What could be worse than a couple of psychopaths charging into your bedroom in the middle of the night and roughing you up? Having one of the thugs dangling and threatening your precious infant in front of you, that's what. And I must say, what one of the scary guys does (not to the baby, thank god) is really really gross, something I will never forget; the image is forever stuck in my mind.
This author is a smart cookie--he knows that by throwing an infant into the mix, we are guaranteed nail bites and twitching. If you've been a parent, especially, you'll be freaked about the infant's safety the whole time. For most of the story, the baby's in a snuggly. I felt this relief that she was being held, that she was attached, as if being carried in a bag on your mother’s chest is totally safe. I was actually wishing she were still in the safe womb. I felt this complete uneasiness when she was out of the snuggly, when she had an open-air vulnerability. The mom in me was having a heart attack.
People do change the nappies a lot in the story, which mostly I thought cute, though I didn't want to think of baby poop so often. And during diaper changes, the baby is out of the snuggly and unprotected, so I had that to worry about. But I think one of the reasons there’s so much diaper changing is that there's not much a baby does; she can only eat, sleep, pee, poop, burp, coo, and cry—that’s it. So what’s a writer to do except put a lot of diaper changes and feedings into the story? It’s very realistic.
The author gets big points for figuring out how to deal with harried chases with a baby in the picture. I was super impressed with how he was able to convincingly handle having the baby in almost every scene, especially a time when the mom had to do physical feats and had the baby with her. He was very careful with the logistics.
But you definitely don't need to be a parent for this to be an exciting read. The action is non-stop, and I mean non-stop. It starts immediately and before you know it, there are new bad guys (or are they bad? And if so, how bad?). There are two sets of people on the run, meeting up and being followed. Lots of “who do you trust?” moments, Lots of close calls, threats, and subterfuge. There’s a woman with a wig and a mysterious past. There’s betrayal and cruelty. Who is telling the truth? I was constantly asking, how will they get out of this? Should they really be doing this? Are they being smart or dumb here? What new horror now awaits them?
This felt just like a movie, the action so well described and so vivid. There was no fluff, no side trips, just clear prose. And the pace was perfect. Fast and furious, nerve-wracking yet fun.
You can't have it all. What's missing is complex characters. There are no inner monologues, no insights, no fantastic dialogue. We don’t find out much about the victims (or see their personalities), we just know that they have an urgent drive and determination to be safe. This is typical (and sort of a requirement, actually) of an action movie or TV show—getting to know the characters would slow the plot down, and half the fun is the speed.
You had to suspend disbelief a bit, but it's worth it. I think the victims’ first reaction was a little underplayed (I would have thought they’d freak out more, or talk about it more—not try to get back to sleep!), but otherwise they were believable. I'd love to see this story made into a movie.
So since the characters were one-dimensional, it wasn't an A-plus read, but it was well written and damn exciting. There's some extreme violence, but only once, I think, and it wasn't prolonged. I’m a wimp, and it didn’t freak me out.
Thrillers are not my genre, but I liked this book a whole lot. I’m thinking that for people who love this genre, it will be a 5-star read for sure. I'll be recommending this to people looking for a tight, good thriller.
Thank you, NetGalley, for the advance copy.