First published in 1942 , Death of a Busybody is the third in George Bellairs’ series featuring Inspector, later, Superintendent, Thomas Littlejohn. The series, published from 1941-1980, ran to over fifty books.
Bellairs, who died in 1985, has been unjustly neglected until the recent reissues. In his lifetime he was rated highly by the author and reviewer, Francis Iles (Anthony Berkley) ,who was a great spotter of crime-writing talent.
Martin Edwards opines in his useful Introduction that Bellairs was so prolific that his work varies in quality -“but his best novels supply pleasant entertainment”. This book exemplifies the good qualities of Bellairs’ work. To me, they are well-crafted and intelligent contributions to the genre.
The “busybody” is Miss Ethel Tither, inhabitant of Hilary Magna, a village deep in the English countryside. When her body is found in the Rev. Ethelred Claplady’s cesspool by Isaiah Gormley, the local police call in Scotland Yard in the person of Inspector Littlejohn.
Miss Tither, fuelled by religious conviction, had been the very active and vocal guardian of the morality of the inhabitants of the area, regularly dispensing unwanted tracts and unwelcome comments and advice. The suspects are, therefore, many and various- adulterers and atheists, fornicators and floozies: all have reason to hate her.
Littlejohn, with some help, locally from Police Constable Harriwinckle, and, from Detective Sergeant Cromwell in London, carries out one of his usual painstaking investigations. Miss Tither’s will provides some interesting leads concerning a relative and religious charities she was interested in. Among the locals, Mr. Lorrimer also gives information and fuel for thought on possible suspects.
The cast of characters, including the apiarist vicar, a choleric coroner, a psalm-quoting suitor, a snobbish tea-shop owner and an alcoholic farmer, as well as the victim herself, are delineated in vivid pen-portraits.
The humour is gentle, but Bellairs shows he has no time for hypocrisy and greed, and ensures that the perpetrator suffers the ultimate penalty while conceding that madness may have played a part.
The writing is clear and the plotting, fairly straightforward. The murderer is not too difficult to spot and one alibi uses a well-known trick of classic crime writers.
I am a great fan of Bellairs’ novels with their casts of lovable eccentrics.This is a good one to start with if you are unfamiliar with his work.
Highly recommended. Four stars.
Thank you to NetGalley and Poisoned Pen Press for the advance copy.