3.5 stars
Young Skins is a collection of stories set in a small, rural town in Ireland. It's about masculinity in that small town, the way it manifests in these male characters who are emotionally stunted, immature, violent, volatile, mercurial, repressed. But the characters of Young Skins are not all of those things at once, nor are they exclusively those things. In many ways they are all going through something--they are hurt, lonely, frustrated, insecure--and, lacking an outlet to process their feelings, they instead lash out, air out their frustrations in ways both petty and serious.
Of course, as Barrett skilfully shows us, these qualities don't exist in a vacuum. They are rooted in a social and cultural setting that conditions these characters to increasingly take on such tendencies, not just to fit in, but also--and in a very real way--to survive. And Barrett is so good at immersing you in the atmosphere of his small-town setting: once you're in it, you immediately start to get a sense of why it breeds the kind of men that it does. The insularity of this town, the way everyone in it always knows everything about everyone else, the very little that it offers these men in the way of choices or options. You start to see, then, the scaffolding that surrounds these characters and their decisions, enough to understand them, if not condone them (and let's be real, it's hard to find much to condone in these stories lol).
More than just depicting the insularity of this town, Young Skins also shows us how it stifles and oppresses until something just...gives, often at the expense of those who are most vulnerable. To my mind, each story of this collection tracks a kind of rupture: a violence big or small, done to someone or something. Violence is everywhere in these stories, barely held back until it is not; simmering, latent, insidious, until it becomes viscerally felt. "Calm with Horses," the longest piece of the collection--it's a novella--and my favourite of the bunch, strikingly and masterfully brings together all of these thematic concerns. It's an absolute suckerpunch of a story, and it fires on all cylinders: thematically, yes, but also in terms of characters (I was so invested), writing, pacing, plot.
Though I did overall really enjoy this collection--I have yet to dislike a single work of Barrett's--I do want to note that there were several stories that didn't quite hit the mark for me, namely "Diamonds," "Kindly Forget My Existence," and "Bait." But even though I didn't love every story of this collection, the quality of Barrett's writing and the sheer power of "Calm with Horses" altogether ended up elevating it to a 3.5-star read for me.
(If you're looking to get into Colin Barrett's work, I would definitely recommend starting with his second short story collection, Homesickness, and then coming back to this one.)