[Read as single issues]
Free of the Spider-Women crossover and the Black Cat plotline, Silk can finally get back to what she wants to do - find her parents, who are still missing.
This arc really puts Cindy in the spotlight where other arcs have tried and had to juggle a lot more at the same time. This one is almost all Cindy, all the time. Even when the other characters in her supporting cast get involved, the story is still firmly Cindy's, and she shines under Robbie Thompson's writing. I love his interpretation of Jonah Jameson, and both Silk's work pals and her superhero ally Spectro are great in their own ways.
The story takes us from New York to the Negative Zone, from a superhero story into a fantasy showdown right out of Lord of the Rings. It simultaneously feels like a surprise and the end-point that Thompson has been aiming for since he started writing the series, finally bringing Silk's parents home, but showing that even if that stage of the journey is over, there's still a lot more to uncover.
Whilst I was sad to see Stacey Lee drop back from regular pencilling to doing only one issue every now and then, Tana Ford has stepped up ably. Her Silk feels a lot more fluid, and the way she captures webbing is a very individual take, especially given how Silk produces it from her fingertips rather than webshooters. Even the stuff that's out of her usual wheelhouse, like the giant talking dragon, are great. She's got a much more European feel to her art, which Ian Herring helps with by using more muted colour palettes, even for the more superheroic situations, that gives this book a unique visual.
Silk remains a Spider-title that stands on its own and does wonderful things for a character that would likely get lost in the spider-shuffle otherwise.