In 1981 I was a 12 year old sitting in the back seat of my parents car listening to my radio walkman while they were driving around L.A. when that magical piano intro to "Kiss on my List" came over the airwaves and I became an instant fan.
In John Oates autobiography, he mentions that many fans like myself, who hadn't heard of them prior, thought their album Voices, was their debut album. And indeed, the 80's would continue to skyrocket Hall & Oates into the pop stratosphere. I owned those big four early 80's albums and knew them front to back and eventually they became my very first concert I'd attend on their H20 tour.
Now, 35 years later, I was delighted to see that John penned an autobiography and was eager to learn more about this duo that played a large part of my adolescence. The book, ironically, is actually itself a Change of Seasons as it progresses. The front end of it is fairly dry and distant, John gives more facts than really opening himself up and I was worried that the entire book might suffer from this rather bland writing style. John comes across both as a somewhat spoiled only-male in a family full of girls and then as a drifter kinda just floating along and got lucky to eventually pair up with Daryl.
However, as the book progresses, he does start to add more personality to it and things start to become pretty humorous (The chapter of him and Daryl on acid at the drive-in really had me laughing). Once him and Daryl start making albums, it gets pretty interesting. He spends most of his writing on their first 3 albums in which he makes the admission that Abandoned Luncheonette is his personal favorite. He reminisces fondly the most of these early band days where it was small clubs and him behind the wheel going from location to location. I ended up actually purchasing Whole Oats and War Babies and enjoying them quite a bit just by reading the book. However, he largely leaves the album by album chapters after War Babies and from there, only really brings up the Silver album with the weird androgynous cover and Voices as an album chapter since it was largely their direction changer. I found myself slightly disappointed in that regard as I was wanting more on the albums in the 80's. However, while Hall & Oates were the biggest in the 80's, John surprisingly doesn't write much, or I should say, as much as I would think he would from that period. He admits to it being more of a blur and less endearing to him.
He then makes some personal changes after the big 80's and doesn't speak much to really any of the albums in the later 80's to today. He moves to Colorado, settles in and becomes a family man. And, while this is the area he really begins to "find" himself, from a music standpoint, it's virtually void. He does however have some humorous stories about raccoons and his bizarre author neighbor Hunter S. Thompson that had me cracking up. I really found this part of the book quite enjoyable.
Overall, it's a good book. It is interesting to see how the music industry works and how him and Daryl were victims to corporate shady business. He certainly exposed a lot of the inner workings of music corporations and how artists get ripped off. It's also interesting how he and Daryl worked together when crafting songs, his contributions to their music, and stories about various band members along the way. He set off to make a book mainly about John Oates, and he did. I certainly feel like I know him a little better. And that spoiled drifter at the beginning becomes a more humble friendly neighbor at the end.
It won't be the best rock star autobiography you'll read, but if you are a fan, you will enjoy the ride.