What do you think?
Rate this book
Monsters from the Vault: Monsters from the Vault: Classic Horror Films Revisited
Welcome back to the Vault of Secrets, where acclaimed author, skeleton, and monster expert Orrin Grey will be disinterring a bunch of classic (or not-so-classic) vintage horror films for your delectation. Revisiting films from the earliest of the talkies (shot in two-strip Technicolor!) to Bert I. Gordon's 1976 "masterpiece" The Food of the Gods, this volume collects more than four years of Grey's popular Vault of Secrets column on vintage horror cinema, featuring everything from mad scientists to mole people, giant bugs to devil dolls, and more. Thrills, chills, and, of course, plenty of monsters await you within these pages. So dim the lights, grab some popcorn, and get ready for our feature presentation...
- GenresHorrorNonfiction
234 pages, Paperback
Published June 13, 2016
14 people are currently reading
727 people want to read
About the author
Orrin Grey
104 books350 followersOrrin Grey is a skeleton who likes monsters. When asked, he claims to mostly write oubliettes.
Ratings & Reviews
Friends & Following
Create a free account to discover what your friends think of this book!
Community Reviews
Displaying 1 - 12 of 12 reviews
October 4, 2017
FULL DISCLOSURE - I am an associate of Orrin Grey and have purchased stories from him for the Pseudopod podcast.
This is a charming little book collecting a selection of Grey's genial film reviews from THE INNSMOUTH FREE PRESS online site, arranged in chronological order of the film's release dates (they run from 1932-1976). Each review runs a couple of hundred words - a page or 3 at most - and they are not in-depth looks at the particular film, nor deep critical studies, but strike a healthy ground above online, useless frippery of the 'I liked it/hated it...and now some sub-par MST3K riffage...' and below scholarly analysis/actual film criticism.
Grey's area of interest is a mix of the genre's classics with a healthy serving of the kind of Saturday afternoon/midnight movie fare that was prevalent on television when I was younger but has now mostly vanished (in our era of "unlimited choice"). Grey's love for these films shines through his commentary - he is in no way a "gorehound" or splatter fan, finding more enjoyment from the stock symbols of creepy old films (castles, graveyards, mad scientist lairs) and, of course, from the monsters in such films.
The reviews tend to feature a small attempt at placing the film in its historical or cultural context, some background on the talent, a synopsis and a record of what makes the film interesting or affecting. Grey occasionally dips a bit into MST3K level joshing (as the book is dedicated to the crew of the Satellite of Love, that may be expected), but never openly mocks a film, which is refreshing in this age of cheap shots and know-nothing know-it-alls, and many of his humorous observations find their mark (on "Curse Of The Mummy's Tomb" - "...the requisite Hammer heroine, who would be the film's only female character if nobody had housekeepers.")
Given their brevity, there's not much to take away from the write-ups - the book strikes me as a great gift for a young modern fan who might be interested in watching older films and especially in understanding what someone close to their own age might see in these artifacts. From here, one might advance to The Overlook Film Encyclopedia: Horror or Nightmare Movies: Horror on Screen Since the 1960s to begin seriously grappling with an interest in the genre - but all great journeys start with small steps.
One can see the hints of a sensibility taking shape as Grey assembles arguments for why certain films work and others don't. His comment on "The Leopard Man", for instance, ending with "hooded monks bearing candles walk across an obviously fake desert backdrop, seems to me to be somehow creepier thanks to its clear theatricality than it would have been done on a more convincing set" inadvertently gestures towards my own realization that set-bound thrillers (like Corman's "Premature Burial") gain from what they lose in "naturalism" by creating a sense of artificiality that augments their psychological aspects - the film feels as if we are watching a drama inside someone's head where nothing is real. His idea of pairing "Spider Baby" with the excellent "Targets", as examples of shifting concerns/tones in horror films, is a solid observation as well. Given his interests, I imagine he would find quite a lot to enjoy in the early Dr. Mabuse films, Edgar Wallace Krimis, and possibly the Gothic/pulp-fiction/horror comic-book/dark fantasy mashups of Jean Rollin, none of which get any representative films covered herein.
Occasionally, Grey's modern references presume more familiarity from the reader than they should (for example, tossing off comparisons to Mignola's "Ogdru-Hem" - which I presume is from the comic-series HELLBOY but know nothing more about) and, on a minor note, I would also point out that it's "tempera paint" not "tempura paint" (as that use shows up more than once). But in general this is an amiable overview of a range of styles of films that modern horror fans are sadly losing the ability to appreciate (mostly by locking into reductive critical models offered to them by cheap-jack, internet experts) and we are always the better for any work that attempts to prod contemporary viewers into appreciating the history the genre has to offer.
This is a charming little book collecting a selection of Grey's genial film reviews from THE INNSMOUTH FREE PRESS online site, arranged in chronological order of the film's release dates (they run from 1932-1976). Each review runs a couple of hundred words - a page or 3 at most - and they are not in-depth looks at the particular film, nor deep critical studies, but strike a healthy ground above online, useless frippery of the 'I liked it/hated it...and now some sub-par MST3K riffage...' and below scholarly analysis/actual film criticism.
Grey's area of interest is a mix of the genre's classics with a healthy serving of the kind of Saturday afternoon/midnight movie fare that was prevalent on television when I was younger but has now mostly vanished (in our era of "unlimited choice"). Grey's love for these films shines through his commentary - he is in no way a "gorehound" or splatter fan, finding more enjoyment from the stock symbols of creepy old films (castles, graveyards, mad scientist lairs) and, of course, from the monsters in such films.
The reviews tend to feature a small attempt at placing the film in its historical or cultural context, some background on the talent, a synopsis and a record of what makes the film interesting or affecting. Grey occasionally dips a bit into MST3K level joshing (as the book is dedicated to the crew of the Satellite of Love, that may be expected), but never openly mocks a film, which is refreshing in this age of cheap shots and know-nothing know-it-alls, and many of his humorous observations find their mark (on "Curse Of The Mummy's Tomb" - "...the requisite Hammer heroine, who would be the film's only female character if nobody had housekeepers.")
Given their brevity, there's not much to take away from the write-ups - the book strikes me as a great gift for a young modern fan who might be interested in watching older films and especially in understanding what someone close to their own age might see in these artifacts. From here, one might advance to The Overlook Film Encyclopedia: Horror or Nightmare Movies: Horror on Screen Since the 1960s to begin seriously grappling with an interest in the genre - but all great journeys start with small steps.
One can see the hints of a sensibility taking shape as Grey assembles arguments for why certain films work and others don't. His comment on "The Leopard Man", for instance, ending with "hooded monks bearing candles walk across an obviously fake desert backdrop, seems to me to be somehow creepier thanks to its clear theatricality than it would have been done on a more convincing set" inadvertently gestures towards my own realization that set-bound thrillers (like Corman's "Premature Burial") gain from what they lose in "naturalism" by creating a sense of artificiality that augments their psychological aspects - the film feels as if we are watching a drama inside someone's head where nothing is real. His idea of pairing "Spider Baby" with the excellent "Targets", as examples of shifting concerns/tones in horror films, is a solid observation as well. Given his interests, I imagine he would find quite a lot to enjoy in the early Dr. Mabuse films, Edgar Wallace Krimis, and possibly the Gothic/pulp-fiction/horror comic-book/dark fantasy mashups of Jean Rollin, none of which get any representative films covered herein.
Occasionally, Grey's modern references presume more familiarity from the reader than they should (for example, tossing off comparisons to Mignola's "Ogdru-Hem" - which I presume is from the comic-series HELLBOY but know nothing more about) and, on a minor note, I would also point out that it's "tempera paint" not "tempura paint" (as that use shows up more than once). But in general this is an amiable overview of a range of styles of films that modern horror fans are sadly losing the ability to appreciate (mostly by locking into reductive critical models offered to them by cheap-jack, internet experts) and we are always the better for any work that attempts to prod contemporary viewers into appreciating the history the genre has to offer.
June 28, 2016
This book collects years of columns together in one volume. Each is a pleasure to read, and introduced me to movies I hadn't heard of, but together they shine, and can stand comfortably beside other similar volumes of reviews, whether from Joe Bob Briggs or Harlan Ellison. Reading the book, I was pleased to learn about links between movies I wouldn't otherwise have picked up on. I'd recommend this to anyone interested in monster movies, especially if your exposure is either to A-list or Grade Z movies. Orrin tackles the great muddy middle of monster movies, from obscure masterpieces to notorious oddities, and we get the pleasure of going along for the ride with someone who knows the ins and outs of rubber bats and matte-painted Gothic mansions.
February 6, 2017
If you're into obscure, strange, and sometimes delightfully bad monster movies, this is a great guide. The author's affection for some of these dark gems is contagious. The entries are often a bit on the short side, but Grey manages to provide keen insights and playful observations for each film.
August 14, 2017
Thoroughly enjoyable book filled with great anecdotes and recommendations. The book will wind up costing me a lot as Grey keeps adding to my list of Films I Must See. Be that as it may, I highly recommend giving this a try if you are looking for something you may have missed.
Read
September 6, 2016I can't give this book a rating, I'm the wrong audience. I received this as a goodreads giveaway. I was previously unfamiliar with the monster's vault column so I had no idea what to expect.
The book is a compilation of monster's vault columns which are each too short and lack depth as a movie review. I haven't seen any of the movies found here (classic horror) but the movie summaries or reviews or analyses perhaps didn't enlightened me as to why I should watch it. Instead several focus on related works by actors, writers or directors or they pinpointed a particular scene or theme in the movie. All told, not my style of writing and focus when it comes to movie journalism.
I've opted out of a star rating since this book wasn't meant for me and I'm sure it's great for its fans.
The book is a compilation of monster's vault columns which are each too short and lack depth as a movie review. I haven't seen any of the movies found here (classic horror) but the movie summaries or reviews or analyses perhaps didn't enlightened me as to why I should watch it. Instead several focus on related works by actors, writers or directors or they pinpointed a particular scene or theme in the movie. All told, not my style of writing and focus when it comes to movie journalism.
I've opted out of a star rating since this book wasn't meant for me and I'm sure it's great for its fans.
January 2, 2019
This is a collection of movie reviews of films largely relegated to mausoleums, so is easy to consume in very small bites. This added a couple to my list of films I need to exhume.
April 12, 2023
short reviews and different opinions
I cannot really respect the opinion of anyone who does not like the creative action horror remake of 13 Ghosts. The reviews are too short and rarely represent scenes from each movie or even a complete examination of each. I guess it is unfair of me to expect Cult Movies by Danny Peary. This is disappointing. I also disagree with the writer on many of the movies and most of what he likes is not told well(as the end of Food of the Gods). Good choices of movies but i was looking for Castle of Evil and maybe Lets Kill Uncle.
I cannot really respect the opinion of anyone who does not like the creative action horror remake of 13 Ghosts. The reviews are too short and rarely represent scenes from each movie or even a complete examination of each. I guess it is unfair of me to expect Cult Movies by Danny Peary. This is disappointing. I also disagree with the writer on many of the movies and most of what he likes is not told well(as the end of Food of the Gods). Good choices of movies but i was looking for Castle of Evil and maybe Lets Kill Uncle.
March 18, 2018
I like Mr Grey's fiction works, but this book really didn't work for me.
It's a collection of online reviews of old films. I think if you originally read them online, they'd work better, but as a collection of reviews, they are sorely lacking. There's really no depth or insight to any of them, other than to flag up that a particular film might be interesting.
There are far better analyses of horror films than this one. Don't waste your time with this.
It's a collection of online reviews of old films. I think if you originally read them online, they'd work better, but as a collection of reviews, they are sorely lacking. There's really no depth or insight to any of them, other than to flag up that a particular film might be interesting.
There are far better analyses of horror films than this one. Don't waste your time with this.
January 13, 2024
82 classic horror movies revisited, from the 40s to the 70s. Couldn't resist to read the synopsis of stunning classics like Dr X, The Devil Doll, House of Dracula, Tarantula and so many more. Didn't see all the movies featured here but I definitely knew what they were about after reading the article on the movie. Nice selection. Sad though that movie stills or pictures were missing. Nevertheless really recommended to every horror movie fan!
December 11, 2022
Copy-editing should be an inalienable part of the publishing process. This wasn't the case here, and it shows. If we compare this book with Kage Baker's "Ancient Rockets", for instance, it's apparent that both are works of love, but "Monsters from the Vault" was assembled with far less care. Pity, that.
January 25, 2025
A nice book of quick reviews of select 1930s through 1970s Horror movies. I enjoy these sorts of reference books and have earmarked a number of movies that he describes. I've also read other works of fiction by Orrin Grey and enjoy his work a lot.
August 20, 2021
Excellent book for Horror movie fans! Orrin Grey is a treasure and everyone should be reading him.
Displaying 1 - 12 of 12 reviews