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Golem
Winner of the 1997 Caldecott Medal
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
Retold from traditional sources and accompanied by David Wisniewski's unique cut-paper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It also offers a thought-provoking look at the consequences of unleashing power beyond human control. The afterword discusses the legend of the golem and its roots in the history of the Jews. A Caldecott Medal Book.
32 pages, Paperback
First published October 18, 1996
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About the author
David Wisniewski
34 books16 followersDavid R. Wisniewski was an American writer and illustrator best known for children's books.
He attended the University of Maryland, College Park but quit after one semester to join the Ringling Brothers and Barnum & Bailey Clown College, graduating in 1973. He worked for several years as a clown before moving to Maryland and joining the Prince George's Country Puppet Theatre where he met his wife Donna Harris. In 1980, they started the Clarion Puppet Theatre (later known as the Clarion Shadow Theatre) which toured in schools, theaters and at the Smithsonian. After his children were born, he become a full-time author/ illustrator, using layers of cut paper to illustrate children's books. His book Golem, won the 1997 Caldecott Medal.
In his acceptance speech, he said of himself: "I am a self-taught artist and writer who depends on instincts developed through years of circus and puppet performance to guide a story's structure and look."
He attended the University of Maryland, College Park but quit after one semester to join the Ringling Brothers and Barnum & Bailey Clown College, graduating in 1973. He worked for several years as a clown before moving to Maryland and joining the Prince George's Country Puppet Theatre where he met his wife Donna Harris. In 1980, they started the Clarion Puppet Theatre (later known as the Clarion Shadow Theatre) which toured in schools, theaters and at the Smithsonian. After his children were born, he become a full-time author/ illustrator, using layers of cut paper to illustrate children's books. His book Golem, won the 1997 Caldecott Medal.
In his acceptance speech, he said of himself: "I am a self-taught artist and writer who depends on instincts developed through years of circus and puppet performance to guide a story's structure and look."
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Displaying 1 - 30 of 526 reviews
May 6, 2019
Wow! The artwork is amazing in this book! It is a great story as well.
The artwork is detailed paper cut-outs that are layered and have a 3D look to them. Some of the spreads are incredible and his cuts are so fine and detailed with all kinds of little pieces of grass and people all over the place or little nicks in the paper just right. Absolutely beautiful.
The story is said to be a possibility for the idea of Mary Shelley’s ‘Frankenstein’. The story is set in the 1500s in Prague where the jews are being persecuted. False lies are being spread against them and they fear for their lives. A rabbi has a dream. To protect his people, he needs to build a Golem. So, with his sons, that is what he does. It is made from clay. It loves all the beauty in the world and it does not want to be destroyed. The story is very clever and it is a great legend. I love it. The ending is wonderful. The jews are promised safety.
Both kids enjoyed the story. The niece gave this 4 stars. She loved the artwork and thought the word used on the golem’s forehead was very clever. The nephew thought this was an awesome story of magic. He wanted to form a robot in clay to bring alive. I told him that no one here knows the Cabala, so we couldn’t make it work. He gave it 4 stars also.
My niece said she is ready to read the middle grade books. She has been reading graphic novels lately like ‘Smile’, and ‘Roller Girl’ and loving them. She is about ready to stop reading picture book stories. I have been expecting that. I convinced her to hang in there with me until we finish up all the Caldecott Books. We are getting close to finishing them all. She agreed. So, if I can keep them rolling, I have her ear for about 100 more days of books or so before she grows up a bit. It will then be me and the nephew. It won’t be long before he follows his sisters example. He is into the issues of comics like Ducktails and Mario bros.
Don’t think I’ll stop reading these books. I’ve had fun, so it will just be what I think. Hopefully I can read to the nephew for at least another year. We’ll see.
The artwork is detailed paper cut-outs that are layered and have a 3D look to them. Some of the spreads are incredible and his cuts are so fine and detailed with all kinds of little pieces of grass and people all over the place or little nicks in the paper just right. Absolutely beautiful.
The story is said to be a possibility for the idea of Mary Shelley’s ‘Frankenstein’. The story is set in the 1500s in Prague where the jews are being persecuted. False lies are being spread against them and they fear for their lives. A rabbi has a dream. To protect his people, he needs to build a Golem. So, with his sons, that is what he does. It is made from clay. It loves all the beauty in the world and it does not want to be destroyed. The story is very clever and it is a great legend. I love it. The ending is wonderful. The jews are promised safety.
Both kids enjoyed the story. The niece gave this 4 stars. She loved the artwork and thought the word used on the golem’s forehead was very clever. The nephew thought this was an awesome story of magic. He wanted to form a robot in clay to bring alive. I told him that no one here knows the Cabala, so we couldn’t make it work. He gave it 4 stars also.
My niece said she is ready to read the middle grade books. She has been reading graphic novels lately like ‘Smile’, and ‘Roller Girl’ and loving them. She is about ready to stop reading picture book stories. I have been expecting that. I convinced her to hang in there with me until we finish up all the Caldecott Books. We are getting close to finishing them all. She agreed. So, if I can keep them rolling, I have her ear for about 100 more days of books or so before she grows up a bit. It will then be me and the nephew. It won’t be long before he follows his sisters example. He is into the issues of comics like Ducktails and Mario bros.
Don’t think I’ll stop reading these books. I’ve had fun, so it will just be what I think. Hopefully I can read to the nephew for at least another year. We’ll see.
May 29, 2021
This Caldecott Honor book draws upon Jewish mythology to tell to the story of the persecution of the Jews in Prague in 1580. The Jews were forced to live in a walled ghetto and were accused of killing Christian babies and using their blood for their ancient rituals. The chief rabbi, Judah Loew ben Bezalel, creates a golem out of clay to protect the Jewish people. As the golem spends more time alive, it begins to acquire a human yearning for life. The golem, however, was only created to protect the Jews as long as they needed him, and after it has rebuffed several violent attacks and frightened the emperor into a withdrawal of his men, the rabbi returns the golem to the earth.
The artwork for the volume, also by David Wisniewski, is made up of cut-paper illustrations, which are layered like a collage and then photographed. This adds a depth to the illustrations that is very eye-catching. The amount of detail that can be conveyed with this method is impressive, and the intricacies of the art supports the old-world feeling of the story; something that computer-manipulated illustrations would be unable to convey.
The language in this picture book is quite sophisticated and the themes of the difference between life and humanity can lead to some complicated discussions. The scene of the rabbi consigning the golem to the earth once more despite his pleas for life is particularly emotional, and may lead some readers to question the justice of his decision. There is also a page-long endnote about the history of the golem in Jewish mythology, and a short history of the persecution of the Jews, for further discussion.
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The artwork for the volume, also by David Wisniewski, is made up of cut-paper illustrations, which are layered like a collage and then photographed. This adds a depth to the illustrations that is very eye-catching. The amount of detail that can be conveyed with this method is impressive, and the intricacies of the art supports the old-world feeling of the story; something that computer-manipulated illustrations would be unable to convey.
The language in this picture book is quite sophisticated and the themes of the difference between life and humanity can lead to some complicated discussions. The scene of the rabbi consigning the golem to the earth once more despite his pleas for life is particularly emotional, and may lead some readers to question the justice of his decision. There is also a page-long endnote about the history of the golem in Jewish mythology, and a short history of the persecution of the Jews, for further discussion.
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September 27, 2020
So while I definitely do much appreciate both the historical and the religious background of David Wisniewski's Golem (and can in all ways very much understand how and why he won the Caldecott Medal for his expressively intense, colourful, evocative illustrations, for pictures that are bold, immediate, emotion-laden and very much both a mirror to and often even an expansion of the narrative, of the accompanying printed words), I also do not really and cannot really claim that I all that much enjoy Golem as a tale in and of itself (and in fact, it is actually more the visually stunning illustrations than the printed words which I find potentially too frightening and almost too intense in nature, although even with regard to the text, with regard to the author's presented narrative, there are issues and scenarios shown that I find potentially problematic and open to question and debate, and as such not really all that suitable or even approachable for children below the ages of seven or eight, and perhaps even nine or ten).
And as very much an adamant pacifist, David Wisniewski's message (or perhaps rather the culturally traditional message) that violence might well be necessary to combat violence or the threat of violence (via means of the super-strong and supernatural monster-like Golem), while to a point definitely understandable from a historical and realistic point of view (as the Jews of Prague were in peril, were indeed being relentlessly and with brutality and lies persecuted without mercy), this also leaves me personally rather majorly uncomfortable, even though I do in fact appreciate that Rabbi Loew does recognise that what he has created, that what he has called forth has caused, is causing much too much danger and destruction, all important and even necessary points for discussion, analysis and debate, but are these here themes not perhaps somewhat above and beyond the traditional picture book crowd (not to mention that the Golem, that Joseph, after he has served his purpose, is simply destroyed, even though life has become precious to him, a necessary act perhaps, but also sad, infuriating, inherently unfair and unjust in many ways).
But all that having been said, and my issues with the level of textual savagery and the possible over-intensiveness of the accompanying illustrations notwithstanding, I do highly recommend Golem and find especially David Wisniewski's informative supplemental note exceedingly well researched, informative, simply and utterly outstanding (although the hopeless academic in me would most definitely have enjoyed and also kind of missed a bibliography, a list of works cited and suggestions for further reading). And please do note that while I personally tend to think that Golem is not really all that suitable for children below at least the ages of seven or eight, that is simply my own feeling, my own reaction to the text/image combination, and I would NEVER in any way desire to impose this attitude on others (I just know on a personal level that if I had had Golem read to me as a younger child, I would more than likely have had nightmares and a great many potentially uncomfortable questions, such as for example, if the danger faced by the Jews of 16th century Prague was dire enough to call forth the Golem, why was the Golem then not called forth during the Holocaust).
And as very much an adamant pacifist, David Wisniewski's message (or perhaps rather the culturally traditional message) that violence might well be necessary to combat violence or the threat of violence (via means of the super-strong and supernatural monster-like Golem), while to a point definitely understandable from a historical and realistic point of view (as the Jews of Prague were in peril, were indeed being relentlessly and with brutality and lies persecuted without mercy), this also leaves me personally rather majorly uncomfortable, even though I do in fact appreciate that Rabbi Loew does recognise that what he has created, that what he has called forth has caused, is causing much too much danger and destruction, all important and even necessary points for discussion, analysis and debate, but are these here themes not perhaps somewhat above and beyond the traditional picture book crowd (not to mention that the Golem, that Joseph, after he has served his purpose, is simply destroyed, even though life has become precious to him, a necessary act perhaps, but also sad, infuriating, inherently unfair and unjust in many ways).
But all that having been said, and my issues with the level of textual savagery and the possible over-intensiveness of the accompanying illustrations notwithstanding, I do highly recommend Golem and find especially David Wisniewski's informative supplemental note exceedingly well researched, informative, simply and utterly outstanding (although the hopeless academic in me would most definitely have enjoyed and also kind of missed a bibliography, a list of works cited and suggestions for further reading). And please do note that while I personally tend to think that Golem is not really all that suitable for children below at least the ages of seven or eight, that is simply my own feeling, my own reaction to the text/image combination, and I would NEVER in any way desire to impose this attitude on others (I just know on a personal level that if I had had Golem read to me as a younger child, I would more than likely have had nightmares and a great many potentially uncomfortable questions, such as for example, if the danger faced by the Jews of 16th century Prague was dire enough to call forth the Golem, why was the Golem then not called forth during the Holocaust).
August 16, 2024
I have always been fascinated by the story of the Golem. This retelling of the story is informative and retains the deeper questions of 'Golemic' solutions to violence while still remaining accessible to children. On a completely different note I am very surprised that there has not been a comic book version of this character!
April 23, 2012
Four stars for talent, though I did not "like" this story.
This is a powerful, deeply disturbing "cautionary tale about the limits of human power." It also shows the cruelty of man, and the dangers of believing rumors. I really don't feel equal to writing a review of this story.
On the one hand, I admire the obvious talent in the (Caldecott Medal-winning) illustrations and the author's note at the end enhances the story, helping explain about Jewish religion and history for those who might be ignorant of certain details. I found it especially interesting that the Golem, created to help protect the defenseless Jewish people, is now seen as Israel (in an allegorical fashion) by some as it was "created to protect the physical safety of the Jews through the use of physical power."
On the other hand, I can't help but feel that this story is too graphic (both in content and illustrations) for the standard picture book audience. In addition to the mention of the "Blood Lie" spread about Jews "mixing the blood of Christian children with flour and water of matzoh" and the fact that some of those spreading the lie went around carrying blood or dead children, the story is very violent and the illustrations are graphic. Moreover, it is deeply haunting as the poor Golem was created only to protect (and protecting some meant destroying others)--and to be destroyed when his task was done, no matter how much he pleaded to stay alive. And, while certainly the message of the story can be understood even if one is not acquainted with the traditions, the nuances of Jewish history and religion in the Author's Note (so beneficial for older audiences) are beyond the reach of many young children. Thus, I can't help but feel confused as to whom Wisniewski was trying to reach with this book. Certainly adults and older children might appreciate it, yet they may very well be turned away by the "kid's book" format. While I wouldn't want to see a totally diluted version of the story, I can't help but feel young children might be better served by a less graphic introduction to the story of Rabbi Loew and his Golem.
The book left me deeply disturbed and heart-sore.
This is a powerful, deeply disturbing "cautionary tale about the limits of human power." It also shows the cruelty of man, and the dangers of believing rumors. I really don't feel equal to writing a review of this story.
On the one hand, I admire the obvious talent in the (Caldecott Medal-winning) illustrations and the author's note at the end enhances the story, helping explain about Jewish religion and history for those who might be ignorant of certain details. I found it especially interesting that the Golem, created to help protect the defenseless Jewish people, is now seen as Israel (in an allegorical fashion) by some as it was "created to protect the physical safety of the Jews through the use of physical power."
On the other hand, I can't help but feel that this story is too graphic (both in content and illustrations) for the standard picture book audience. In addition to the mention of the "Blood Lie" spread about Jews "mixing the blood of Christian children with flour and water of matzoh" and the fact that some of those spreading the lie went around carrying blood or dead children, the story is very violent and the illustrations are graphic. Moreover, it is deeply haunting as the poor Golem was created only to protect (and protecting some meant destroying others)--and to be destroyed when his task was done, no matter how much he pleaded to stay alive. And, while certainly the message of the story can be understood even if one is not acquainted with the traditions, the nuances of Jewish history and religion in the Author's Note (so beneficial for older audiences) are beyond the reach of many young children. Thus, I can't help but feel confused as to whom Wisniewski was trying to reach with this book. Certainly adults and older children might appreciate it, yet they may very well be turned away by the "kid's book" format. While I wouldn't want to see a totally diluted version of the story, I can't help but feel young children might be better served by a less graphic introduction to the story of Rabbi Loew and his Golem.
The book left me deeply disturbed and heart-sore.
April 27, 2012
“Golem” is a Caldecott Medal award winning book by David Wisniewski which is about how the Jews are being persecuted because of the “blood lie” and how Rabbi Loew tries to figure out a way to save the Jews by building a Golem! “Golem” is a great and dark story that might please older children and adults, but it will definitely scare smaller children who do not understand the book’s mature content.
David Wisniewski has done a brilliant job at writing and illustrating this book. David Wisniewski’s writing is extremely dramatic and intense as it discusses the persecution of the Jews and his description of the Golem as being a frightening yet obedient being makes the story intense and somewhat heartwarming at the same time. David Wisniewski’s illustrations are frightening yet beautiful at the same time especially whenever David Wisniewski illustrates the lightning during the resurrection of the Golem and the lightning would spread across the whole page and look both frightening and fascinating at the same time. Also, David Wisniewski uses cardboard figures including the characters to illustrate the story and therefore, makes this story extremely captivating and realistic at the same time.
Parents should know that this book is too scary for smaller children since the story is too dark as it describes the persecution of the Jews in such vivid detail that it will scare small children. Also, the images in this book are extremely intense, especially of the image of Rabbi Loew resurrecting the Golem and there is lightning all over the page while the Golem’s expression looks extremely terrifying as it has a surprised and painful expression on its face as lightning shoots out of its eyes and mouth while it is being resurrected. Parents might want to steer young children away from this book until they are old enough to learn more about the persecution of the Jews and can handle the frightening images.
“Golem” is a truly brilliant yet frightening book about the persecution of the Jews and their savior that older children will love because of the amount of excitement and drama involved in the story. I would recommend this book to children ages eight and up because of the themes of the persecution of the Jews and the frightening images will frighten small children who do not understand about the persecution of the Jews and can not handle the frightening images in the book.
Review is also on: Rabbit Ears Book Blog
David Wisniewski has done a brilliant job at writing and illustrating this book. David Wisniewski’s writing is extremely dramatic and intense as it discusses the persecution of the Jews and his description of the Golem as being a frightening yet obedient being makes the story intense and somewhat heartwarming at the same time. David Wisniewski’s illustrations are frightening yet beautiful at the same time especially whenever David Wisniewski illustrates the lightning during the resurrection of the Golem and the lightning would spread across the whole page and look both frightening and fascinating at the same time. Also, David Wisniewski uses cardboard figures including the characters to illustrate the story and therefore, makes this story extremely captivating and realistic at the same time.
Parents should know that this book is too scary for smaller children since the story is too dark as it describes the persecution of the Jews in such vivid detail that it will scare small children. Also, the images in this book are extremely intense, especially of the image of Rabbi Loew resurrecting the Golem and there is lightning all over the page while the Golem’s expression looks extremely terrifying as it has a surprised and painful expression on its face as lightning shoots out of its eyes and mouth while it is being resurrected. Parents might want to steer young children away from this book until they are old enough to learn more about the persecution of the Jews and can handle the frightening images.
“Golem” is a truly brilliant yet frightening book about the persecution of the Jews and their savior that older children will love because of the amount of excitement and drama involved in the story. I would recommend this book to children ages eight and up because of the themes of the persecution of the Jews and the frightening images will frighten small children who do not understand about the persecution of the Jews and can not handle the frightening images in the book.
Review is also on: Rabbit Ears Book Blog
May 13, 2016
Unique illustrations and story. I was kind of sad the ending ended how it did. Perhaps a Golem Returns sequel (hint hint Wisniewski) can redeem it. My husband read this book to me with a Rabi voice so that might have made me love it more.
October 13, 2015
The artwork is beautiful, the story a bit too profound for a picture book. Still, a must read for anyone who is interested in the history of Jews in Europe.
1997 Caldecott Medal Winner
1997 Caldecott Medal Winner
September 29, 2016
This is the second book I read about the "Golem," and the first one that I've read to our girls.
The first book, by Elie Wiesel, matched this story very closely, but didn't have illustrations, and I think it was a little too scary for younger kids.
This one was also a little scary, perhaps, but I tried to give it a dramatic reading that made it more exciting, less real, and not so scary.
Our girls weren't overly excited about the book, but I thought it was great. The illustrations were wonderful, as you would expect for a Caldecott Medal winner.
This story was selected as one of the books for the April 2012 - Mystical/Magical Creatures reads at the Picture-Book Club in the Children's Books Group here at Goodreads.
It was also featured in the October 2016 - Quarterly Caldecott discussion at the Picture-Book Club in the Children's Books Group here at Goodreads.
The first book, by Elie Wiesel, matched this story very closely, but didn't have illustrations, and I think it was a little too scary for younger kids.
This one was also a little scary, perhaps, but I tried to give it a dramatic reading that made it more exciting, less real, and not so scary.
Our girls weren't overly excited about the book, but I thought it was great. The illustrations were wonderful, as you would expect for a Caldecott Medal winner.
This story was selected as one of the books for the April 2012 - Mystical/Magical Creatures reads at the Picture-Book Club in the Children's Books Group here at Goodreads.
It was also featured in the October 2016 - Quarterly Caldecott discussion at the Picture-Book Club in the Children's Books Group here at Goodreads.
January 27, 2014
When the Jews in Prague are in danger due to a lie about their using the blood of Christina children in their unleavened bread, one rabbi, fearing approaching violence, seeks guidance through prayer. He is answered with one word: Golem. Only a righteous man using mystical teachings and power could create this giant of clay, which is what the rabbi does. Golem is tasked with the protection of the Jews and the thwarting of those who would plant evidence of the "blood lie." Even though he knows that he will only live as long as the Jews are in danger, he works doggedly to keep them safe. When the enemies of the Jews become angered by the failure of their blood lies, they attack. Will Golem be able to save them now?
This Caledecott Medal winning picture book is powerful in text and the image. The story of the creature who works towards his own death with the safety of the Jews is evenly matched by beautifully haunting paper-cut images that have depth and layers that make them seem as though they are coming off of the page. The only reason that I didn't give this book five stars is that the story is told in a very formal manner that lacks some sense of humanity.
This book would be perfect as a part of a history or social studies lesson about oppression or persecution of any kind.
This Caledecott Medal winning picture book is powerful in text and the image. The story of the creature who works towards his own death with the safety of the Jews is evenly matched by beautifully haunting paper-cut images that have depth and layers that make them seem as though they are coming off of the page. The only reason that I didn't give this book five stars is that the story is told in a very formal manner that lacks some sense of humanity.
This book would be perfect as a part of a history or social studies lesson about oppression or persecution of any kind.
April 9, 2011
The illustrations in this book are INSANE. Honestly, maybe the most impressive pictures I've ever seen in a children's book. The story is very interesting, and there is an excellent source note in the back of the book. But the pictures will leave you in awe.
January 1, 2014
I rarely give a book 5 stars, but this one deserves it. The unique story, fully-formed characters and the twists and turns of the plot make for an incredible book. I love a book that makes you think about your own life while immersed in the characters' lives. I highly recommend this one.
December 14, 2008
I've always liked stories about the Golem, and Wisnewski's detailed papercuttings fascinate me. Combine the two, and you've got an award-winning book.
April 19, 2012
This book is not the traditional myth but more of a Jewish tradition or as Wisniewski suggests a cautionary tale. I must admit that I know bits and pieces of the Jewish religion but am not familiar enough to pick up on all the significant references and meanings in this book.
There was a time when there was hatred present between all the religions. The Jews were attacked more viciously and were even made to live in ghettos. The Golem, a large strong, simple, giant was summoned from clay to protect the Jewish people from the vicious attacks of the other religions’ people. Tradition says that the Golem would protect the Jews for as long as they were in danger. Golem blocks numerous attacks but eventually the attackers break into the Jewish ghetto. Golem uses his strength to know them down and protect his people. The attackers were so fearful of Golem that they promised to leave the Jews alone as long as they destroyed Golem.
The layered cut-paper illustrations are dark, consisting of browns, blacks, and reds. This adds to themes of violence and caution that are reiterated throughout the story.
The story is a bit overwhelming. Not necessarily because of the content but because of how the content is delivered. The text is dense, full of religious terms and names that can be difficult to pronounce, and there is just so much text on each page. I would not hesitate to share the myth of Golem of with my five year old son, but this is book is much too long for his attention span. After reading the author’s note at the end of the book, I am intrigued about Golem. I wonder how many Jews that suffered the unspeakable acts of the holocaust thought of Golem and clung to this story as hope for survival. I must know more about Golem for this reason and will seek out more books about him.
There was a time when there was hatred present between all the religions. The Jews were attacked more viciously and were even made to live in ghettos. The Golem, a large strong, simple, giant was summoned from clay to protect the Jewish people from the vicious attacks of the other religions’ people. Tradition says that the Golem would protect the Jews for as long as they were in danger. Golem blocks numerous attacks but eventually the attackers break into the Jewish ghetto. Golem uses his strength to know them down and protect his people. The attackers were so fearful of Golem that they promised to leave the Jews alone as long as they destroyed Golem.
The layered cut-paper illustrations are dark, consisting of browns, blacks, and reds. This adds to themes of violence and caution that are reiterated throughout the story.
The story is a bit overwhelming. Not necessarily because of the content but because of how the content is delivered. The text is dense, full of religious terms and names that can be difficult to pronounce, and there is just so much text on each page. I would not hesitate to share the myth of Golem of with my five year old son, but this is book is much too long for his attention span. After reading the author’s note at the end of the book, I am intrigued about Golem. I wonder how many Jews that suffered the unspeakable acts of the holocaust thought of Golem and clung to this story as hope for survival. I must know more about Golem for this reason and will seek out more books about him.
February 9, 2014
While 'Golem' is presented as a children's book it is really a great read for any age. Presenting the tale of the golem in a manner that even children can comprehend and follow, this book is simply wonderful. I would like to start by mentioning the art by David Wisniewski because it is beautiful. Use of shadows and lines help to create the atmosphere of foreboding and fear that the Jews of Prague in this story would have felt. I would like to see more of his work. As for the story itself Mr. Wisniewski does a great job of conveying the persecution the Jews were experiencing during the Blood Lie, and the desperation of the rabbi who created the golem. Once Joseph (as the rabbi names the golem) has joined the Jews within their walled neighborhood in Prague you see right away his awe at even the mundane aspects of life. His refusal to give up his new-found life once his task is completed is heartbreaking because of course we can relate. Who wants to die? Especially when the world contains so many undiscovered wonders and unseen beauty. I think that this book would be great for a child to read, regardless of religious affiliation, because of this message. 'Golem' illustrates that life is precious to all, even if you are summoned up from clay.
September 10, 2014
David Wisniewski’s 1997 Caldecott Award winner, Golem, recounts the experience of Jews in 16th century Prague (Czech Republic). Retold from traditional rabbinic sources such as that of Cabala the Talmud, and the Zohar, Wisniewski creates a compelling visual and historical narrative of persecution and the dangers inherent in assuming God-like power. The antagonism of the cut-paper illustrations, the contrasts in the dark palette, and the variety of eye paths and angles, create tension, advance the plot, and hold the reader captive in this tale of destruction and human frailty.
October 31, 2016
The cut-paper illustrations are gorgeous, but I enjoyed the story in Clay Man: The Golem of Prague more. The last page called "A Note" is a great summary reference.
In many European cities, Jews were confined to walled areas called ghettos and locked in at night. Venice banished its Jews to an island where a foundry was located; the word ghetto is derived from the medieval Venetian word geto, "foundry".
January 2, 2008
To protect the Jews of Prague, Judah Loew ben Bezalel, the chief rabbi, calls forth a Golem. The almost childlike Golem does do its job well, and the Jewish people no longer have to fear for the lives. This book covers a lot of lore and issues in a few short pages. I like the historical afterwards in the back. The illustrations and stark colors are very eye-catching.
October 6, 2016
I love Wisniewski's detailed, intricate cut paper illustrations, and they definitely helped to tell the story. I only found a couple of spreads particularly graphic. I also liked the story and felt sad for the Golem when it was returned to clay form. I appreciated the informational author's note at the end as well.
June 6, 2013
I did a whole paper on Wisniewski's cut paper illustrations in grad school (the last grad school :-) ) and his art still fascinates me. Probably because I don't have the patience for it! But this story of the Golem is not a "fun" story. It's very thought-provoking--all about power, supernatural assistance, faith.... The Golem is a figure from Jewish legend.
April 2, 2020
When the Jews of Prague are falsely accused of a terrible crime, and threatened with mob violence, their wise and learned leader, the Rabbi Loew ben Bezalel, makes the difficult decision to create a golem - a man formed from clay or sand, and brought to life through arcane cabbalistic ritual - to protect them. Although the golem - soon clothed in human garb, and given the name "Joseph" - does what is asked of him, in tracking down those who would plant false evidence, and fending off those who would attack the Jewish ghetto, it soon becomes apparent, from the questions he asks about himself, and his place in the world, that whatever the motives involved, bringing him to life was a dangerous undertaking, and an awesome responsibility. When the emperor, finally convinced of the Jews' innocence, and intimidated by the power of the golem, extends his protection to Prague's Jewish community, the rabbi, ignoring his creation's pleas for life, returns him to clay.
Awarded the Caldecott Medal in 1997, this outstanding picture-book pairs a powerful retelling of the Jewish folktale of the Golem of Prague with brilliantly detailed cut-paper artwork. The language used by Wisniewski is mature, as are the themes of the story itself, making Golem a picture-book better suited for slightly older children. I appreciated the fact that the narrative did not skip over the moral complexity of the golem's violence - even thought the Jews are threatened, the rabbi thinks, at one point, that the golem's violence is simply too much - or of his creation exclusively for human use. The scene in which he is returned to inert matter has a sharp poignancy that would have haunted me, I suspect, had I read this as a girl. The artwork is just as amazing as the text - dark, mesmerizing, and often quite frightening! I think Wisniewski's work in Sundiata: Lion King of Mali was superior - oddly enough, that title received no honors - but this was still superb!
All in all, an excellent picture-book retelling of this important nineteenth-century legend, one that has influenced so many subsequent literary efforts, from Mary Shelley's Frankenstein to Elizabeth Knox's New Zealand fantasies, Dreamhunter and Dreamquake . Those looking for other, more extensive retellings might also want to check out Isaac Bashevis Singer's The Golem (illustrated by Uri Shulevitz), or Elie Wiesel's The Golem (illustrated by Mark Podwal).
Awarded the Caldecott Medal in 1997, this outstanding picture-book pairs a powerful retelling of the Jewish folktale of the Golem of Prague with brilliantly detailed cut-paper artwork. The language used by Wisniewski is mature, as are the themes of the story itself, making Golem a picture-book better suited for slightly older children. I appreciated the fact that the narrative did not skip over the moral complexity of the golem's violence - even thought the Jews are threatened, the rabbi thinks, at one point, that the golem's violence is simply too much - or of his creation exclusively for human use. The scene in which he is returned to inert matter has a sharp poignancy that would have haunted me, I suspect, had I read this as a girl. The artwork is just as amazing as the text - dark, mesmerizing, and often quite frightening! I think Wisniewski's work in Sundiata: Lion King of Mali was superior - oddly enough, that title received no honors - but this was still superb!
All in all, an excellent picture-book retelling of this important nineteenth-century legend, one that has influenced so many subsequent literary efforts, from Mary Shelley's Frankenstein to Elizabeth Knox's New Zealand fantasies, Dreamhunter and Dreamquake . Those looking for other, more extensive retellings might also want to check out Isaac Bashevis Singer's The Golem (illustrated by Uri Shulevitz), or Elie Wiesel's The Golem (illustrated by Mark Podwal).
June 3, 2021
It's difficult to imagine reading this in a group setting or to a child because the intricate papercuts demand to be poured over by one's own--they're claustrophobically dense and brutally crisp; the white core at the cut edges of intense red, orange, and brown paper almost feels like an aggressive sharpening filter. It defines the tone: things with are vast, sacred, awesome, unknowable, and mournful seen with too much clarity. What an experience! I'm always on the lookout for Jewish picture books(/authors) and scary picture books, and this is a goldmine of both.
July 7, 2023
According to legend, 400 yrs. ago a respected Jewish scholar, teacher and rabbi sculpted a man out of clay. Created soully for the protection of the Jewish people against it's enemies.
I thought this was a wonderful tale. It was drastic and dramatic while at the same time telling the history of the Jewish people and their enemies. The illustrations were unique, cut out pieces of paper, layered on.
I thought this was a wonderful tale. It was drastic and dramatic while at the same time telling the history of the Jewish people and their enemies. The illustrations were unique, cut out pieces of paper, layered on.
March 10, 2017
My class of 1-3 graders read and studied Golem this week. The story is set in the late 16th century when Jews in Prague were being persecuted and forced to live in a walled ghetto. A golem was created out of clay to protect the Jews. This story opened up some great dialogue in class about humanity. The illustrations are amazing.
Read
March 30, 2024I see why the illustrations won the Caldecott. They're elaborate and creative, from interesting angles and textured in a way that makes the paper-scrap style come alive.
The book focuses on the persecution of Jews in Prague and the process in Jewish legend for creating a Golem. The violence and destruction as well as the historic and religious information make this a book better suited for older kids. The pathos of the faithful Golem being destroyed by his maker when he wants to live made the ending feel a bit more tragic than triumphant.
The book focuses on the persecution of Jews in Prague and the process in Jewish legend for creating a Golem. The violence and destruction as well as the historic and religious information make this a book better suited for older kids. The pathos of the faithful Golem being destroyed by his maker when he wants to live made the ending feel a bit more tragic than triumphant.
March 25, 2022
One of the recommended books in the author notes at the back of Sweep: the Story of a Girl and her Monster.
February 20, 2024
I love where he turns TRUTH into DEATH. I really liked that he was made out of clay, although in Minecraft he's made out of iron for some reason (if you don't know what Minecraft is, it's a survival game where everyone's square).
This entire review has been hidden because of spoilers.
March 1, 2016
Title: Golem
Author: David Wisniewski
Illustrator:
Genre: Legend
Theme(s): Religion, turmoil, perseverance
Opening line/sentence: “Within the beautiful city of Prague, fierce hatreds have raged for a thousand years.”
Brief Book Summary:
This story is about different religions fighting with each other in Prague. The Jewish people were under attack, so to protect themselves the Rabbi crafted a giant from Clay. He was made to protect the Jewish people and once his job was done he had to return back to Clay.
Professional Recommendation/Review #1:
Susie Wilde (Children's Literature)
When Wisniewski's book won the 1997 Caldecott, I was surprised because the story is one that requires a degree of maturity to fully understand. The Jewish legend tells of the Golem, a giant brought to life from clay to save the Jews from persecution in 1580 Prague. Author-illustrator David Wisniewski has long amazed the children's book world with his intricate paper cuts. His illustrations are a match and give eloquent expression to the mystery and wonder of a creature beyond human imagining who can save a downtrodden people. It is amazing how the elaborate paper art show the story's moods. There's the blazing glory of magical creation, the dark rage, the golden life of royalty, and the darkness of Golem's destruction. The nuances Wisniewski achieves with his paper cuts are incredible--we watch flesh return to clay before our eyes or see from vantage points that make the Golem seem like a Messiah and sometimes monstrous. 1996, Clarion, $15.95. Ages 9 up.
(PUBLISHER: Clarion Books (New York:), PUBLISHED: c1996.)
Professional Recommendation/Review #2:
Marilyn Courtot (Children's Literature)
The layered cut paper images practically leap off the pages; they seem so real you want to touch them in this retelling of a Jewish legend. There have been numerous versions published, most recently one by Mark Powdell entitled Golem, A Giant Made of Mud and a reissue in paper of The Golem by Isaac Bashevis Singer with illustrations by Uri Shulevitz. None has the visual impact that Wisniewski offers, nor are they able to make the story truly accessible to young readers as he does. In this retelling, Rabbi Loew of Prague creates the mud monster to protect his people, but the Rabbi knows that Golem, in spite of his growth toward humanness, must cease to exist. He rests, "But many say he could awaken. Perhaps when the desperate need for justice is united with holy purpose..." A dramatic tale, well told and beautifully illustrated. Recipient of the 1997 Caldecott medal. 1996, Clarion, $15.95. Ages 4 up.
(PUBLISHER: Clarion Books (New York:), PUBLISHED: c1996.)
Response to Two Professional Reviews:
These reviews talked a great deal about the illustrations. I agree, they were very eye catching and grabbed the reader’s attention. I also agree that he does a great job of really capturing the essence of the story through his pictures. I wish the reviews had talked more about the text in the story especially since the second review by Marilyn Courtot said that he makes the story “truly accessible to young readers…” It would have been nice if she expanded on that.
Evaluation of Literary Elements:
As stated above, the illustrations are fantastic. His colors vary to match exactly what the text is saying. For example, the opening scene is discussing the turmoil going on in Prague, so the picture is very dark with a lot of black and dark brown. On the other hand, when David is telling of how the Giant comes to life the picture is very bright; he uses yellows and creams to convey the meaning. I think the text would be a little challenging for younger children to read because of the Jewish names and words but definitely not impossible. I liked how the book would give the meaning after the Jewish term to clarify what the text was trying to say.
Consideration of Instructional Application:
For this book, I would discuss how everyone can believe in different faiths. Then, I would have everyone go around and share a little something about their beliefs. Afterwards, we can talk about all the similarities we have and see that we should not discriminate against other people because of something they believe in.
Author: David Wisniewski
Illustrator:
Genre: Legend
Theme(s): Religion, turmoil, perseverance
Opening line/sentence: “Within the beautiful city of Prague, fierce hatreds have raged for a thousand years.”
Brief Book Summary:
This story is about different religions fighting with each other in Prague. The Jewish people were under attack, so to protect themselves the Rabbi crafted a giant from Clay. He was made to protect the Jewish people and once his job was done he had to return back to Clay.
Professional Recommendation/Review #1:
Susie Wilde (Children's Literature)
When Wisniewski's book won the 1997 Caldecott, I was surprised because the story is one that requires a degree of maturity to fully understand. The Jewish legend tells of the Golem, a giant brought to life from clay to save the Jews from persecution in 1580 Prague. Author-illustrator David Wisniewski has long amazed the children's book world with his intricate paper cuts. His illustrations are a match and give eloquent expression to the mystery and wonder of a creature beyond human imagining who can save a downtrodden people. It is amazing how the elaborate paper art show the story's moods. There's the blazing glory of magical creation, the dark rage, the golden life of royalty, and the darkness of Golem's destruction. The nuances Wisniewski achieves with his paper cuts are incredible--we watch flesh return to clay before our eyes or see from vantage points that make the Golem seem like a Messiah and sometimes monstrous. 1996, Clarion, $15.95. Ages 9 up.
(PUBLISHER: Clarion Books (New York:), PUBLISHED: c1996.)
Professional Recommendation/Review #2:
Marilyn Courtot (Children's Literature)
The layered cut paper images practically leap off the pages; they seem so real you want to touch them in this retelling of a Jewish legend. There have been numerous versions published, most recently one by Mark Powdell entitled Golem, A Giant Made of Mud and a reissue in paper of The Golem by Isaac Bashevis Singer with illustrations by Uri Shulevitz. None has the visual impact that Wisniewski offers, nor are they able to make the story truly accessible to young readers as he does. In this retelling, Rabbi Loew of Prague creates the mud monster to protect his people, but the Rabbi knows that Golem, in spite of his growth toward humanness, must cease to exist. He rests, "But many say he could awaken. Perhaps when the desperate need for justice is united with holy purpose..." A dramatic tale, well told and beautifully illustrated. Recipient of the 1997 Caldecott medal. 1996, Clarion, $15.95. Ages 4 up.
(PUBLISHER: Clarion Books (New York:), PUBLISHED: c1996.)
Response to Two Professional Reviews:
These reviews talked a great deal about the illustrations. I agree, they were very eye catching and grabbed the reader’s attention. I also agree that he does a great job of really capturing the essence of the story through his pictures. I wish the reviews had talked more about the text in the story especially since the second review by Marilyn Courtot said that he makes the story “truly accessible to young readers…” It would have been nice if she expanded on that.
Evaluation of Literary Elements:
As stated above, the illustrations are fantastic. His colors vary to match exactly what the text is saying. For example, the opening scene is discussing the turmoil going on in Prague, so the picture is very dark with a lot of black and dark brown. On the other hand, when David is telling of how the Giant comes to life the picture is very bright; he uses yellows and creams to convey the meaning. I think the text would be a little challenging for younger children to read because of the Jewish names and words but definitely not impossible. I liked how the book would give the meaning after the Jewish term to clarify what the text was trying to say.
Consideration of Instructional Application:
For this book, I would discuss how everyone can believe in different faiths. Then, I would have everyone go around and share a little something about their beliefs. Afterwards, we can talk about all the similarities we have and see that we should not discriminate against other people because of something they believe in.
April 14, 2015
Personal Reaction- This book is very, very interesting. It is covered in Jewish tradition and ideologies. It was a very fun read with good pictures. It kept me entertained and also enlightened in the Jewish culture.
Purpose- This book would be a good book to read if you knowingly have Jewish students in a classroom. I believe that it is very important to have different cultures in the classroom. The book uses supernatural powers which can give students the entertainment factor. It also deal with oppressed people. This could be a good book for discussing the Holocaust. In my classes I want students to understand the Holocaust and see how things like that still go on today and that standing up for others is extremely important. Jewish culture is not really discussed in schools unless a teacher is Jewish so this book could be a good way to get Judaism involved in the classroom. This book would be good for read aloud purposes because it evokes many questions as well as the idea behind the Holocaust which then I could discuss with students. The pictures are absolutely outstanding and are worth taking the extra time to look through them. This book would be good for kids aged 3rd-5th grade, which they can grasp the concept of helping others and oppression.
Purpose- This book would be a good book to read if you knowingly have Jewish students in a classroom. I believe that it is very important to have different cultures in the classroom. The book uses supernatural powers which can give students the entertainment factor. It also deal with oppressed people. This could be a good book for discussing the Holocaust. In my classes I want students to understand the Holocaust and see how things like that still go on today and that standing up for others is extremely important. Jewish culture is not really discussed in schools unless a teacher is Jewish so this book could be a good way to get Judaism involved in the classroom. This book would be good for read aloud purposes because it evokes many questions as well as the idea behind the Holocaust which then I could discuss with students. The pictures are absolutely outstanding and are worth taking the extra time to look through them. This book would be good for kids aged 3rd-5th grade, which they can grasp the concept of helping others and oppression.
October 10, 2016
While I can appreciate the historical and religious background of the story, the lessons it teaches and the illustrations, I can't say I enjoy this book. Wisniewski is, undoubtedly, a talented artist. I am left feeling disconcerted and troubled after reading the book...it's deeply troubling that Jews have been so mistreated and misunderstood in so many places throughout history. So it's understandable that they would feel the need to protect themselves, hence the creation of the golem by Rabbi Loew. Wisniewski purposefully uses dark colors, blacks and browns and reds, to create tension and show the despair of the people. It makes the book seem dark, gloomy and without hope...which is appropriate based on many of the events...but (go ahead and call me a Pollyanna), I like to see the hope shining through the darkness and to me that is what is missing in this story. It is dark pretty much throughout (both the tone and the illustrations) with little hint of light or improvement or better days to come. I can see the reasoning behind it but it still limits my enjoyment although not my appreciation.
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