Veteran writer Chris Bohjalian has an appreciation for story and character, and he combines a ripped-from-the-headlines topic with a sympathetic family drama. Wealthy investment banker Richard Chapman has been happily married to Kristin, and their nine-year-old daughter, Melissa, is the light of their lives. Kristin teaches at the upscale private school near where they live in Bronxville. Solid marriage. Happy family. But, what happens when a tragedy of consequences hits home?
When Richard’s wife and daughter are safely ensconced at his mother-in-law’s, he hosts a bachelor party at his house, planned by his brother’s friend, Spencer, who has experience hiring “girls.” Oddly, Kristin has accepted that strippers were going to be at their domicile, as well as a bunch of guys drinking and smoking to excess. Well, the party goes awry; two Russian bodyguards are killed by the so-called strippers, who turn out to be sex slaves, and possibly underage. Then they fled. The family is devastated, scandal is imminent, Richard’s job is in jeopardy, and Kristin is appalled that her husband got naked and kissed one of the girls. The house is splattered everywhere with blood, and it is obvious that sex occurred in Melissa’s bedroom. This is how it all begins, and the fallout to family is the crux of the story.
The narration primarily alternates between the Chapman family members and Alexandra, one of the two sex slaves that got away. We learn of her family history, as well as follow her and Sonja, the other fugitive from this mess. Her personal story has its own pile-up of tragedies. The author humanized Alexandra, but her English was too exceptional for someone in this country only three weeks, with little formal education. Her language, (except for inconsistently devised dropping of the articles “a” and “the,”) was too immaculate. It may seem a small complaint, but it was distracting, and made it more difficult to suspend disbelief.
The problems for the Chapmans were expected, and Melissa’s crumbling interior world was the most palpable. Between home and school, there was no escape from the sordid story. As the family tries to mend, and find its way back to each other, the consequences of actions taken become more heightened.
Bohjalian’s narrative is largely formulaic, but with a surprise twist at the end. The problem was that I wasn’t convinced. One character’s actions appeared contrived during the climax, and I had a hard time believing certain states of mind that are not supported. It was too abrupt a change of heart, and in the throes of a dangerous event, seemed incredulous.
The story could also have been paced a bit better. There were some irrelevant digressions—and details of a walk-on character during the denouement were immaterial, and seemed placed to keep us in suspense. And a lot of the content was repetitive. Unfortunately, the thriller aspects seemed derivative to me. I know that the author did his research, but I wasn’t persuaded. I did engage with some of the Chapman’s distress, which helped me to keep going. I don’t want to be too harsh, or alienate any Bohjalian fans. This is just my opinion, that the author’s ambitions weren’t well realized. But I was able to finish, for wanting to know how this quick read all turned out.