The Bet was previously published as Brando, Parts 1 and 2. I reread it and stand by my original review. 5 big, bold, brash Brando stars.
***
There’s something special about JD Hawkins’s writing and it all comes shining through in “The Bet,” his third effort. I’ll attempt to explain what that is.
We met Brando Nash in Hawkins’s debut, “Insatiable” – which if you haven’t read, you really must – as Jax’s best friend. You don’t need to have read “Insatiable” to read “The Bet,” although if you did, you might be predisposed to love the bigger-than-life Italian from Brooklyn, with the body of a God, however you might wonder about his back story, which is barely hinted at. Like Jax, Brando’s got arrogance, swagger, and goes through women like they are miles on a road trip.
That’s a pretty bad metaphor. Hawkins is a master of them, and they are a consistent and unique stylistic quirk of his writing.
Brando is a music executive in Hollywood, the land of appearances, using people for your own gain, and where real talent may get overlooked for flash. This atmosphere is portrayed really well, and could lead the reader to wonder whether Brando’s intentions toward the female lead are true. The thing is, we know immediately that his intentions aren’t true, because Brando takes up a rival music executive on a bet: make the mousy, quiet girl on stage a star in a month, and Brando gets back Lexi Dark, a mega-star with whom he had a long history. Fail to chart a single in a month, and Brando loses an act from his musical roster, ten thousand dollars, and damage to his reputation and credibility, which matters a whole lot in a business based on what other people think of you. Game on.
Haley is a singer, who is nothing like Brando’s usual type of bombshells. In fact, when Brando first sees her, she barely registers. No idiot, she trusts Brando about as far as she can throw him, and it takes quite a bit of charm and sincerity on his part for her to agree to record a single, get a stylist, and do the other activities required for signing a new star.
But the thing is, she doesn’t sign. They operate on trust. And little by little, they start to fall for each other beyond what they can get out of each other, meaning success in the music business.
And this is why Hawkins is special. Beneath the strutting of his male characters is a sweetness and a vulnerability. Yeah, Brando knows he’s hot and exploits it. But there is a soft side underneath that bluster that makes us fall for him. If he was a prideful dude with a lot of chutzpah, and stayed that way, we wouldn’t care about him. But the fact that his shortcomings are exposed to the reader, shows the risks that the character makes in his decisions, and creates a rounded character you want to root for. Brando’s not perfect. He makes mistakes and assumptions.
As a character, he’s just the epitome of male yumminess. Yes, he’s handsome and hot and all that, but more important – at least to me – is that there’s something going on inside him, and it’s a treat to be invited to take a look around. (Incidentally, this is an advantage Hawkins has as a male romance writer – he can deliver on the eternal question, “WHAT IS HE THINKING?”) I also loved the emotions that leapt out of the page. I love how Brando feels like an honest character – he admits what is going on with him emotionally, even if he doesn’t like it. And I love how his character is developed, going from bold and brash to yes, still, bold and brash, but showing his soft side. It’s believable.
As far as Haley, she’s a treat. For me, while I drool over the male characters, I love having a relatable female character – one who makes mistakes and doesn’t always know the right thing to do – but you cheer for her. Haley’s rise to musical stardom is based on real talent and motivation, but she still stays down-to-earth. While Brando gets softer, she gets an edge to her, and a confidence that is utterly attractive. She grows as a character and that’s something that you want to see in a book – or at least I do.
Oh, and the sex is scorching hot.
I have an unofficial rule that in a romance novel, a character must be naked, or at least kissed by Chapter One. This book satisfied that rule by Brando’s encounter with a hot yoga teacher at the gym in the prologue. Without giving too much away, the sex continues to be on fire, as the book progresses. Hawkins gifts us with some off-the-charts hot scenarios. I don’t want to spoil it, all I can say is that when I read them I was like, OH HELL YES. I mean, seriously? So effing hot.
It’s not all sex, of course. There’s a story here. My favorite scene in the book is a cute one: when Haley and Brando film her music video, on the cheap, with them just going to the beach and around town, acting natural and having fun. That’s a good way to describe this book, too: it’s natural and fun.
The writing of the book is fast and efficient and all in the present tense, making everything very immediate.
All in all, The Bet is Hawkins’s strongest writing. I still LOVE Insatiable, but when I put on my reviewer hat, I need to admit that he has matured in his writing, that the emotions are more complex, the language stronger, and the characters properly fleshed out.
It’s a must-click, must-read romance novel that will have your emotions up and down, but you’ll be cheering and your heart will speed up when you find out what happens. Mine sure did.
Five stars.