Surpassing the genre
I expected this book to be good but not great, something like Wendel Berry, Roger Shattuck or Richard Weaver. All essays with glimmers of brilliance but lacking the depth of longer format writings. However, Roger Scruton's writing is very much like Chesterton's in that they both start from what seems a counter-intuitive premise and advance in their argument to the point where the audience begins to see the world in a new light but a rather old way. It is like seeing something for the first time that you have seen every day but never noticed. A true defense of common sense, which is rare in philosophy and even rarer in the West these days.
As for the style of Scruton, I don't think it is either too much of an insult or too much a compliment to compare him to Chesterton. Both Chesterton and Scruton have found their voice and use it effectively. Chesterton's writings read as if you are hearing him on a soap-box in Hyde Park and Scruton reads like you are sitting with him by a fire with a glass of whiskey (or Port) in hand. Both are essentially witty but the humour is used to advance the argument and keep the audience entertained rather than replace the argument, which is the problem with many rhetoricians.
Each individual essay touches on a contemporary topic that is of permanent interest and importance. Even chapters which are far from my normal interests managed to resonate and because the chapter/essays stay at or under 20 pages, the theme never gets too drawn out.
The essays are:
1) Faking it (on modern art in society)
"Artists and critics get together to take themselves in, the artists posing as the originators of astonishing breakthroughs, the critics posing as the penetrating judges of the true avant-garde." (p. 3)
"anything is art because nothing is" (p. 4)
"Paintings and sculptures can be owned, bought and sold. Hence there is a vast market in them, and whether or not they have a value, they certainly have a price." (p. 12...and yes, he credits Oscar Wilde for the insight)
"In art beauty has to be won...Real art is a work of love, fake art is a work of deception." (p. 16-17)
2) Loving Animals (on returning to balance in relationships)
"Now it seems to me that the right way to love a dog is to love him not as a person, but as a creature..." (p. 28)
"From a dog, therefore, we can enjoy the kind of endorsement that requires no moral labour to earn it. And this is what we see all around us, the dwindling of human affection." (p. 29)
"Devoted animals provide an escape route from human affection, and so make that affection superfluous." (p. 31)
3) Governing Rightly (on the conservative need for proper government)
"A kind of hysteria of repudiation rages in European opinion-forming circles, picking one by one on the old and settled customs of a two-thousand-year-old civilisation, and forbidding them or distorting them into some barely-recognisable caricature." (p. 35)
"Conservativism should be a defence of government, against its abuse by liberals." (p. 44)
"welfare policies may lead to the creation of a socially dysfunctional underclass." (p. 45)
4) Dancing Properly (on how music and dance have abandoned form)
"Their fear of conversation, lack of small talk, and general clumsiness, are the natural result of the education to which they have been exposed, which is directed to removing all ideas of elegance, distinction or grace from their behaviour." (p. 53)
"[regarding true music] There is no violent drumming, no amplified bass, none of the devices which- I am tempted to say- substitute for rhythm in so much contemporary pop." (p. 61)
"a grotesque caricature of music in which rhythm is mere beat and melody mere repetition." (p. 61)
5) Building to Last (modern architecture and a need to return to organic living)
"the miracle of a town like Paris is to be explained only by the fact that few modern architects have been allowed to get their hands on it." (p. 65-66)
"the work of the Luffwaffe had in many cities been brought near to completion by the post-war planners." (p. 68)
"Modernist vandals like Richard Rogers and Norman Foster...live in elegant old houses in charming locations" (p. 71)
"the exceptional building is designed... to stand out rather than blend in." (p. 76)
"the real meaning of the modernist forms is that there is no God, that meaning has fled from the world, and that Big Brother is now in charge." (p. 79)
"Exile is what the collectivist utopias promissed, home lies in the opposite direction." (p. 82)
"Most of these starchitects...have equipped themselves with a store of pretentious gobbledegook, with which to explain their genius to those who are otherwise unable to perceive it." (p. 82)
"they authorize what would otherwise look like vandalism on a massive scale" (p. 84)
6) Effing the Ineffable (philosophers knowing when to shut up...a gracefully and eloquently short 4 pages)
"The history of philosophy abounds in thinkers who, having concluded that the truth is ineffable, have gone on to write pages upon pages about it." (p. 86)
7) Hiding Behind the Screen (much like the animal chapter, about how technology is damaging inter-personal relationships and thus full human development)
"Everything that appears on the screen appears in competition...He is one of the many products on display" (p. 95)
"I was taught that shyness is not a virtue but a defect, and it comes from placing too high a value on yourself" (p. 96)
"Freedom involves an active engagement in the world, in which opposition is encountered and overcome, risks are taken and satisfactions weighed: it is, in short, an exercise in practical reason" (p. 100)
8) Mourning our losses: Reflections on Strauss's Metamorphosen (German's destructive war-guilt)
9) Branding the Bottle (Icons and Idols in the modern world)
"Only what is consecrated can be desecrated" (p. 123)
"The decline of religion has deprived us of sacred things. But it has not deprived us of the need for them." (p. 131)
"The American flag has retained its aura...That is why people are always burning it." (p. 131)
10) Dying In Time (about euthanasia but approached from the virtues rather than a utilitarian or deontological perspective...this might be the one place where Scruton's distinction between person and human being causes a serious moral problem for me, see p. 145)
"Greek sages told us to judge no man happy until he is dead." (p. 136)
"death is not the worst thing that can happen to us." (p. 138)
"This use of precious resources and precious human capital is hard to justify in utilitarian terms- which I take to be a criticism of utilitarianism, rather than a criticism of institutional care" (p. 143)
"With courage a person can go about living in another way- a way that will give maximum chance of dying with his faculties intact. This other way is not the way of the welfare culture...Of course you should drink, smoke, eat fatty foods, but not to the point of gluttony. The point is to weaken the body while strengthening the mind." (p. 149)
"The main point, it seems to me, is to maintain a life of active risk and affection, while helping the body along the path of decay, remembering always that the value of life does not consist in its length but its depth." (p. 150)
11) Conserving Nature (on the environment, particularly urban sprawl and the proper conservative contribution to a solution)
"Environmentalism has all the hallmarks of a left-wing cause: a class of victims,...an enlightened vanguard who fights for them,... powerful philistines who exploit them,... and endless opportunities to express resentment against the successful, the wealthy and the West." (p. 151)
"environmentalism is the quintessential conservative cause...that partnership between the dead, the living and the unborn" (p. 152)
"the mistaken view that the market, not the state, that has created the problem" (p. 156)
"look at the solutions that leftists, over the years, have admired, and you will surely learn to distrust their judgement" (p. 158-9)
"The reason why the environmental movement has been captured by the left is that it lends itself to this ambition. It provides terrifying scenarious which seem to justify the total overthrow of existing orders, while encouraging the kind of control from the top that would put enlightened leftists at last in charge of the endarkened middle class." (p. 165)
12) Defending the West (What makes the West and Islam incompatible or at least difficult to reconcile)
Here Scruton has 7 features of the West which are absent or even antagonistic to Islam and he summarizes them on the last page:
"make no concessions to those who wish us to exchange citizenship for subjecthood, nationality for religious conformity, secular law for Shari'ah, the Judeo-Christian inheritance for Islam, irony for solemnity, self-criticism for dogmatism, representation for submission, and cheerful drinking for censorious abstinence." (p. 193-194)