I remember listening to Joel Plaskett’s Ashtray Rock in high school. In the days before we could get into bars, my friends and I would put the album on before we took our illegally acquired booze and foraged into the wilderness for a party. It was as if Plaskett had crafted music specifically for me at that time: music about parties in the woods, high school romance, and everyone leaving Atlantic Canada for greener pastures. Even better, Plaskett wrote songs that were undeniably cool for a boy from Halifax.
So, when I found out that my cousin was writing a book about Plaskett, I was worried. The intersection of a) an artist I love and b) a family member necessitated that I read the book. But, I have a tendency to stick a written review on Goodreads of everything I read. One question worried me when I picked up the book: what if I didn’t like it?
After much consideration I decided I would do the honest thing: I would review the book as I would any other…unless I didn’t end up liking it. In that case, I’d silently file it under “read” without finishing it. Okay, maybe not honest, but at least politely Canadian.
Luckily, Nowhere With You is an engrossing and painstakingly well-researched book about a Canadian icon.
You know how some nonfiction reads come off as rote accounting of events as they transpired, but lack a thematic thread to tie the book together? Not so with O’Kane’s book on Plaskett. Like many of us from the Maritimes, O’Kane has escaped to the greener pastures of western Canada, and appropriately frames Plaskett’s story as one of an Atlantic Canadian who made it big without having to sacrifice the place he loves.
For fans of Plaskett and his many musical endeavors, Nowhere With You is essential reading. Plaskett’s music is influenced by his environment, but it is also self-referential, evolving, and full of cute nods to past events. This book deftly navigates and explains tidbits which would have previously been accessible only to die-hard Plaskett fans. O’Kane is, effectively, the author of the Atlantic Canadian Rap Genius.
O’Kane also made a strong choice in his choice of subject: Plaskett is not only a Canadian icon, but also a compelling and likeable guy. I’ve always liked his music, but what kept me coming back to this book was Plaskett, who seems genuinely similar to the East Coast stereotype of a good dude out to work hard and do well unto others. Plaskett’s story is packed full of people whose names could have easily become confusing in the hands of a lesser writer. Fortunately, O’Kane has an eye for storytelling and serves it up with a heaping helping of seriously readable prose.
While I’m still located in Atlantic Canada, I’m not home. So I wasn’t expecting the book to bring about the sense of homesickness that it did. The book isn’t long but it is dense with little bits of writing that scream “Maritimes.” Much like Plaskett’s music, I felt like this book was written specifically for me, but I now know they both were crafted for people like me.