (and now, with lucrative film franchises, keeping that cash flowing!), the hero will always win/survive whatever is thrown at them. Sure, it's fun to see how they overcome the problems and obstacles. But the ending is never surprising or in question. Well, surprise I was, and that's what I love about X-Men. I was genuinely surprised to see Jean perish and learn that in the comics she has been dead for the past 40 years. None of the audiovisual renderings of the X-Men have had the guts to do this. I felt real sadness for Cyclops and the others. Kudos to Chris Claremont and the team.
Also, there's a Storm and Black Panther comic included here. They meet because Storm comes across young T'Challa being attacked by a group of white men in police uniforms. And guess what? She says, "Are those enslavers or police? Either way, that young man needs my help and I'm going to give it to him." She doesn't automatically assume that the young black man is a threat or did something to merit being attacked. She sees he's the victim of a cruel and corrupt system of police violence. This is the shit we're seeing through social media and smartphones now helping capture corrupt, terroristic policing. It's been going on for centuries. Heartbreaking. In the comic book world, it's inspiring to see Storm spring into action, take flight for the first time, help save the day, and bond with T'Challa. But in the real world, could I be so brave and take action like Storm if I saw something heinous happening, like George Floyd being murdered? I want to say yes, but you don't know what you're made of until being in that position. So, we have Storm showing us an ideal of what we'd like to see in ourselves. And the hope you could be so righteous.
September 17, 2021
(Zero spoiler review) 3.75
I get that this is held in very high regard by the X-men and comics community at large, although this was a slog to get through for me. I've mentioned on a number of occasions in my reviews that I like me some wordy comic books. If there is little to read, and you can flick through an issue in a few minutes, regardless of the quality of the art, I'm gonna feel pretty cheated. Chris Claremont unfortunately, pushes my love of words to extremes, and frequently too far. The man's ability to endlessly exposit and fill a page is really something to behold, yet I couldn't help but thinking. on numerous occasions, that the pacing and flow of the story would have been significantly improved if the editors were a little more discerning when it came to the cuts. I shouldn't have felt weary, or was counting the pages to get to the end of an issue because it was just too darn long. Most of these stories are very good, and they are well executed, yet this was a classic example of too much of a good thing, for me at least anyway.
The other main point throughout that needs to be discussed is the art. Whilst artist changes are a sad inevitability of this industry, I mentioned in my review for omnibus one that assigning similar artists to titles seemed to be much more of a going concern. Artist changes aren't as jarring here as they are with modern titles. Maybe its the growing array of different art styles working their way into comics, but a change of artists doesn't bother me as much here as in later decades. That said, the change from John Byrne to Dave Cockrum wasn't so much to my liking. This was my first encounter with John Byrne's art, and I have to say, I rather liked it. The man can draw. Although when Cockrum came on board, there was a noticeable drop in quality. Sure, he improved issue on issue, although when Brett Anderson came on board for some specials towards the end, it was a pleasant change, as Anderson's art was exquisite as well.
All in all, obviously a much loved and heralded collection, yet when I got into comics, I had on interest in superhero stories. They have just never really appealed. Maybe its me wanting something a little darker, a little more risqué. Something that certainly wasn't going to be happening in 1980. Either way, everyone needs to read these stories regardless, and make up your own mind. 3.75/5
OmniBen.
I get that this is held in very high regard by the X-men and comics community at large, although this was a slog to get through for me. I've mentioned on a number of occasions in my reviews that I like me some wordy comic books. If there is little to read, and you can flick through an issue in a few minutes, regardless of the quality of the art, I'm gonna feel pretty cheated. Chris Claremont unfortunately, pushes my love of words to extremes, and frequently too far. The man's ability to endlessly exposit and fill a page is really something to behold, yet I couldn't help but thinking. on numerous occasions, that the pacing and flow of the story would have been significantly improved if the editors were a little more discerning when it came to the cuts. I shouldn't have felt weary, or was counting the pages to get to the end of an issue because it was just too darn long. Most of these stories are very good, and they are well executed, yet this was a classic example of too much of a good thing, for me at least anyway.
The other main point throughout that needs to be discussed is the art. Whilst artist changes are a sad inevitability of this industry, I mentioned in my review for omnibus one that assigning similar artists to titles seemed to be much more of a going concern. Artist changes aren't as jarring here as they are with modern titles. Maybe its the growing array of different art styles working their way into comics, but a change of artists doesn't bother me as much here as in later decades. That said, the change from John Byrne to Dave Cockrum wasn't so much to my liking. This was my first encounter with John Byrne's art, and I have to say, I rather liked it. The man can draw. Although when Cockrum came on board, there was a noticeable drop in quality. Sure, he improved issue on issue, although when Brett Anderson came on board for some specials towards the end, it was a pleasant change, as Anderson's art was exquisite as well.
All in all, obviously a much loved and heralded collection, yet when I got into comics, I had on interest in superhero stories. They have just never really appealed. Maybe its me wanting something a little darker, a little more risqué. Something that certainly wasn't going to be happening in 1980. Either way, everyone needs to read these stories regardless, and make up your own mind. 3.75/5
OmniBen.
March 20, 2022
After an amazing Vol. 1, I had a lot of expectations for the 2nd Vol. of the long loved mutant soap-opera. I will say this one didn't captivate me as much as the first one, but I would be lying if I said Chris Claremont, John Byrne, and company didn't deliver, the start of this omni was full of banger issues. We start off with the Dark Phoenix Saga that just had me at the edge of my seat. Chris and John set up a story-line so classic, it really feels thought out and precise. It's action and emotion all in one. This volume also gives us the "Days of Future Past" two part story line that is another X-Men classic. Chris and John show us a possible future where the X-Men and a lot of our other favorite marvel characters are killed! The remaining team of mutants come up with a plan in hopes to change this dystopian future. Something that nowadays would be a crossover event with several spin-offs, Chris and John make a digestible story line that is fun and creative. We also get the first appearance of Rogue, first appearance of Caliban, a Dr. Doom vs X-Men arc, some more cosmic adventures, Kitty Pryde's induction into the X-Men as well as her character development, and the return of the White Queen- Emma Frost. It is sad that Chris Claremont & John Byrne did come to an end (for now at least). They are for sure one of comics greatest duo's. Something you can always take away from these two is they will deliver an entertaining book. It will read well and look great. Can't ask for much more.
February 13, 2022
This volume features the most popular classic X-Men stories and is right before they really hit their stride. Almost all the art is from Byrne and Cockrum. Pretty cool that they included the first Rogue story from an Avengers annual with art by Michael Golden. My rating isn't fair since I would probably rate this higher if I hadn't already read it all 10 times over. An interesting note: Claremont was writing Man-Thing before he wrote X-Men, so he goes out of his way to write a Man-Thing issue. Highlights for me are the drama with Kitty Pryde and the White Queen trading bodies with Storm. I used to hate the Cockrum art when I was a kid because I compared it to the polished Byrne stuff. But as an old man, I think I like Cockrum more. His style is more classic and character expressions are really great.
October 27, 2019
Not only does this omnibus contain THE BEST X-Men story ever (the Dark Phoenix saga) not only does it contain the amazing return of the original New X-Men artist Dave Cockrum but the delight (for me who had read those stories before) was it contains so many extra goodies to thrill even the most well read X-Men fan. The four issue run in Marvel Fanfare. An Avengers annual drawn by Michael Golden at the top of his artistic powers. Some little shorts of the X-Men I have never read before - one drawn by John Byrne! It was uncovering a lost Van Gogh.
I was a little worried buying this because I HAVE read many of these stories before but I wanted a nice collection. After getting it and seeing all the extras I was SUPER pleased I got it.
I was a little worried buying this because I HAVE read many of these stories before but I wanted a nice collection. After getting it and seeing all the extras I was SUPER pleased I got it.
December 5, 2025
Segunda parte del mejor ómnibus que te puedes leer, una obra atemporal con mil relecturas, incluyendo las históricas historias Días del futuro pasado y la saga de Fénix Oscura con el club de fuego infernal, la presentación de Pícara...
Y ya de postre fichas algunos personajes X y sus historias en blanco y negro en Aventuras Bizarras, galería de portadas y un interesantísimo dossier relacionado de hechos históricos y culturales de su época de publicación!!!
Y ya de postre fichas algunos personajes X y sus historias en blanco y negro en Aventuras Bizarras, galería de portadas y un interesantísimo dossier relacionado de hechos históricos y culturales de su época de publicación!!!
September 30, 2021
I mean truly an amazing volume that has great stories from Marvel Fanfare, alternate endings and great quips by writers and creators regarding the dark Phoenix story line.
Also I can’t believe Hellfire Snuck into comics like they did- so kinky!
Also I can’t believe Hellfire Snuck into comics like they did- so kinky!
January 30, 2022
It’s the Dark Phoenix Saga and the aftermath! It’s the introduction of Kitty Pryde to the team! Days of Future Past! This omnibus continues to celebrate Chris Claremont’s achievements with Stan Lee’s Merry Mutants, and I’m here for it. Whether you’re new to the X-Men or you’ve been reading them for years, this book is a slice of happiness that you should go out of your way to read.
January 5, 2025
Dark Phoenix is PEAK, and there’s a bit of a lull after, and my hottest take of all is that said lull includes DOFP (Sorry I’ve read it twice I’m not crazy about it), but then it picks back up considerably.
July 3, 2021
What an amazing series. This volume in particular has so many iconic stories in it, including the Dark Phoenix Saga and Days of Future Past. An absolute must read for comic fans
March 18, 2024
The Claremont/Byrne team is at full power, and this starts in the midst of the legendary Dark Phoenix Saga and contains “Days of Future Past” as well as the joy of “Kitty’s Fairy Tale.” There’s also Doctor Doom’s first encounter with the new X-Men, the return of Magneto, and the first appearance of Rogue. I’d argue it’s one of the most essential omnis to own. Even the weakest story in here, some of the supplemental material, isn’t bad. The full issues range from great to best of the series.
Uncanny X-Men #132 ⧫ 5 Stars "And Hellfire is Their Name!"
The Hellfire Club showed their effectiveness in the previous three issues, and after the defeat of Emma Frost, they’re back with a vengeance. Deducing the mansion was bugged is a great move by Scott, and the decision to reintroduce Angel while providing a new hideout is a superb writing move. It also reconnects Cyclops and Phoenix before twisting the knife with the final turn of the Phoenix. It has some great Nightcrawler/Wolverine stuff and continues the Professor’s inferiority complex. It also ends on an iconic Wolverine panel. My one complaint is that the plan seems slightly undercooked, though I don’t think Cyclops could have predicted sudden turn of events. It’s just a superb issue.
Uncanny X-Men #133 ⧫ 5 Stars "Wolverine: Alone!"
While this is a middle issue, it’s still great, carrying on the threads with a brief mention of Presidential Candidate Robert Kelly–Days of Future Past is on its way!
Uncanny X-Men #134 ⧫ 5 Stars "Too Late, the Heroes!"
Truly a pyrrhic victory. The team wins, but it doesn’t really feel like a win. The team is more out of sync than ever, and the last page really delivers.
Uncanny X-Men #135 ⧫ 5 Stars "Dark Phoenix"
The stakes get higher, and this does a great job of explaining why the Phoenix might go on her rampage.
Uncanny X-Men #136 ⧫ 5 Stars "Child of Light and Darkness!"
This is where the condensed nature of some of these early comics gets a little frustrating as the battle with Dark Phoenix goes a little quickly, but overall, I still think it’s great. Jean’s homecoming to the X-Men to Cyclops to Professor X, there’s a reason this arc is thought of so fondly. And, the best is yet to come, next issue!
Uncanny X-Men #137 ⧫ 5 Stars "The Fate of the Phoenix!"
I love how the team gets time to reflect on the situation. The combat is great, and that end is perfect.
Uncanny X-Men #138 ⧫ 4 Stars "Elegy"
Is it mostly recap, yes. However, it’s great to see Byrne do the history of the team. Shout out to Lucifer, looming large, but barely mentioned. Also, some critical moments for the team. Scott leaves, Kitty arrives!
Uncanny X-Men Annual #4 ⧫ 3.5 Stars "Nightcrawler's Inferno"
I like this issue quite a bit, though it is confusing given that Amanda Sefton has been a very minor character up to this point, so I got to that reveal and thought I’d missed something. Otherwise, I quite enjoyed it
Uncanny X-Men #139 ⧫ 4.5 Stars "...Something Wicked This Way Comes!"
Kitty Pryde’s first issue on the team, and she’s barely in it! That’s okay, Logan heads north to fix things with the Canadian government. I do question how poor the Hudsons are given their jobs, but whatever. The interactions between the Alpha Flight members and Wolverine and Nightcrawler are fun. Also, a fantastic cliffhanger!
Uncanny X-Men #140 ⧫ 4.5 Stars "Rage!"
The second half involves a pretty intense fight with a Hulk-level foe. However, it still has time for teamwork and character moments.
Uncanny X-Men #141 ⧫ 5 Stars "Days of Future Past"
None of the adaptations even come close to the original. This is phenomenal from the haunted past to the introduction of the new Brotherhood. Also, Kitty vs. the Danger Room is great, complete with team reaction. I also have to say that Byrne’s art is usually stellar, but I feel like this is above and beyond.
Uncanny X-Men #142 ⧫ 5 Stars "Mind Out of Time"
I forgot that the conclusion involves Storm’s first outing as new leader and the first time this team has faced another team. I also forgot how bleak the ending cliffhanger is!
Uncanny X-Men #143 ⧫ 4.5 Stars "Demon"
Solo Kitty! It’s essentially a survival horror comic, and I have incredibly fond memories of it. I pretty much love everything about this issue, even if it is a little sappy at the end. It’s also Byrne’s final issue, and I will definitely miss him, but he’s off to one of my favorite runs on Fantastic.
Uncanny X-Men #144 ⧫ 3.5 Stars "Even in Death..."
I’ve never been one for Man Thing stories as they all seem kind of samey to me. What I really liked was the cut away to the X-Men fixing the X-Mansion. I could definitely have used more epilogue and less D’Spayre, dude’s got one gimmick.
Uncanny X-Men #145 ⧫ 4.5 Stars “Kidnapped!”
I love Doctor Doom, and this is a great issue for him. He’s vibing with Storm. He’s planning deathtraps. He’s got some surprises. Cockrum is back for the foreseeable future, and he does a great job rendering Doom and his castle.
Uncanny X-Men #146 ⧫ 3.5 Stars “Murderworld!”
Murderworld is cool, but it does get somewhat samey. I feel like these traps are weaker than issues 123 and 124. Also, Murderworld always gets beaten the same way. Plus, Doom one-ups these deathtraps. It’s just a serious villain-level disparity, and it feels a little like a waste of time.
Uncanny X-Men #147 ⧫ 4.5 Stars “Rogue Storm!”
Doom’s arrogance is his greatest enemy. This issue is back to the main team, and it’s more Storm-centric than I thought it’d be. All the X-Men do make it out of their prisons, but Storm makes Doom regret his actions.
Uncanny X-Men #148 ⧫ 3.5 Stars "Cry, Mutant!"
The art definitely looks rushed, but I like the story, and shockingly, this crossover is actually pretty important for later events, introducing the first unusual looking mutant who lives underground: Caliban.
Uncanny X-Men #149 ⧫ 4 Stars “And the Dead Shall Bury the Living!”
Another one where I wish the art was better. It’s got a ton of potential. Returning to an enemy base, underground, in the dark. The new member stows away and proves to be instrumental in defeating the villain. The story does a great job of showing how and why the X-Men are at a disadvantage and why. It’s a solid issue with all-time classic potential.
Avengers Annual #10 ⧫ 4.5 Stars “By Friends -- Betrayed!”
A genuinely cool mystery, though thanks to common knowledge, it’s been largely spoiled. The New Brotherhood continues to be quite the threat. It’s very much a Spider-Woman story, and I rather liked reading it near issue 148. It makes me want to read more Spider-Woman. It also features a gut punch ending that directly critiques the mess that is Avengers #200 (a comic I don’t recommend reading unless you’re morbidly curious). I wanted it to go harder in critiquing the group, but it kind of has to thread the needle to keep the Avengers heroes; plus, the fault lies in a badly written storyline, and there’s a ton of passing the buck around that. Anyway, as an issue I think it works on several levels; also, based on where it is in the reading order, the art is a step up and reminded me of the late 1990s/early 2000s cartoonish style, which is a little weird for some of the subject matter, but mostly looks good.
Uncanny X-Men #150 ⧫ 4 Stars "I, Magneto..."
A little too much running around at the start, but a genuinely great end. Magneto’s redemption arc continues, and it is one of the things I love about this era.
Uncanny X-Men Annual #5 ⧫ 3.5 Stars "Ou, La La -- Badoon!"
There are several great sections here. The initial invisible Badoon, first seen in Silver Surfer #2 (in Silver Surfer Omnibus #1 ), provide a cool and interesting foe, but it’s kind of a shame they never have to deal with that. The Invisible Girl vs Invisible Things is often fun. I was also sad that the Shi’ar weren’t involved, but I guess that big of a plot development was too much for an annual. There’s also some solid Colossus/Kitty romance! The threads from Annual #3 are nice as well. I also quite like the art, but I wish the story had been slightly more consistent.
Marvel Fanfare #1 ⧫ 3.5 Stars “Fast Descent into Hell”
This continues the original Sauron story from issues 60-63, in X-Men Omnibus #2 , as well as issues 114-116, in Uncanny X-Men Omnibus #1 . The intro is fairly standard Savage Land faire, but the end is very horrific! Michael Golden returns on art, and I have to say his art in this issue and the next really is top notch, and I enjoyed it in Avengers Annual #10 as well.
Marvel Fanfare #2 ⧫ 4 Stars “To Sacrifice My Soul…”
This is the gem of this four issue series. The idea of being made savage is horrifying and the lovers angle is played into well, including at the end.
Marvel Fanfare #3 ⧫ 3.5 Stars “Into the Land of Death…”
The X-Men arrive to try and fix the situation, but kind of make it worse. Dave Cockrum takes over on art to lend a classic feel to this issue. I feel like I didn’t appreciate him as much when I was younger, but I really appreciate his work on this readthrough. The Fanfare series is meant to be an art showcase, and Cockrum really delivers some great looking work.
Marvel Fanfare #4 ⧫ 3.5 Stars “Lost Souls!”
The issues conclude, maybe too neatly. The story seems a little rushed. What isn’t is artist Paul Smith’s work. It’s beautiful. I like his detailed style, and I can’t wait for his run as artist on X-Men proper, including the classic issue 168: “Professor Xavier Is a Jerk!”
Uncanny X-Men #151 ⧫ 4 Stars "X-Men Minus One!"
It’s minus more than one. I really like this issue as it’s an interesting plot, though I have to ask, “Would Emma have switched with Scott?” That would have been funny. Maybe it would have started their relationship earlier?
Uncanny X-Men #152 ⧫ 4 Stars "The Hellfire Gambit"
More great character-based action. I like what this says about their powers and how they interact. There’s also some great Kitty-Ororo moments!
Uncanny X-Men #153 ⧫ 5 Stars "Kitty's Fairy Tale"
Another one of the best issues in the series. It has one flaw: it’s too short.
Marvel Treasury Edition #26 ⧫ 3 Stars “At the Sign of the Lion!”
These Marvel Treasury Edition stories are essentially vignettes. This is an interesting meeting between Hercules and Wolverine that compares their approaches to masculinity, but is mostly just a fun fight.
Marvel Treasury Edition #27 ⧫ 3 Stars “Joyride Into Jeopardy”
This story concludes an Angel plot arc from Ka-Zar, apparently. It’s fine, but without the context of that story ends up being somewhat insubstantial.
Marvel Team-Up #100 ⧫ 4 Stars “Cry–Vengeance!”
A simple, but effective story of Storm and Black Panther reconnecting. More Claremont/Byrne is always a plus, and the story and the ending are especially effective! This is the second half of Marvel Team-Up #100. The first half is collected in the first New Mutants epic collection and first omnibus. It’s also quite good!
Bizarre Adventures #27
"The Brides of Attuma" ⧫ 4 Stars
The Attuma section is the least of this story. The childhood Jean flashback within a flashback is probably the best part, though I don’t love the technique. I also love the frame story detailing and examining Sarah and Jean’s connection. It’s great.
“Winter Carnival” ⧫ 3 Stars
A fine Iceman at college story.
“‘Show Me the Way to Go Home…’” ⧫ 3 Stars
I like aspects of this fun Nightcrawler/Vanisher story, but it’s really silly.
Phoenix: The Untold Story "The Fate of the Phoenix!"
This is an alternate retelling of the end of the Dark Phoenix Saga where Jean Grey lived, but was altered. It’s not that different, and the conversation transcript that occurs after this makes the writing and creative issues much clearer and more interesting. It is fascinating looking at this and comparing it to the X-Men: The Animated Series version where Jean also lived.
Other Comics Reviews
X-Men Omnibus #1
X-Men Omnibus #2
Epic Collection Volume 4: It's Always Darkest Before the Dawn
Champions Classic Complete Collection
Uncanny X-Men Omnibus #1
X-Men Classic Omnibus
Uncanny X-Men #132 ⧫ 5 Stars "And Hellfire is Their Name!"
The Hellfire Club showed their effectiveness in the previous three issues, and after the defeat of Emma Frost, they’re back with a vengeance. Deducing the mansion was bugged is a great move by Scott, and the decision to reintroduce Angel while providing a new hideout is a superb writing move. It also reconnects Cyclops and Phoenix before twisting the knife with the final turn of the Phoenix. It has some great Nightcrawler/Wolverine stuff and continues the Professor’s inferiority complex. It also ends on an iconic Wolverine panel. My one complaint is that the plan seems slightly undercooked, though I don’t think Cyclops could have predicted sudden turn of events. It’s just a superb issue.
Uncanny X-Men #133 ⧫ 5 Stars "Wolverine: Alone!"
While this is a middle issue, it’s still great, carrying on the threads with a brief mention of Presidential Candidate Robert Kelly–Days of Future Past is on its way!
Uncanny X-Men #134 ⧫ 5 Stars "Too Late, the Heroes!"
Truly a pyrrhic victory. The team wins, but it doesn’t really feel like a win. The team is more out of sync than ever, and the last page really delivers.
Uncanny X-Men #135 ⧫ 5 Stars "Dark Phoenix"
The stakes get higher, and this does a great job of explaining why the Phoenix might go on her rampage.
Uncanny X-Men #136 ⧫ 5 Stars "Child of Light and Darkness!"
This is where the condensed nature of some of these early comics gets a little frustrating as the battle with Dark Phoenix goes a little quickly, but overall, I still think it’s great. Jean’s homecoming to the X-Men to Cyclops to Professor X, there’s a reason this arc is thought of so fondly. And, the best is yet to come, next issue!
Uncanny X-Men #137 ⧫ 5 Stars "The Fate of the Phoenix!"
I love how the team gets time to reflect on the situation. The combat is great, and that end is perfect.
Uncanny X-Men #138 ⧫ 4 Stars "Elegy"
Is it mostly recap, yes. However, it’s great to see Byrne do the history of the team. Shout out to Lucifer, looming large, but barely mentioned. Also, some critical moments for the team. Scott leaves, Kitty arrives!
Uncanny X-Men Annual #4 ⧫ 3.5 Stars "Nightcrawler's Inferno"
I like this issue quite a bit, though it is confusing given that Amanda Sefton has been a very minor character up to this point, so I got to that reveal and thought I’d missed something. Otherwise, I quite enjoyed it
Uncanny X-Men #139 ⧫ 4.5 Stars "...Something Wicked This Way Comes!"
Kitty Pryde’s first issue on the team, and she’s barely in it! That’s okay, Logan heads north to fix things with the Canadian government. I do question how poor the Hudsons are given their jobs, but whatever. The interactions between the Alpha Flight members and Wolverine and Nightcrawler are fun. Also, a fantastic cliffhanger!
Uncanny X-Men #140 ⧫ 4.5 Stars "Rage!"
The second half involves a pretty intense fight with a Hulk-level foe. However, it still has time for teamwork and character moments.
Uncanny X-Men #141 ⧫ 5 Stars "Days of Future Past"
None of the adaptations even come close to the original. This is phenomenal from the haunted past to the introduction of the new Brotherhood. Also, Kitty vs. the Danger Room is great, complete with team reaction. I also have to say that Byrne’s art is usually stellar, but I feel like this is above and beyond.
Uncanny X-Men #142 ⧫ 5 Stars "Mind Out of Time"
I forgot that the conclusion involves Storm’s first outing as new leader and the first time this team has faced another team. I also forgot how bleak the ending cliffhanger is!
Uncanny X-Men #143 ⧫ 4.5 Stars "Demon"
Solo Kitty! It’s essentially a survival horror comic, and I have incredibly fond memories of it. I pretty much love everything about this issue, even if it is a little sappy at the end. It’s also Byrne’s final issue, and I will definitely miss him, but he’s off to one of my favorite runs on Fantastic.
Uncanny X-Men #144 ⧫ 3.5 Stars "Even in Death..."
I’ve never been one for Man Thing stories as they all seem kind of samey to me. What I really liked was the cut away to the X-Men fixing the X-Mansion. I could definitely have used more epilogue and less D’Spayre, dude’s got one gimmick.
Uncanny X-Men #145 ⧫ 4.5 Stars “Kidnapped!”
I love Doctor Doom, and this is a great issue for him. He’s vibing with Storm. He’s planning deathtraps. He’s got some surprises. Cockrum is back for the foreseeable future, and he does a great job rendering Doom and his castle.
Uncanny X-Men #146 ⧫ 3.5 Stars “Murderworld!”
Murderworld is cool, but it does get somewhat samey. I feel like these traps are weaker than issues 123 and 124. Also, Murderworld always gets beaten the same way. Plus, Doom one-ups these deathtraps. It’s just a serious villain-level disparity, and it feels a little like a waste of time.
Uncanny X-Men #147 ⧫ 4.5 Stars “Rogue Storm!”
Doom’s arrogance is his greatest enemy. This issue is back to the main team, and it’s more Storm-centric than I thought it’d be. All the X-Men do make it out of their prisons, but Storm makes Doom regret his actions.
Uncanny X-Men #148 ⧫ 3.5 Stars "Cry, Mutant!"
The art definitely looks rushed, but I like the story, and shockingly, this crossover is actually pretty important for later events, introducing the first unusual looking mutant who lives underground: Caliban.
Uncanny X-Men #149 ⧫ 4 Stars “And the Dead Shall Bury the Living!”
Another one where I wish the art was better. It’s got a ton of potential. Returning to an enemy base, underground, in the dark. The new member stows away and proves to be instrumental in defeating the villain. The story does a great job of showing how and why the X-Men are at a disadvantage and why. It’s a solid issue with all-time classic potential.
Avengers Annual #10 ⧫ 4.5 Stars “By Friends -- Betrayed!”
A genuinely cool mystery, though thanks to common knowledge, it’s been largely spoiled. The New Brotherhood continues to be quite the threat. It’s very much a Spider-Woman story, and I rather liked reading it near issue 148. It makes me want to read more Spider-Woman. It also features a gut punch ending that directly critiques the mess that is Avengers #200 (a comic I don’t recommend reading unless you’re morbidly curious). I wanted it to go harder in critiquing the group, but it kind of has to thread the needle to keep the Avengers heroes; plus, the fault lies in a badly written storyline, and there’s a ton of passing the buck around that. Anyway, as an issue I think it works on several levels; also, based on where it is in the reading order, the art is a step up and reminded me of the late 1990s/early 2000s cartoonish style, which is a little weird for some of the subject matter, but mostly looks good.
Uncanny X-Men #150 ⧫ 4 Stars "I, Magneto..."
A little too much running around at the start, but a genuinely great end. Magneto’s redemption arc continues, and it is one of the things I love about this era.
Uncanny X-Men Annual #5 ⧫ 3.5 Stars "Ou, La La -- Badoon!"
There are several great sections here. The initial invisible Badoon, first seen in Silver Surfer #2 (in Silver Surfer Omnibus #1 ), provide a cool and interesting foe, but it’s kind of a shame they never have to deal with that. The Invisible Girl vs Invisible Things is often fun. I was also sad that the Shi’ar weren’t involved, but I guess that big of a plot development was too much for an annual. There’s also some solid Colossus/Kitty romance! The threads from Annual #3 are nice as well. I also quite like the art, but I wish the story had been slightly more consistent.
Marvel Fanfare #1 ⧫ 3.5 Stars “Fast Descent into Hell”
This continues the original Sauron story from issues 60-63, in X-Men Omnibus #2 , as well as issues 114-116, in Uncanny X-Men Omnibus #1 . The intro is fairly standard Savage Land faire, but the end is very horrific! Michael Golden returns on art, and I have to say his art in this issue and the next really is top notch, and I enjoyed it in Avengers Annual #10 as well.
Marvel Fanfare #2 ⧫ 4 Stars “To Sacrifice My Soul…”
This is the gem of this four issue series. The idea of being made savage is horrifying and the lovers angle is played into well, including at the end.
Marvel Fanfare #3 ⧫ 3.5 Stars “Into the Land of Death…”
The X-Men arrive to try and fix the situation, but kind of make it worse. Dave Cockrum takes over on art to lend a classic feel to this issue. I feel like I didn’t appreciate him as much when I was younger, but I really appreciate his work on this readthrough. The Fanfare series is meant to be an art showcase, and Cockrum really delivers some great looking work.
Marvel Fanfare #4 ⧫ 3.5 Stars “Lost Souls!”
The issues conclude, maybe too neatly. The story seems a little rushed. What isn’t is artist Paul Smith’s work. It’s beautiful. I like his detailed style, and I can’t wait for his run as artist on X-Men proper, including the classic issue 168: “Professor Xavier Is a Jerk!”
Uncanny X-Men #151 ⧫ 4 Stars "X-Men Minus One!"
It’s minus more than one. I really like this issue as it’s an interesting plot, though I have to ask, “Would Emma have switched with Scott?” That would have been funny. Maybe it would have started their relationship earlier?
Uncanny X-Men #152 ⧫ 4 Stars "The Hellfire Gambit"
More great character-based action. I like what this says about their powers and how they interact. There’s also some great Kitty-Ororo moments!
Uncanny X-Men #153 ⧫ 5 Stars "Kitty's Fairy Tale"
Another one of the best issues in the series. It has one flaw: it’s too short.
Marvel Treasury Edition #26 ⧫ 3 Stars “At the Sign of the Lion!”
These Marvel Treasury Edition stories are essentially vignettes. This is an interesting meeting between Hercules and Wolverine that compares their approaches to masculinity, but is mostly just a fun fight.
Marvel Treasury Edition #27 ⧫ 3 Stars “Joyride Into Jeopardy”
This story concludes an Angel plot arc from Ka-Zar, apparently. It’s fine, but without the context of that story ends up being somewhat insubstantial.
Marvel Team-Up #100 ⧫ 4 Stars “Cry–Vengeance!”
A simple, but effective story of Storm and Black Panther reconnecting. More Claremont/Byrne is always a plus, and the story and the ending are especially effective! This is the second half of Marvel Team-Up #100. The first half is collected in the first New Mutants epic collection and first omnibus. It’s also quite good!
Bizarre Adventures #27
"The Brides of Attuma" ⧫ 4 Stars
The Attuma section is the least of this story. The childhood Jean flashback within a flashback is probably the best part, though I don’t love the technique. I also love the frame story detailing and examining Sarah and Jean’s connection. It’s great.
“Winter Carnival” ⧫ 3 Stars
A fine Iceman at college story.
“‘Show Me the Way to Go Home…’” ⧫ 3 Stars
I like aspects of this fun Nightcrawler/Vanisher story, but it’s really silly.
Phoenix: The Untold Story "The Fate of the Phoenix!"
This is an alternate retelling of the end of the Dark Phoenix Saga where Jean Grey lived, but was altered. It’s not that different, and the conversation transcript that occurs after this makes the writing and creative issues much clearer and more interesting. It is fascinating looking at this and comparing it to the X-Men: The Animated Series version where Jean also lived.
Other Comics Reviews
X-Men Omnibus #1
X-Men Omnibus #2
Epic Collection Volume 4: It's Always Darkest Before the Dawn
Champions Classic Complete Collection
Uncanny X-Men Omnibus #1
X-Men Classic Omnibus
March 8, 2018
It's always great when you finally catch up on some classic thing everyone has always said is The Best Ever and find that it is truly everything they say, and holds up really well. Now I'm crazily wondering how long it would take me to keep going and actually read all the rest of the Claremont stuff from his sixteen-year run on the comic.
Read
April 4, 2025My read-through of Chris Claremont’s X-Men run continues in full swing. This second omnibus opens with a one-two punch of famous X-Men stories: the Dark Phoenix Saga and Days of Future Past. Perhaps the most compelling feature of these stories – and others at the start of this collection – is the artwork by John Byrne, who is operating at the top of his game. While he was still figuring things out in earlier issues of Uncanny X-Men, the stories showcased here exhibit stylistic confidence and mastery of the form. Byrne’s figures are dynamic, his page layouts gripping, and his storytelling top-notch. It’s no coincidence that so many covers and panels from this era have become iconic. Inker Terry Austen perfectly complements Byrne’s pencils with tight but energetic linework.
As for the stories themselves, they are fun but (and I recognize that saying this is sacrilege) far from perfect. I continue to struggle with Claremont’s writing style. I’ve come to recognize that Claremont is not a “big idea” guy. He seldom structures a narrative around a central concept or key takeaway. He doesn’t script with precision like contemporaries such as Alan Moore or Frank Miller. Rather, his writing verges on a stream-of-consciousness style – in an interview at the end of this omnibus, he confesses that his published work is generally in “first draft” form thanks to minimal self-editing.
This approach leads to qualities that frustrate me, such as recycling of familiar phrases (how many times do characters call themselves “[insert adjective here] incarnate”?), heavy use of tired cliches, and overwriting. The most egregious example of Claremont’s overelaboration appears at the end of the Dark Phoenix saga, in which Scott Summers painstakingly explains to himself how his fiancée, Jean Grey, ended her own life seconds earlier before his eyes. Anyone else would be too shocked by grief to say anything at all, but god forbid Claremont give the moment any room to breathe.
Still, I've come to recognize some appeal in Claremont's scripting style. By loading each page with text, he allows readers to latch onto any of his many tangents and run with them. This helps explain the personal connection that many fans feel to his work. Close reading of Claremont yields many interpretations. The Dark Phoenix Saga alone touches on coming of age, humanism, reason versus intellect, morality, sexual awakening, and even the occult. A hundred readers could find a hundred distinct interpretations, all supported by the text, because Claremont himself – who isn't focused on big ideas –doesn't have a definitive takeaway. This is evident in the original draft of the Dark Phoenix Saga, included at the omnibus's end, which concludes with an odd coda about human potential that is frankly at odds with the preceding narrative. Although the published version suffers from a rushed ending, the editors wisely guided Claremont to focus the story on morality and the consequences of Jean’s actions. While it would have benefited from a clearer thematic vision upfront, this story at least serves as a thrilling action romp with great storytelling by Byrne.
I feel similarly mixed about the other classic in this omnibus, Days of Future Past. Nearly five years into Claremont’s run, this is the first story in which the idea of mutants as an oppressed minority becomes a focus – surprising, given the prominence of this aspect in discussions of his work. The sequences set in the future are exciting, but the main conflict – a battle in the present day between the X-Men and Brotherhood of Evil Mutants – feels somewhat routine, preventing the story from rising to greatness. Another story in the omnibus, Avengers Annual #10, suffers from a similar issue: an extended, ultimately aimless battle with the Brotherhood sidelines the more compelling narrative focused on Carol Danvers. In throwing things at the wall and seeing what sticks, Claremont often happens upon interesting ideas but fails to fully develop them. One instance where Claremont does succeed in leveraging a good idea is his choice to portray Magneto as tragic and sympathetic in X-Men #150 – a definitive turning point for the longtime villain.
The series improves considerably when the page count of each issue increases from seventeen to twenty-issue. With more space in each issue, the series focuses more on quieter character moments and subplots – its true strengths – even if Claremont occasionally forgets about plot threads like Banshee’s daughter or Cyclops’ off-putting romance with Lee Forrester. The addition of Kitty Pryde as a regular team member also dramatically improves the series. Even with the swashbuckling Nightcrawler as a member, the book up until that point often felt too self-serious, but Kitty brings a sense of levity and humor that makes the title much more readable. Claremont clearly enjoys writing her as she takes center stage at the expense of other team members. Kitty’s relationship with Ororo is perhaps the most fully realized dynamic in the series by the end of the second omnibus. The two highlights with Kitty are her one-on-one fight with a demon in Byrne’s finale on the title and the delightful issue that follows a fairy tale narrated by Kitty, featuring whimsical versions of her teammates on an adventure.
Following the issues drawn by Byrne, the omnibus becomes a bit of a grab-bag of stories that loses some of its narrative momentum. In part, this reflects the fact that the volume collects a bunch of stories that were separate from the main title, such as a four-part Savage Land feature from Marvel Fanfare, a few annuals, and even an issue of the black-and-white magazine Bizarre Adventures. The high level of craftsmanship across these add-ons justifies their inclusion as far as I’m concerned. Michael Golden’s art on Marvel Fanfare and Avengers Annual #10 is incredible – his style of cartooning with realistic, highly detailed rendering was ahead of its time and inspired artists like Todd McFarlane and Ryan Stegman. X-Men Annual #5 features an exciting adventure involving the Fantastic Four and repugnant Badoon aliens in a swords-and-sorcery setting, as rendering with naturalistic pencils by Brent Anderson and lush brushwork by Bob McLeod. Readers also receive a bizarre riff on Dante’s Inferno with early work by John Romita Jr. and a wacky college snowball fight illustrated by industry legend George Pérez. I sympathize with readers frustrated by the somewhat random nature of these stories, but the talent involved made it worthwhile for me.
Besides these digressions, Dave Cockrum, who revamped X-Men before Byrne took over in the 70s, makes a return as the title’s regular penciller. I remain a huge fan of Cockrum – his storytelling is immersive and innovative. With that said, his work is more traditional and less flamboyant than Byrne’s, an abrupt visual change for the book. Joe Rubenstein’s thick, coarse inks over Cockrum – a stark contrast to Terry Austin’s thin, precise linework over Byrne – add to the jarring transition. While Rubenstein is a strong inker and his collaboration with Cockrum is interesting, it feels like this should have been a one-off experiment, with regular contributions instead by an inker with clean, precise lines that better highlight Cockrum’s strengths. Bob McLeod and Ricardo Villamonte – both of whom ink Cockrum on other projects in this omnibus – would have fit his pencils better on the main title than Rubenstein. Still, I appreciate the art, especially when Cockrum unapologetically leans into cartooning.
All things considered, I enjoyed this omnibus more than the first, although I’m still not as enthusiastic about Claremont as seemingly everyone else. I’ll probably pick up the third omnibus if I ever come across it, if only to behold more Cockrum art.
As for the stories themselves, they are fun but (and I recognize that saying this is sacrilege) far from perfect. I continue to struggle with Claremont’s writing style. I’ve come to recognize that Claremont is not a “big idea” guy. He seldom structures a narrative around a central concept or key takeaway. He doesn’t script with precision like contemporaries such as Alan Moore or Frank Miller. Rather, his writing verges on a stream-of-consciousness style – in an interview at the end of this omnibus, he confesses that his published work is generally in “first draft” form thanks to minimal self-editing.
This approach leads to qualities that frustrate me, such as recycling of familiar phrases (how many times do characters call themselves “[insert adjective here] incarnate”?), heavy use of tired cliches, and overwriting. The most egregious example of Claremont’s overelaboration appears at the end of the Dark Phoenix saga, in which Scott Summers painstakingly explains to himself how his fiancée, Jean Grey, ended her own life seconds earlier before his eyes. Anyone else would be too shocked by grief to say anything at all, but god forbid Claremont give the moment any room to breathe.
Still, I've come to recognize some appeal in Claremont's scripting style. By loading each page with text, he allows readers to latch onto any of his many tangents and run with them. This helps explain the personal connection that many fans feel to his work. Close reading of Claremont yields many interpretations. The Dark Phoenix Saga alone touches on coming of age, humanism, reason versus intellect, morality, sexual awakening, and even the occult. A hundred readers could find a hundred distinct interpretations, all supported by the text, because Claremont himself – who isn't focused on big ideas –doesn't have a definitive takeaway. This is evident in the original draft of the Dark Phoenix Saga, included at the omnibus's end, which concludes with an odd coda about human potential that is frankly at odds with the preceding narrative. Although the published version suffers from a rushed ending, the editors wisely guided Claremont to focus the story on morality and the consequences of Jean’s actions. While it would have benefited from a clearer thematic vision upfront, this story at least serves as a thrilling action romp with great storytelling by Byrne.
I feel similarly mixed about the other classic in this omnibus, Days of Future Past. Nearly five years into Claremont’s run, this is the first story in which the idea of mutants as an oppressed minority becomes a focus – surprising, given the prominence of this aspect in discussions of his work. The sequences set in the future are exciting, but the main conflict – a battle in the present day between the X-Men and Brotherhood of Evil Mutants – feels somewhat routine, preventing the story from rising to greatness. Another story in the omnibus, Avengers Annual #10, suffers from a similar issue: an extended, ultimately aimless battle with the Brotherhood sidelines the more compelling narrative focused on Carol Danvers. In throwing things at the wall and seeing what sticks, Claremont often happens upon interesting ideas but fails to fully develop them. One instance where Claremont does succeed in leveraging a good idea is his choice to portray Magneto as tragic and sympathetic in X-Men #150 – a definitive turning point for the longtime villain.
The series improves considerably when the page count of each issue increases from seventeen to twenty-issue. With more space in each issue, the series focuses more on quieter character moments and subplots – its true strengths – even if Claremont occasionally forgets about plot threads like Banshee’s daughter or Cyclops’ off-putting romance with Lee Forrester. The addition of Kitty Pryde as a regular team member also dramatically improves the series. Even with the swashbuckling Nightcrawler as a member, the book up until that point often felt too self-serious, but Kitty brings a sense of levity and humor that makes the title much more readable. Claremont clearly enjoys writing her as she takes center stage at the expense of other team members. Kitty’s relationship with Ororo is perhaps the most fully realized dynamic in the series by the end of the second omnibus. The two highlights with Kitty are her one-on-one fight with a demon in Byrne’s finale on the title and the delightful issue that follows a fairy tale narrated by Kitty, featuring whimsical versions of her teammates on an adventure.
Following the issues drawn by Byrne, the omnibus becomes a bit of a grab-bag of stories that loses some of its narrative momentum. In part, this reflects the fact that the volume collects a bunch of stories that were separate from the main title, such as a four-part Savage Land feature from Marvel Fanfare, a few annuals, and even an issue of the black-and-white magazine Bizarre Adventures. The high level of craftsmanship across these add-ons justifies their inclusion as far as I’m concerned. Michael Golden’s art on Marvel Fanfare and Avengers Annual #10 is incredible – his style of cartooning with realistic, highly detailed rendering was ahead of its time and inspired artists like Todd McFarlane and Ryan Stegman. X-Men Annual #5 features an exciting adventure involving the Fantastic Four and repugnant Badoon aliens in a swords-and-sorcery setting, as rendering with naturalistic pencils by Brent Anderson and lush brushwork by Bob McLeod. Readers also receive a bizarre riff on Dante’s Inferno with early work by John Romita Jr. and a wacky college snowball fight illustrated by industry legend George Pérez. I sympathize with readers frustrated by the somewhat random nature of these stories, but the talent involved made it worthwhile for me.
Besides these digressions, Dave Cockrum, who revamped X-Men before Byrne took over in the 70s, makes a return as the title’s regular penciller. I remain a huge fan of Cockrum – his storytelling is immersive and innovative. With that said, his work is more traditional and less flamboyant than Byrne’s, an abrupt visual change for the book. Joe Rubenstein’s thick, coarse inks over Cockrum – a stark contrast to Terry Austin’s thin, precise linework over Byrne – add to the jarring transition. While Rubenstein is a strong inker and his collaboration with Cockrum is interesting, it feels like this should have been a one-off experiment, with regular contributions instead by an inker with clean, precise lines that better highlight Cockrum’s strengths. Bob McLeod and Ricardo Villamonte – both of whom ink Cockrum on other projects in this omnibus – would have fit his pencils better on the main title than Rubenstein. Still, I appreciate the art, especially when Cockrum unapologetically leans into cartooning.
All things considered, I enjoyed this omnibus more than the first, although I’m still not as enthusiastic about Claremont as seemingly everyone else. I’ll probably pick up the third omnibus if I ever come across it, if only to behold more Cockrum art.
March 10, 2015
I had never read this era of claremont's uncanny xmen, so after reading a lot of reviews and checking many of its stellar ratings of this omnibus, I bought it without hesitation. I heard about how great the dark phoenix saga and the days of future past were, and essentially found that this omnibus was rated head and shoulders over nearly all other omnibuses. Now does it deliver? Frankly, in my opinion, no. I get a lot of the evidence for how much I like an omnibus simply by how fast I can read it cover to cover; most omnibuses I will read in a week or a few days if I'm really into it. I was shocked when I found myself not wanting to continue to read this half way through and read something else. The writing is simply way too wordy; I found myself getting bogged down in the minutiae of descriptor boxes and excessive bubbles that Claremont utilizes. It really does not flow well. Maybe some of the older comic readers like that sort of thing, but I'm not a fan, I prefer the art to do much of the talking. Furthermore, the story arcs were just not that good. Maybe I just expected too much from days of future past and dark phoenix, but when people say they are the best xmen arcs of all time, I definitely had expectations that it would be something great. Honestly I felt like some of the other story lines were better written and more memorable than those two. The art is okay, definitely consistent throughout the book with a few flashes, but overall just okay.
The omnibus itself is of solid construction and materials so no complaints there.
I think many of the people are reading and rating this 5 stars through nostalgia goggles, because this is not the best of the xmen, not by a long shot. It is mediocre at best. There are multiple other xmen omnibuses I would recommend over this such as: New Xmen by Morrison, Astonishing Xmen by Whedon, and Uncanny Xforce by Remender. I own 12 omnibuses currently, and this is my least favorite so far. There just are better things to spend your money on and to read. Buy only: if this has a lot of nostalgic value for you, you are a completionist, or you want an omnibus purely for historical value of X-men storyline.
The omnibus itself is of solid construction and materials so no complaints there.
I think many of the people are reading and rating this 5 stars through nostalgia goggles, because this is not the best of the xmen, not by a long shot. It is mediocre at best. There are multiple other xmen omnibuses I would recommend over this such as: New Xmen by Morrison, Astonishing Xmen by Whedon, and Uncanny Xforce by Remender. I own 12 omnibuses currently, and this is my least favorite so far. There just are better things to spend your money on and to read. Buy only: if this has a lot of nostalgic value for you, you are a completionist, or you want an omnibus purely for historical value of X-men storyline.
April 17, 2019
Reliving my youth (again). Collects The Uncanny X-Men #132-153 (April 1980 - January 1982), The Uncanny X-Men Annuals #4-5 (1980 and 1981), The Avengers Annual #10 (1981), Marvel Fanfare #1-4 (March 1982 - September 1982) as well as material from marvel Treasury Edition #26 and 27 (1980), Marvel Team-Up #100 (December 1980), Bizarre Adventures #27 (July 1981) and Phoenix: The Untold Story #1 (April 1984).
Begins with the conclusion of the Dark Phoenix Saga (begun in the first Omnibus) and follows pretty quickly with the Days of Future Past storyline (#141-142), two very strong entries in the classic Chris Claremont era. After that the volume seems to wander a bit, with the Marvel Fanfare four issue story arc marking a major interruption in the flow (even in the writing, it doesn't quite know where it wants to be in the timeline). That said, the inclusion of The Avengers Annual #10 is perfect (since Rogue, and what she did to Carol Danvers, plays a major role in the X-men universe a few years later) and the Treasury Edition material is a perfect silly follow-up to "Kitty's Fairy Tale" (#153).
The Dark Phoenix Saga was one of the saddest things I ever read as a child. Right up there with Charlotte's Web and Bridge to Terabithia and it was nice to revisit it. Though my tastes are much different now, I'm very happy with my young self for falling in with Chris Claremont's character driven stories, which weren't the common fare in comics once upon a time. There is still something magical about them today. These were so magical to me at the time that when the retconned Jean Grey's death (in 1986), it was the beginning of the end for my early comic collecting career. The spell was broken. Trust had been betrayed. Straw one, let's say. A few more piled on in the next couple years and I gave up collecting in 1988. Nice to see this all live again in my mind.
Begins with the conclusion of the Dark Phoenix Saga (begun in the first Omnibus) and follows pretty quickly with the Days of Future Past storyline (#141-142), two very strong entries in the classic Chris Claremont era. After that the volume seems to wander a bit, with the Marvel Fanfare four issue story arc marking a major interruption in the flow (even in the writing, it doesn't quite know where it wants to be in the timeline). That said, the inclusion of The Avengers Annual #10 is perfect (since Rogue, and what she did to Carol Danvers, plays a major role in the X-men universe a few years later) and the Treasury Edition material is a perfect silly follow-up to "Kitty's Fairy Tale" (#153).
The Dark Phoenix Saga was one of the saddest things I ever read as a child. Right up there with Charlotte's Web and Bridge to Terabithia and it was nice to revisit it. Though my tastes are much different now, I'm very happy with my young self for falling in with Chris Claremont's character driven stories, which weren't the common fare in comics once upon a time. There is still something magical about them today. These were so magical to me at the time that when the retconned Jean Grey's death (in 1986), it was the beginning of the end for my early comic collecting career. The spell was broken. Trust had been betrayed. Straw one, let's say. A few more piled on in the next couple years and I gave up collecting in 1988. Nice to see this all live again in my mind.
May 25, 2025
2025 - Days of Future Past: 365 Days of The X-Men
Day 112 - 145 (4/22 - 5/25)
3.5⭐️ rounded up. Even more memories in this collection. Uncanny #137 is where I became a regular reader.
Day 112 - 145 (4/22 - 5/25)
3.5⭐️ rounded up. Even more memories in this collection. Uncanny #137 is where I became a regular reader.
January 15, 2025
After spending 2 years reading Uncanny X Men Vol 1 and Vol 2 (spent 10 months reading this particular omnibus) I am entirely convinced that if you are a new comic book reader or you simply just watched a few of the X-Men movies and you wanted to pick up these issues by Chris Claremont, you’d think this was really really bad. If you seriously remove all of the fanfare surrounding these issues, mostly the hype being built by comic book old heads, there’s no way anyone would consider this any good. Blinded by nostalgia.
Maybe I’ve been spoiled in the last 15 to 20 years with really good comic book runs/stories and really good writing but reading these in 2024-2025, it doesn’t hold up. The writing is overwhelmingly wordy, Claremont doesn’t give the artist any space to breathe by literally describing every single panel. This almost feels like comic books with subtitles to the actual dialogue, with additional footnotes. There are no interesting themes. The way X-Men’s biggest foes “The Hellfire Club” are written is extremely boring. It was so draining reading these issues, I never wanted to pick this omnibus up, avoiding it like the plague and counting down the ever long pages. I kept reading others books and Omni’s simultaneously to avoid getting back to this bore. It wasn’t until issue 150 with Magneto where I finally found something remotely intriguing.
Not to mention how awful the annuals are.
The Dark Phoenix saga & Days of future past were both highly underwhelming, almost comical regarding how bad they were, pun intended.
Now maybe the stories were groundbreaking in the late 70s early 80s but a good story is a good story and these simply weren’t that good. Everyone says that the best omnibus out of all five of these is the third one, but I’m going to give other books a shot before I get to it. I just don’t think Chris Claremont is a good writer, and rumor has it… based on his later work on this franchise, folks realize just how bad he is. People justify it based on the fact that he stayed writing the characters for so long…eh glorified excuses if you ask me.
Maybe I’ve been spoiled in the last 15 to 20 years with really good comic book runs/stories and really good writing but reading these in 2024-2025, it doesn’t hold up. The writing is overwhelmingly wordy, Claremont doesn’t give the artist any space to breathe by literally describing every single panel. This almost feels like comic books with subtitles to the actual dialogue, with additional footnotes. There are no interesting themes. The way X-Men’s biggest foes “The Hellfire Club” are written is extremely boring. It was so draining reading these issues, I never wanted to pick this omnibus up, avoiding it like the plague and counting down the ever long pages. I kept reading others books and Omni’s simultaneously to avoid getting back to this bore. It wasn’t until issue 150 with Magneto where I finally found something remotely intriguing.
Not to mention how awful the annuals are.
The Dark Phoenix saga & Days of future past were both highly underwhelming, almost comical regarding how bad they were, pun intended.
Now maybe the stories were groundbreaking in the late 70s early 80s but a good story is a good story and these simply weren’t that good. Everyone says that the best omnibus out of all five of these is the third one, but I’m going to give other books a shot before I get to it. I just don’t think Chris Claremont is a good writer, and rumor has it… based on his later work on this franchise, folks realize just how bad he is. People justify it based on the fact that he stayed writing the characters for so long…eh glorified excuses if you ask me.
May 5, 2025
I finished reading Uncanny X-Men Omnibus Vol. 2 primarily written by Chris Claremont with art primarily by John Byrne and Dave Cockrum. This book covered Uncanny X-Men #132-153 as well as a few other X-related comics of the era and the famous Avengers Annual #10.
This volume included arguably the two most famous X-Men stories there are: the Dark Phoenix Saga and Days of Future Past. It also included the introduction of new characters such as Rachel Summers (though, only called Rachel for now), Siryn (though, she technically first appeared in Spider-Woman, this was her second appearance and introduction to the X-World), Caliban (our first glimpse at a Morlock), and Rogue (though, in an Avengers annual issue that featured many X-characters).
Vol. 2 picked up right where Vol. 1 left off continuing Claremont's defining of the major X-characters. Storm clearly comes into her own as leader of the X-Men, Wolverine starts to show he isn't just an unthinking killer, and Kitty Pryde starts the long tradition of bringing back younger characters to the Xavier School.
Given the stronger characterization and several classic issues, I have to say I prefer Vol. 2 to Vol. 1. Looking at the covers of the individual issues on the back, nearly every issue (minus the four-part Marvel Fanfare segway) is considered a classic. Who doesn't love Dr. Doom falling for Storm or Kitty Pryde telling a fairy tale ?
While many people bemoan the loss of Byrne on at due to creative differences with Claremont, I feel that the transition to Cockrum is nearly seamless.
I would give this volume a solid 5/5. While it may not contain my personal favorite stories, there is no denying that this run helped to solidify the X-Men as one of the powerhouses of comics.
This volume included arguably the two most famous X-Men stories there are: the Dark Phoenix Saga and Days of Future Past. It also included the introduction of new characters such as Rachel Summers (though, only called Rachel for now), Siryn (though, she technically first appeared in Spider-Woman, this was her second appearance and introduction to the X-World), Caliban (our first glimpse at a Morlock), and Rogue (though, in an Avengers annual issue that featured many X-characters).
Vol. 2 picked up right where Vol. 1 left off continuing Claremont's defining of the major X-characters. Storm clearly comes into her own as leader of the X-Men, Wolverine starts to show he isn't just an unthinking killer, and Kitty Pryde starts the long tradition of bringing back younger characters to the Xavier School.
Given the stronger characterization and several classic issues, I have to say I prefer Vol. 2 to Vol. 1. Looking at the covers of the individual issues on the back, nearly every issue (minus the four-part Marvel Fanfare segway) is considered a classic. Who doesn't love Dr. Doom falling for Storm or Kitty Pryde telling a fairy tale ?
While many people bemoan the loss of Byrne on at due to creative differences with Claremont, I feel that the transition to Cockrum is nearly seamless.
I would give this volume a solid 5/5. While it may not contain my personal favorite stories, there is no denying that this run helped to solidify the X-Men as one of the powerhouses of comics.
July 29, 2022
I was tempted to give this book a 3 star review. The saving grace of it was the Dark Phoenix Saga, Days of Future Past and the introduction of Rogue in the Brotherhood of Mutants. Most of which was all in the front half of the book. The back half however was a massive struggle for me to get through. What particularly killed this book for me was the Marvel Fanfare issues, each with their own editorial comics that I couldn’t care less about. Then at the very end, they slap Dark Phoenix in there again, with the original ending and what felt like filler content just to fluff up the book that was just an interview with the creators discussing why they made the changes. I didn’t particularly mind that part, but rereading Dark Phoenix, with only a few page changed really killed my overall vibe for the book. Personally I just want to read the original stories, as they we released and go though the history of the X-Men. I don’t need alternative endings, and creator commentary. I’m sure for some that part would be very enjoyable though.
Anyway, like I stated above. The first half of the book was very good. Reading the Dark Phoenix for the first time, I burned through it incredible fast and found that very enjoyable. I think both Dark Phoenix and Days of Future Past were a lot better in the comics, but was pleasantly surprised that the DoFP movie didn’t stray too far source material.
Looking forward to Volume 3.
Anyway, like I stated above. The first half of the book was very good. Reading the Dark Phoenix for the first time, I burned through it incredible fast and found that very enjoyable. I think both Dark Phoenix and Days of Future Past were a lot better in the comics, but was pleasantly surprised that the DoFP movie didn’t stray too far source material.
Looking forward to Volume 3.
April 19, 2024
Dark Phoenix is incredible stuff. Probably way too quick paced and would sacrifice filler issues if they committed to it to more but just great timeless stuff. The power of great comic writing and its a shame the bozos at Fox failed this story twice smh.
Days of Future Past, I love but always hated how short it was and the future storyline kind of just ends. This is the one instance which I think the movies took a great story and improved it. But again amazing stuff.
From there it has its ups and downs, some issues are total fun (the alien ripoff horror with Kitty), Magneto’s Return (amazing development for Magneto). We get more Angel this book and get some mutant introductions and more world building.
And of course the character development, Nightcrawler & Wolverine bromance, Wolverine’s growth, Cyclops trying to figure his issues out, Storm being a leader, Nightcrawler being awesome (really becoming one of my favs and yet the movies & shows made this guy a sad boi, evolution was probably the closest to capturing his goofy side but man this guy rocks. Curious to see how he is in Xmen97.)
But overall fun read, 2 of the best Xmen stories in here even if short. However still a lot of filler and the savage land stories are 🥱 and the wordy dated style of writing can be a bit too much. Way better than omnibus vol 1 writing but the over wordiness (narration bubbles, a lot of tell & show) can be overwhelming.
Days of Future Past, I love but always hated how short it was and the future storyline kind of just ends. This is the one instance which I think the movies took a great story and improved it. But again amazing stuff.
From there it has its ups and downs, some issues are total fun (the alien ripoff horror with Kitty), Magneto’s Return (amazing development for Magneto). We get more Angel this book and get some mutant introductions and more world building.
And of course the character development, Nightcrawler & Wolverine bromance, Wolverine’s growth, Cyclops trying to figure his issues out, Storm being a leader, Nightcrawler being awesome (really becoming one of my favs and yet the movies & shows made this guy a sad boi, evolution was probably the closest to capturing his goofy side but man this guy rocks. Curious to see how he is in Xmen97.)
But overall fun read, 2 of the best Xmen stories in here even if short. However still a lot of filler and the savage land stories are 🥱 and the wordy dated style of writing can be a bit too much. Way better than omnibus vol 1 writing but the over wordiness (narration bubbles, a lot of tell & show) can be overwhelming.
December 1, 2020
These Marvel omnibus editions have been great. From the reproduction of the letter pages to the additional content in the back of the books (artist sketches, interviews, scripts, alternate editions) to the shear volume of storytelling pages in each edition. These are very much worth the money.
Volume 2 of Chris Claremont’s X-Men run is no exception. In fact it may even be one of the best of these Marvel Omnibuses given all the extra content it provides.
This work has at least 3 major fan favorite events. There is the Dark Phoenix Saga. Days of Future Past (a mere two issue arc that is so well executed and efficient it has captured the minds of Mutant fandom for several generations), and the introduction and development of Kitty Pryde.
If this volume only did that, it would be enough. But it also fills in the spaces between those story lines with the kind of character building that made X-Men Marvel’s uncanny flagship for more than a decade. Also, one forgets, or at least I forgot how varied and delightfully strange the stories were.
If you are an X-Men fan this is a collection you need.
Volume 2 of Chris Claremont’s X-Men run is no exception. In fact it may even be one of the best of these Marvel Omnibuses given all the extra content it provides.
This work has at least 3 major fan favorite events. There is the Dark Phoenix Saga. Days of Future Past (a mere two issue arc that is so well executed and efficient it has captured the minds of Mutant fandom for several generations), and the introduction and development of Kitty Pryde.
If this volume only did that, it would be enough. But it also fills in the spaces between those story lines with the kind of character building that made X-Men Marvel’s uncanny flagship for more than a decade. Also, one forgets, or at least I forgot how varied and delightfully strange the stories were.
If you are an X-Men fan this is a collection you need.
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