A dynamic, inventive and articulate stage director explores in practical, down-to-cases language "The " what it is and is not; the nonsense, the misconceptions, the myths that have sprung up and flourished around it; its development as a workable theory of stage technique and its application to all types of theatrical production.
My teacher's teacher was Bobby Lewis, who had studied with Stanislavsky and was a contemporary of Lee Strasberg and Uta Hagen. This book is comprised of lectures by Lewis on the art of acting, and not letting the notion of a 'method' interfere.