Huzzah for alternate history YA fiction!
Huzzah for a book about a female lead who races motorcycles!
Boo for the book synopsis giving away the cool spin on the main character's ability! The book would have sounded cool enough without that particular tidbit being spoiled.
While it likely won't achieve the great & lofty heights of The Hunger Games or Divergent series, Wolf By Wolf is very worthy entry into the ever-crowded world of YA fiction. A few years ago, you couldn't swing a dead cat without hitting a zombie or paranormal romance book. Now, YA adventure/drama is the place to be, with nearly every other book review on Goodreads parked firmly in Teen to Young Adult territory. That's really not an indictment so much as a fact, and since the genre is getting more congested by the day, it's hard for a book to stand out.
But I believe that this effort by Ryan Graudin manages to do just that. By taking a well-known, and well-worn, period of time and adding in a bit of alternate history, along with a slight twinge of the supernatural-via-science, she has managed to make a rare gem; a unique tale set during the second Great War. That's not to say that this is a wholly original type of story, because it isn't. Yael, while an entirely likeable and engaging lead, with a cool ability, is still just that; a girl with a special ability, caught up in circumstances far greater than she ever imagined, and dealing with mixed emotions about her mission, her potential love interest, and her family dynamic. Sound familiar? Yeah, it did to me too. A World War II where the Axis defeated the Allies isn't new either (in print or on screen), with The Man In The High Castle being a prime example. Attempting to assassinate Hitler? Been there and done that already, both in real life and in fiction. But while the framework may be familiar, it's the way that they come together that makes them unique, the whole becoming greater than the sum of the parts.
As I stated, Yael is a completely engaging lead. Which is a good thing, as this is a single POV tale. No cutaways to other heroes, no villain side of the tale, no third party commentary. So the entirety of the tale rests with her. And it works, in the way that it works for the vast majority of YA books. We get enough backstory that we can truly understand the painful and traumatic experiences that Yael has lived through, both in surviving the Holocaust, as well as in surviving the experiments that turned her into something more than human. We understand the pain of her loss, as we are given time with each of the people who were close to her and/or helped her in some way. She's tough but not unfeeling. Brave without being untouchable. Intelligent but not perfect. I rather enjoyed her conflicted nature. She knew what she had to do, and she knew WHY it had to be done, but there were steps along the way that she didn’t want to take. A person she didn’t want to become, even when she believed it was in all likelihood going to happen. I guess I would say that she was pragmatic, a realist who allowed herself little glimmers of hope.
One of my biggest gripes about single POV books is that we, as readers, rarely get the full sense of the world the character inhabits. By seeing events through only one set of eyes, you lose that "grand" sense of scale that other, multiple viewpoint books, generally manage to convey. Especially since, with single POV books, we only see events through the POV character's day-to-day experience and bias. And yes, I know that's basically how real life is. We all see things from our own point of view, with our own established biases, coupled with our own narrative that we apply to things/events. But the beauty of books, or one of them anyways, is the ability to transport us away from our own world, our own reality, our own way of thinking, and enable us to vicariously be someone else, live somewhere else, and (most importantly) believe something else. Mrs Graudin expertly sidesteps this typical single POV pitfall by working within the timeline of World War II. Yes, in this book, the outcome of the war is different, but the essentials are the same. World War II is heavily documented and taught, so we are all aware of the atrocities committed, the notorious figures that made those atrocities a reality, and the state of Europe (and most of the rest of the world) during this time period. So that grand sense of scale, that immersive world building, has already been established within us before we even begin reading. Which allows us to get right to the meat & potatoes of the story of Yael, her mission, and the people she interacts with along the way.
We do get interesting side characters, even though most of the other racers are window dressing, there for plot and occasional interaction, but not really coming to the forefront of the tale. There are a couple of notable exceptions, which I will not spoil here. What I really enjoyed is that we get good supporting characters both on Yael’s side, as well as on the opposing side. And as she gets to know some of her fellow racers, she discovers that they are not black & white like she initially thought. In fact, Yael is consistently surprised by the people around her, testament to her minimal social interaction outside of the resistance movement that took her in.
I will say that the potential romance in the tale is not “love at first sight”, nor is it some shoehorned love triangle designed to make Yael seem that much more desirable. It’s not fantasy fulfillment. It’s very much a contentious thing, equal parts appealing and frustrating. I can only hope that this take on it continues in the future novels.
Speaking of future novels…though this is essentially a self-contained tale, it does end in a way that sets some of the stakes for the sequel. It doesn’t end on a cliffhanger necessarily, but there is a sense of danger and urgency that will likely carry over into book 2.
As someone who rides motorcycles, I found the racing portions (which are a good chunk of the book) to be relatively accurate and plausible. If anything, some of the dangers and hardships of riding so many miles on a motorcycle are downplayed in the book. There are some other side-effects of long distance riding that aren’t mentioned here, but for the most part Mr. Graudin captures the feel of the ride. Gearheads like me feel the call of the open road quite profoundly, and my friends and I like to refer to our rides as “throttle therapy”. Yael feels some of that, though she’s riding for a mission, not for pleasure. It’s a nice change from some of the urban fantasy tales, where the heroine rides a motorcycle to make her seem more badass, instead of for an actual reason. Yael rides because she has to. She just happens to be badass because she works so hard to be successful. And as a rider with tattoos, I can wholeheartedly root for a female rider with tattoos. They really go hand in hand, in my opinion.
As for negatives…well, let me think. There’s really not much for me to pick apart. The story was diverse and unpredictable enough that I was consistently engaged and entertained. The book does get off to a slightly rocky start, and the initial chapters are roughly written. The writing smooths out (for the most part) a few chapters in, and there are some truly amazing passages to be found; they are either poetically written, or they contain some insight that is deep and profound. However, there are still some rough patches littered throughout the novel, and some incredibly strange word choices and sentence structures that pop up in random places. While these were minor nuisances, they really didn’t impact or diminish the tale being told.
I would have liked more interaction with the other racers. Aside from a few that stand out and have heavy plot participation, the rest are just kinda…there. There was some serious opportunity here for character growth and meaningful interaction, and it just didn’t materialize. There were also a few moments of danger that were slightly too easy to escape from, and I think they could have been made a little more difficult for Yael & company.
And yeah, I said it before and I’ll say it again…the synopsis gives way too much away. The story would have been better served with more surprises for the reader. Took too many cues from Hollywood trailers here.
But, ultimately, the book really did it for me. I was always entertained, and had quite a few “just one more chapter” moments. I was invested in Yael’s struggles, I could feel the miles and miles that she was enduring, and I couldn’t wait to see how it ended. Hell, I even put on Edith Piaf and other period music to really get into the spirit of the book. I honestly can’t wait to start the sequel!