Witness the Stupendous Marvels of Europe gathered in one place, at one time, for your viewing pleasure and delectation.
CONFLAGRATION!
THE PHENOMENON OF PHEMONENA!
7.30pm, at the Theatre of the Nook, 1889 and every year until Armageddon!
There are delights for all ages, surprises for everyone, and none will depart disappointed.
LET YOUR SENSES BE ENTHRALLED…
LADIES, AVERT YOUR EYES, AND GENTLEMEN HOLD ONTO YOUR HATS!
Our performers manifest feats of conjuration and transformation with fire, bullets, rockets, matches, gunpowder, kindling, newspaper, words, and other combustibles, the like of which will amaze even the most jaded of critics.
Do not let yourself be last in the queue for fear of failing to secure a ticket!
The box office opens at 7pm sharp, latecomers will regret they were never at the spectacle that enthralled a generation. Families will pass on their souvenirs for decades and all will speak with joy and delight of the wonders they had witnessed.
ONCE—AND ONCE ONLY—SEIZE YOUR CHANCE!
EUROPA—IGNITE!
Vignettes and short stories about August Strindberg, Maurice Maeterlinck, Antonin Artaud, Edward Gordon Craig, Filippo Marinetti, Samuel Beckett, Alfred Jarry, Jean Genet, Tristan Tzara, Bertolt Brecht, Vaclav Havel, Stanislaw Witkiewicz, Vsevolod Meyerhold, Eugene Ionesco and Tadeusz Kantor.
D.P. Watt is a writer living between Scotland and England in an otherworldly, misty borderland. His collection of stories, An Emporium of Automata was reprinted by Eibonvale Press in 2013, and his second collection, The Phantasmagorical Imperative and Other Fabrications, is now available in paperback. A third collection, Almost Insentient, Almost Divine, appeared with Undertow Publications in 2016 and was nominated for a Shirley Jackson Award. He won the Ghost Story Award 2015 for his story ‘Shallabalah’ published in The Ghosts and Scholars Newsletter, no 26.You can find him at The Interlude House: www.theinterludehouse.co.uk
This is a book of matches. You need a Narrative Hospital to stitch them together. Hopefully, this review is that hospital. But, better still, you match them together yourself independent of this review. It is also a wonderful experience, probably the most important experience in any physical book, with all its tricks and trepidations, tribulations and triumphs: including the final conflagrative triumph: the inspiring poem at the end: “THIS IS NOT A MANIFESTO; IT IS A LOVE SONG.”
The detailed review of this book posted elsewhere under my name is too long or impractical to post here. Above is one of its observations at the time of the review.
Let the old ways die, he thought. It is time for new patterns and systems! There can be no more ridiculous synchronicity of words and actions; the two must move to their own rhythms and when these work against each other new significants emerge.