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Gold: A Play in Four Acts

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

136 pages, Hardcover

First published July 15, 2015

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About the author

Eugene O'Neill

533 books1,274 followers
American playwright Eugene Gladstone O'Neill authored Mourning Becomes Electra in 1931 among his works; he won the Nobel Prize of 1936 for literature, and people awarded him his fourth Pulitzer Prize for Long Day's Journey into Night , produced in 1956.

He won his Nobel Prize "for the power, honesty and deep-felt emotions of his dramatic works, which embody an original concept of tragedy." More than any other dramatist, O'Neill introduced the dramatic realism that Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg pioneered to Americans and first used true American vernacular in his speeches.

His plays involve characters, who, engaging in depraved behavior, inhabit the fringes of society, where they struggle to maintain their hopes and aspirations but ultimately slide into disillusionment and despair. O'Neill wrote Ah, Wilderness! , his only comedy: all his other plays involve some degree of tragedy and personal pessimism.

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Author 1 book410 followers
June 15, 2015
أسلوب الكتابة لدى يوجين به شيء لا يُوصف، فكتابته حيّة للغاية، أقصد كأن الكلمات ذاتها كائنات حيّة تتنفس، ولا أعرف كيف أصف الأمر، فالمسرحية، أي مسرحية، بطبيعة الحال تعتمد على الحوار اعتمادًا كليًا في بناء عوالم الشخصيات وتبيين ظروفهم ومشاعرهم وماضيهم وسماتهم، فالمسرحية لا تملك كالرواية ترف الكلمات من وصف وشرح وتأملات نفسية وأحاديث داخلية، بل عليها أن تقوم بكل ذلك من خلال الحوار بين الشخصيات، هذا أصعب شيء، وفي مسرحيات يوجين أونيل هذا أمتع شيء!
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