4.5. Recommended to me by another writing book (The Writers Room Survival Guide—rated 4.75), this book broadened my understanding of TV writing in ways I hadn’t seen before. Miller lays out the process with exceptional clarity, offering insights that I know will make me a better writer.
One of its strongest elements is its top-notch pilot deconstruction. Miller analyzes Hannibal, Empire, Modern Family, It’s Always Sunny in Philadelphia, Orphan Black, The Walking Dead, Outlander, Episodes, Transparent, and Brooklyn Nine-Nine, breaking down what makes them successful while demonstrating how her character-focused storytelling system works across each one. Her approach is absolutely masterful and made me rethink how I approach my own pilots.
However, this book didn’t quite reach a perfect 5/5 for me—and that largely comes down to its niche focus. It’s a highly specialized, technical deep dive into TV writing, best suited for those with prior experience or at least a foundation in storytelling. I’d recommend testing the waters with some beginner-friendly books first before picking this up, as it leans more toward intermediate and advanced writers.
That said, if you’re serious about TV writing, this book is an absolute necessity. Shifting your perspective from plot-driven storytelling to a character-driven approach will only lead to stronger scripts and more compelling narratives. If this is the path you want to take, I promise you won’t regret reading this.