Dorsality: Thinking Back through Technology and Politics (Volume 5)

by David Wills

In this highly original book David Wills rethinks not only our nature before all technology but also what we understand to be technology. Rather than considering the human being as something natural that then develops technology, Wills argues, we should instead imagine an originary imbrication of nature and machine that begins with a dorsal turn-a turn that takes place behind our back, outside our field of vision. With subtle and insightful readings, Wills pursues this sense of what lies behind our idea of the human by rescuing Heidegger’s thinking from a reductionist dismissal of technology, examining different angles on Lévinas’s face-to-face relation, and tracing a politics of friendship and sexuality in Derrida and Sade. He also analyzes versions of exile in Joyce’s rewriting of Homer and Broch’s rewriting of Virgil and discusses how Freud and Rimbaud exemplify the rhetoric of soil and blood that underlies every attempt to draw lines between nations and discriminate between peoples. In closing, Wills demonstrates the political force of rhetoric in a sophisticated analysis of Nietzsche’s oft-quoted declaration that “God is dead.” Forward motion, Wills ultimately reveals, is an ideology through which we have favored the front-what can be seen-over the aspects of the human and technology that lie behind the back and in the spine-what can be sensed otherwise-and shows that this preference has had profound environmental, political, sexual, and ethical consequences. David Wills is professor of French and English at the University of Albany (SUNY). He is the author of Prosthesis and Essays in Deconstruction as well as the translator of works by Jacques Derrida, including The Gift of Death.

Genres: Technology

280 pages, Paperback

First published January 1, 2008

About the author

Australian-born David Wills is an author, independent curator, photographic preservationist, and editor who has accrued one of the world's largest independent archives of original photographs, negatives, and transparencies. He has contributed material to many publications and museums, including the Museum of Modern Art, the Metropolitan Museum of Art, the Phoenix Art Museum, and the Academy of Motion Picture Arts and Sciences.

Wills has produced a series of photography exhibitions based on images from his archive. His shows include Murder, Models, Madness: Photographs from the Motion Picture Blow-Up; Edie Sedgwick: Unseen Photographs of a Warhol Superstar; Blonde Bombshell; James Bond; Women with Issues: Photographs from the Motion Picture Valley of the Dolls; and Warhology.

Wills's books include Ara Gallant; Marilyn Monroe: Metamorphosis; Audrey: The 60s; Hollywood in Kodachrome; and Seventies Glamour. He is also the co-author of Veruschka.

His books and exhibitions have received major profiles in the Los Angeles Times, the New York Times, Vanity Fair, American Photo, Vogue, Interview, and Time. He has also written articles on photography and popular culture for publications including the Huffington Post, V Magazine, and Palm Springs Life.