This novel switches between the 1880's and the present day, with wealthy debutante Elizabeth's story in the past leading up to the tragic Johnstown flood, and 18-year-old Lee's story in present-day LA as she searches for answers about her birth family's ancestry. The author makes it abundantly clear from the beginning that these young women are somehow connected and even share a few physical similarities, so it's no big surprise when their stories eventually intertwine, but it felt like a stretch. I would've much preferred Elizabeth's story as stand-alone historical fiction. Lee's chapters felt like an unnecessary mechanism for unfolding the story, an at times, a distraction. Like many, apparently, I was clueless about the Johnstown flood, so upon learning more about the magnitude of this actual event, I was fascinated and compelled to learn more about it outside of the novel. It was devastating and impactful, not to mention the added dynamics of class and corruption behind the event, so there are certainly stories to tell. I also found the bit about Clara Barton's background and involvement pretty interesting, albeit brief in the novel. I never had to write a requisite biography report about her so I didn't know much about her life, which was pretty revolutionary. Perhaps the story would've benefitted from just being told in the past from these two women's perspectives.
But let's get back to Lee. Poor Lee, I'm sorry, but you were the rotten egg here. Yes, your life took some hard turns. But the angsty melodrama, bad metaphors, fairly implausible living scenarios (as in, banished to hide in her mom's boss's pool house like a modern-day Cinderella, only to meet her rich Prince Charming while "undercover" at a neighbor's party...ughhh...) It all just read like bad, corny YA in a voice that didn't feel very authentic.