Kim Michelle Richardson’s second novel is set in rural Kentucky, a fictional rural Appalachian town, Nameless, Kentucky, where tobacco and coal mining provide meager means for a day-to-day existence. Despite this being set during the era of “Free Love” other parts of the country, you’ll feel like you’ve stepped back in time.
RubyLyn is a small child when her parents are gone, first her father’s death when she was only four, followed by her mother’s slow wasting away and joining her father only six months later. Her mother’s brother, Gunnar comes to claim her as her only living kin and take to his home in Nameless. The live she’d lived before with her parents is gone, none of the loving touches or the laughter. Life on Gunnar’s tobacco farm is daily, sun up to sun down work. If Ruby’s not working in the fields, she’s on her hands and knees scrubbing the kitchen floor. Gunnar’s abuse, mental, physical, and the endless correcting her to prevent her from following in her father’s wicked ways wear her memories of the love she felt from her parents thin.
RubyLyn’s heart is much softer than Gunnar, despite his rough ways with her, and tries to find ways to unravel his hardness, which only gets harder the more she seems to reason with him. At fifteen, RubyLyn is beginning to have ideas of her own, none of which Gunnar would approve. RubyLyn is a young artist, as Rose would say, a folk artist, decorating her fortune-tellers, small squares of paper folded and opened to disclose their owner’s fortune. Even Lady Bird Johnson has one in the White House, given to her by RubyLyn when President Johnson and the First Lady came to Inez, Kentucky. Gunnar does everything in his power to destroy this part of RubyLyn – he controls her time, takes her paper away, ridicules her attempts at her art. The wedge that Gunnar attempts to put between RubyLyn and her art becomes a wedge between the two of them. The secrets she need to keep to continue her art begin to weave a web around her heart, leading her further away from caring about Gunnar, his opinions, his restrictions.
Best friends with neighbor Henny Stump, as close as sisters in some ways, but Henny’s family is both larger and poorer. Henny leans on RubyLyn for strength to carry out her plans to get away from her abusive father and marry a guy less abusive.
Rainey has known her since the day she set foot on her uncle’s property to live, he was eight years old, and she was five. Rainey and his mother are also their close neighbors. Rainey works the tobacco crop with RubyLyn and despite the difference in their skin color, in this town where blacks are only allowed in the one town store on “Negro Tuesday”, they become closer than anyone would approve of, especially Gunnar or Rainey’s mother
Surrounded by the ugliness of the fields, the ugliness of the townspeople, RubyLyn is still GodPretty inside. Gunnar would like to claim responsibility, but she maintains her inner innocence and her tender heart despite his influence, even sacrificing her own desires in order to make life a little better for those she loves.
Many thanks to Kensington Publishing, NetGalley and the author Kim Michele Richardson for providing me with an advanced copy.