Camera Graeca: Photographs, Narratives, Materialities

by Yannis Hamilakis, Yannis Hamilakis

While written sources on the history of Greece have been studied extensively, no systematic attempt has been made to examine photography as an important cultural and material process. This is surprising, given that Modern Greece and photography are almost both are cultural products of the 1830s, and both actively converse with modernity. Camera Photographs, Narratives, Materialities fills this lacuna. It is the first inter-disciplinary volume to examine critically and in a theorised manner the entanglement of Greece with photography. The book argues that photographs and the photographic process as a whole have been instrumental in the reproduction of national imagination, in the consolidation of the nation-building process, and in the generation and dissemination of state propaganda. At the same time, it is argued that the photographic field constitutes a site of memory and counter-memory, where various social actors intervene actively and stake their discursive, material, and practical claims. As such, the volume will be of relevance to scholars and photographers, worldwide. The book is divided into four, tightly integrated parts. The first, 'Imag(in)ing Greece', shows that the consolidation of Greek national identity constituted a material-cum-representational process, the projection of an imagery, although some photographic production sits uneasily within the national canon, and may even undermine it. The second part, 'Photographic narratives, alternative histories', demonstrates the narrative function of photographs in diary-keeping and in photobooks. It also examines the constitution of spectatorship through the combination of text and image, and the role of photography as a process of materializing counter-hegemonic discourses and practices. The third part, 'Photographic matter-realities', foregrounds the role of photography in materializing state propaganda, national memory, and war. The final part, 'Photographic ethnographiesa

396 pages, Kindle Edition

Published March 9, 2016

About the author

Yannis Hamilakis has studied at the University of Crete (BA History and Archaeology), and the University of Sheffield (MSc and PhD). He has taught at the University of Wales Lampeter (1996-2000) and the Universitat Autonoma de Barcelona (2005). He has been Wiener Lab Fellow at the American School of Classical Studies, Athens (2002-2003), Mary Seeger O'Boyle Fellow at Princeton University (1999), Library Fellow at Princeton University (2000), Margo Tytus Fellow at the University of Cincinnati (2003), Getty Scholar at the Getty Research Institute, Los Angeles (2005-2006) and Member of the Institute for Advanced Study at Princeton (2012-13). He was the 2005 Royal Academy of Sweden-funded visiting lecturer to all Swedish Classics Departments, and the 2006 W B Stanford Lecturer at Trinity College Dublin, In the last few years he has been an invited keynote speaker at major conferences in Melbourne (Aegean prehistory), Dublin (World Archaeological Congress), Carbondale, IL (Archaeology of the Senses), Providence RI (TAG-USA, and "Engaged Scholarship" workshop), Nottingham (Archaeology of Food), Heidelberg ("Minoan" archaeology), San Felipe in Chile (Theoretical Archaeology in South America) and elsewhere.

Yannis is committed to an anthropologically-informed, critical archaeological engagement with past and present material culture, and to the inter-disciplinary nature of archaeological work. This position recognises the historically contingent nature of archaeology as a device of western modernity, as well as its potential to enable a critical and reflexive experiential encounter with the material world. He also believes on a politically commited archaeological and academic practice, devoted to social justice.

He was founding member and co-ordinator of the Radical Archaeology Forum, and founding member and first director of the University of Wales Centre for the Study of SE Europe, and chair and co-ordinator of the task-force on 'Archaeologists and War' for the World Archaeological Congress (WAC). He is currently co-ordinator of the group, Laboratory for Social Zooarchaeology at the University of Southampton. From 2007 to 2010 he directed the archaeological ethnography project at Kalaureia (Poros) Greece, and since 2010 he co-directs a major new field project, the Koutroulou Magoula Archaeology and Archaeological Ethnography Project, which centres around the excavation of an important Middle Neolithic tell site in Greece.

His main research and teaching interests are the archaeology of the body and of bodily senses, the archaeology of eating and drinking, social zooarchaeology, the socio-politics of the past, archaeology and nationalism, archaeological ethnography, archaeology and photography, and critical pedagogy in archaeology. Although much of his fieldwork is to do with the prehistoric (Neolithic and Bronze Age) Aegean, many of his projects are multi-temporal. He has published eleven books and many articles, including:

'Archaeology and the Senses: Human Experience, Memory, and Affect (2013)'
'The Nation and its Ruins: Antiquity, Archaeology, and National Imagination in Greece' (2007, 2009) which won the Edmund Keeley Book Prize in 2009 and was shortlisted for the Runciman Prize
Archaeological Ethnographies (2009). His media appearances include national Greek press, radio and TV, the BBC (In Our Time, Making History, The Forum etc), NPR, SBS, et al.
He serves on the editorial board of the journals:

Annual Review of Anthroplogy (2014-)
Journal of Contemporary Archaeology (2014-)
Classical Receptions Journal (2009-)
Journal of the Royal Anthropological Institute (inc Man) (2005-2007)
Archaeologies: The Journal of the World Archaeological Congress (2005-)
Journal of Mediterranean Archaeology (2004-)
Annual of the British School at Athens (2004-)
Aegean Archaeology (2002-)
Eterotites (2004-)
Research in Archaeological Education (2007-)
Current Swedish Archaeology (2011-)
Forum Kritische Archäolog