WORSE THAN THE FIRST
I checked the publication date on this series to see if it was maybe a work the author did long before his NPCs series, but no, both book 1 of super powereds and book 1 of NPCs came out in the same year. I was prompted to do this because this second volume is somehow even worse than year 1. Some questions from the first novel were answered ( identity of Chad and Vince's Dads, who arranged the kidnapping attempt, Nick's Master Plan, Alice's parents, etc ) but the answers were so much more disappointing than I could ever have imagined. Almost every revelation in this novel is just a massive gaping plot hole. It's totally inexcusable considering how many pages it took to reach them.
A bad plot can be saved by good characters, but there's no heroes here.
All the major characters actually get LESS interesting in this volume as any of the personalities they started the series with have eroded away completely until they're either Good Boy(TM) or Good Girl(TM). Almost all of the female characters have interchangeable dialogue, especially the minor ones ( Angela, Julia, Stella, Sasha, Violet all sound exactly the same and it's infuriating given they used to be different people ) but the major one's personalities all start drifting together too. Alice, Camille, and Sasha all have similar rage reactions at some point in the book despite us being told repeatedly they have totally different temperaments and so should REACT TO TRAUMA DIFFERENTLY. Nope, in the author's mind there's only one way people deal with grief and rage if they're ladies. There's also this through-line of women thirsting mightily over men that are indifferent about them which was kind of funny when it was just Julia in the first book. Now it's half the female cast ( Angela, Siren chick, Camile, Sasha, Alice ). You guys remember college right? How very hot girls would be like 'GOSH I WISH SOME SOCIALLY AWKWARD NERDY BOY WOULD SLEEP WITH ME' but all the socially awkward nerdy boys were like 'Nah I gotta do my studies and lift weights sorry ladies I'm not even a little interested in pussy.' Yup, that's how I remember college too. Ridiculous unrealistic obvious pandering is obvious. Of course other classics, like Spiderman, also have multiple girls chasing Peter but he usually initiates/reciprocates and they often have some sort of connection or common interest ( neighbors, science friends, journalism buds, her dad is the crime boss Pete has to take down, ) which makes it feel more real. In this book it's just chicks worshipping these guys and it's pretty gross.
Nick's master plan turns out to be totally idiotic and the dark plot he was alluding to have the entire time ends up not even existing, a super disappointing let down and no pay off for all the Anime-Style paragraphs of stroking Nick gives himself about his own brilliance during the series.
Alex, Shane, Thomas and Chad remain the same character in different outfits. Vince goes from boring to aggravating as all of his rivals are disposed of in the early chapters ( because fuck tension ) and any potential new rivalries are neutered before they even develop. Perhaps I could forgive no one challenging Vince if not for how many pages are dedicated to different characters pining over how ~special~ Vince is. I'll decide if he's special, don't keep telling me, that's bad writing. I adored Harry Potter, Artemis Fowl, the kid who led the Steelheart series, Deku from BNHA, and almost all of the Marvel leads. I have NO PROBLEM with good, pure, strong boy leads who save the world. However, just show me instead of having Thomas, Nick, Mary, Alice, Camile, Dean Blaine, all the professors, and everyone else breathlessly telling me over and over and over and over again how great Vince is. Good god. The only interesting thing he does in the entire book is bomb a math test. Seriously, that's the BEST PLOT LINE in the entire book. It's established, there's tension, multiple approaches are taken, there's an nifty plot twist that takes advantage of them being superheroes, and a concise resolution. It's the only story line in this trainwreck of a series that's had three satisfying acts.
Rich, the 'I trapped a cat in it's own mind. Not sure if it worked.' guy from book 1, is the only character who grew more complex instead of regressing. I'm guessing that's just an unintentional side effect of him basically being Starscreamed now that the author's other least favorite character ( Michael ) is gone. Although I enjoy Rich he feels too much like a real person and is far too interesting to exist in this universe of cardboard cut-outs. He will be flattened too in book three, mark my words. Will could have been interesting except his story just disappears after a few scenes, so like, it was totally pointless.
Mr.Numbers and Mr.Transport, the only adult characters we cared about and our introduction into the universe, basically disappear for this volume which is shame because as I said they're the only adult characters with any appeal.
The world-building makes the world less sensical rather than more in this series. Vince's dad is basically Osama bin Laden and despite living in civilization this entire time Vince has never seen an image of him. Also, the law won't let them use a telepath without a warrant, but the student's memories are erased when they fail out of the program, which is way more invasive and makes way less sense. He tries to write it in so there's clean up teams and everything but you'd basically have to destroy every single polaroid that every single person took at all the huge rager parties all of the students attended, plus any cards and letters sent home and love notes and records of study groups and....
I say polaroid because despite this being published in 2014 I can't remember for sure if anyone uses a computer or has a cell phone. This is weird because this is a book about teenagers. Teenagers are addicted to their phones, always on them, and very concerned with online image management. Eve nif they can't have them in school ( which would be a dumb rule as it would mark anyone in the Hero program after the first week ), they'd use them during breaks.
Is this a period piece? Is it set in like the 70s? If so there needs to be more cues. Mentions of presidents, or music styles, popular films or fashions, the fact that a bunch of kids are low key freaking out they have a black student in their classes, something. I don't think it's set in the 1970s because there was that gay token characters that was Nick's girlfriend's pal in book 1 and no one seemed to have any reaction, but then again it could just be the author's total misunderstanding of living with oppression and prejudice.
Oh, and it's not like anyone would seek out a failed student and reignite a relationship with evidence right? This policy essentially turns Lander into a factory for churning out super villains.
BACK TO THE PREJUDICE THING.
We were promised lots of tension from the reveal in the last book. Our previously powered friends were outed. X-Men and Generator Rex, both series that address uncontrollable abilities and the fallout of them, are two of my favorite superhero franchises of all time and I was SOOOO excited to finally see him address the ideas he introduced in book one.
Nope.
We don't have time to actually have any of their classmates react negatively to this bombshell that they're from a pariah social group. For one, that would be too much tension for this book and god knows we don't want that. For two, it would take away from pages spent pining over Vince and/or alcohol. ( Seriously, notice how many scenes in which booze is adoring described or central to the interactions even when it doesn't make any sense to that specific character. Halfway through the novel I was beginning to think that author had a problem, and I went to a party college. Many drank a little but the kids that talked about booze this much are now alcoholics having their mid-life crisis. Also, friend just informed me that in third book instead of getting cool jobs that would work well with their powers they all work in a bar, which only deepens my suspicions. )
Sure, the characters talk about how oppression exists, but it never actually happens to anyone. Sasha breaks up with Vince but gets over it pretty quick, and since it turned out she didn't break up with him because he was a former powered but instead because Vince lied to her that's not oppression. Also, everyone else yells at her, because you know if there is a loathed social caste it's because of that one in ten person being a jerk, not the majority holding ignorant beliefs, right?
Michael was a bigot but he had no redeeming qualities and now he's gone. Rich is bigoted against humans, but Rich is portrayed an idiotic punching bag the entire novel... WHICH ISN'T THE WAY PREJUDICE AFFECTS PEOPLE. Handsome, articulate, charming, popular people can be bigoted as hell, and a lot of the time they're in power, that's what makes it such a challenge. If grown-ass adults freaked over little black girls walking to a school with little white kids in the 1960s to the point of the national guard needing to be called in or we're evicting perfectly pleasant trans people from the military because their crotchs aren't what we want them to be, what makes you think everyone is going to super chill with Vince and Nick who have caused multiple lethal accidents in their histories and could kill dozens of people as an oopsie? Also everyone's really okay with Alex and Mary even though people today flip out if you unlock their phone to glance at it without permission and Mary and Alex and basically always snooping in people's brains but for some reason everyone's just like 'cool man go ahead and root around in my deepest personal feelings no prob'.
Look, it's a fantasy book. If you don't want oppression as part of your universe just like you don't want to follow the rules of physics, that's fine! But if you DO include prejudice as a plot line, don't minimize it or make it seem like no big deal. Even if you're of the dominant race/gender/religion in your area, surely you can find a moment you were rejected and explore those feelings to make something sincere. Something real. Dig into those sensations of isolation and exclusion, of being treated less, truly use them. This handling of the idea, where we say the character is oppressed but then have literally everyone in their class come over to Alice's summer home for a week-long bender, or to the on-campus party they're prominent guests at, or all the Freshmen still attend the River Trip despite Mary Chaperoning, or everyone coming to their karaoke event, or... you get the picture.
Never do they feel any backlash for their status so it might as well not even exist. If that's the way the author thinks prejudice works no wonder he made Stella the women's studies major a blubbering idiot in the first volume. He truly doesn't get it, and it's really disappointing he wrote gnomes and orcs with more realistic trials than his humans. it's not even like it's that hard to do in the superhero genre, even if your leads are male and white. Look at all the crap Peter Parker goes through because of his small size and the whole poverty thing. In the cinematic universe, he's also straining against the pressure of his age and perceived age discrimination. Hell, being ugly is enough of a thing even ( Though of course our entire cast is gorgeous, because again, we wouldn't want tension so only baddies are unattractive. )
I don't usually do hate reads. I read the first one because I liked NPCs. I read the second one because all of my lingering good will had not been burned through yet. Now it has. I will not read the third or fourth volume, ever. This series fails on all levels. As a superhero story, there's not enough superhero stuff happening. As a college or slice of life story, the characters are too weak to carry it or make us care about their relationships. As a world building or setting novel it's garbage because what the author tells us and what actually happens don't align at all and the universe itself is incoherent. It's too dry to be a cartoony comedy and it's too shallow to be a drama. The mysteries suck and are riddled with plot holes. it's just a bad, bad novel and you'd be better off listening or reading just about anything else by a published author. Two terrible novels in a row have really wilted the blossoming trust I had with this author after his three good NPC books. I'm wondering if they were good at all or if I just wasn't listening closely. This novel is so inept it's making me doubt merit of the previous work I've read by the author.
The only reason I don't give it 1 star is because there were some good sentence level jokes scattered here and there that made me chuckle.