The purpose of this children’s book is as stated, a means of familiarizing children with shapes and encouraging them to identify these shapes in different contexts. Within Museum Shapes, a painting or part of a painting featured in The Metropolitan Museum of Art’s collection occupies the left hand of a two page spread and on the opposite side there is a question, “What shape…” The background of the question page is filled by a pattern of the shape featured in the image. The next page is subdivided on the right into four separate square cropped images of other artwork in the museum that features the shape. The words on each page are minimal and do not stand out much, focusing younger and older reader’s attention on beautiful artworks from the Met’s collection. At the end of the book, each of the art pieces, their artist, the medium, piece’s size and the bequest through which it was obtained is listed for each shape. This suggests that this book could be used as a guide when visiting the Met, or any other museum. For a child who asks “What should I do?” or mopes “This is boring” the identification of shapes in different contexts within artwork encourages on avenue for young children to appreciate and interact with art. This children’s book focuses on the visual connection between math, geometry, and art so it seems appropriate for young children and parents who want to encourage their children to connect lessons from school (such as lessons on shape identification) to outside contexts.
This book features mostly American and European artists though the book jacket suggests that the art featured is geographically diverse. There are some pieces of art from Japan, the Solomon Islands, India, and Uzbekistan, but this book would benefit from including a wider range of international artists in future publications and reprints. This book shows to a degree the pervasive obsession in America with a Western cannon that seeps beyond art and music and into the genre of Children’s Literature. Though this book brings in some international artists from continents besides North America and Europe, these references are far outweighed by the western works featured in this book. This book in part advertises the brand of the Metropolitan Museum of Art by appealing to young readers and parents who want their children to aesthetically appreciate art, but this book also shows places of critique within the structuring of the Met. This children’s book illustrates issues surrounding the implementation of multicultural and pluricultural policies that continue to plague institutions today. In this way children’s literature and this book specifically are able to highlight larger societal and systemic struggles taking place, demonstrating the legitimacy and complexity of the genre of children’s literature.