I remember watching Julia Child on PBS as a little, little girl, sitting under my mom's ironing board. Even though I didn't know what boeuf bourguignon was back then, it was always clear that Julia was having a blast. That enthusiasm drove her message home for me, even though it was subconscious at such a young age: food is fun, food is to be enjoyed and not feared, food is something to care about and to share with loved ones. Food matters.
It's full of behind the scenes stories, but my absolute favorites were those from Dan Aykroyd about creating his spoof of Julia on SNL (which she thought was funny, because she was a fun person), and about how Julia was directly responsible for the Bass-O-Matic sketch. Julia was friendly with Dan's aunt and gave her an early version of a Cuisinart. As a kid, Dan saw his aunt drop whole fish into the new machine when testing it out while making bouillabaisse!
The narrative weaves in some interesting perspectives on the evolution of the celebrity chef craze, as Julia clearly played such a massive part in the public's perception of food and those who create with it.
This has definitely inspired me to seek out some old episodes of The French Chef. It'll be like hanging out with an old, dear friend.
On kitchen gadgets: "While she preached the necessity for 'moderation,' Julia admitted that she suffered from a kitchenware 'megalomania.'" p 34
"A big part of Julia's allure was her natural ease on TV. Her combination of grace and awkwardness built a sense of trust and intimacy with the audience, which was reinforced by her deep knowledge and sure technique." p. 46
"Julia's aversion to corporate sponsorship was an article of faith. 'Just last week I was offered a million dollars if I would endorse a new product, but I said no,' she observed in 1980. 'Once you start endorsing products, you're no longer a free agent. Your value is gone.'" p. 53
"Julia was not the only one whose restless energy was shifting in experimental directions that June [1971]. Just up the road a darker spirit prevailed in Villefranche-sur-Mer, a seaside resort between Nice and Monaco, where the Rolling Stones had 'exiled' themselves to record a new album. [...] While Julia Child characterized one aspect of the seventies, the Stones embodied another - the manic, dangerous, sexy, hallucinogenic weirdness of the time - a few miles away." p. 124-125
"Now that Julia was a celebrity, people and organizations frequently wanted her to conform to their idea of who she was, or tried to use her fame to promote their own agendas. But Julia had a deep aversion to being coerced, and usually found a humorous way to confound those who tried to co-opt her." p. 211
"Julia wanted Americans to love food, not fear it." p. 216
"Julia Child was the nation's first 'celebrity chef.' Though there were other chefs on television, and Julia's fame was just one aspect of the nation's growing interest in food, she played a pivotal role in revolutionizing the way Americans shopped, cooked, and ate. Julia, it turned out, had brought the right message to the right place at the right time, and she was the right messenger. She appealed to a broad swath of the public, helped to popularize fine dining, and changed the grocery and cookware businesses. Inventing her career as she went, Julia inspired many people to pursue jobs in the culinary arts, education, advocacy, and journalism." p. 256
"Julia Child was not solely responsible for the extraordinary growth of the American food business, of course. But by single-mindedly following the gleam in her eye, she played a significant role in establishing the right conditions for it. Julia created a new model for what cooks and food could be, and thus changed public perceptions." p. 260