I'm a little late to the party on this one. I began it quite a while ago and abandoned it. I didn't recall why until I was further into it. The final result is that I skimmed the last 30%. I couldn't take any more.
What I find particularly disheartening in the world of self-publishing is the lack of respect given to potential readers.
An overwhelming percentage of people who publish these days fancy they wrote a worthy story and by God, they want it read. Period. They don't care about putting forth their best effort and offering a quality product that people might spend their hard-earned money on. Nope. It's all about being seen. Never mind they don't know HOW to write a book. Believability, continuity, consistency, all essential, yet too often lacking. The same with developing relatable characters and the execution of dialogue that feels natural. However, the failure to properly research a key plot component is perhaps the laziest, most offensive characteristic of all. As a long-time reader who has had a love affair with this pastime since the age of 3, it's staggering how little regard there is for responsible storytelling these days. If a writer knows little to nothing about the subject their story hinges on and doesn't rectify that BEFORE publication, it's like an F-you to potential readers. I don't give a toss about a writer's talent, insulting the intelligence of readers is inexcusable.
Which brings me here. This writer is competent and the writing itself isn't bad. Nevertheless, in my opinion, she wrote a story without benefit of knowing what she was talking about. This unfortunate issue wasn't, as in some cases, compensated for in any way. Like murdering a few plot bunnies clurrering the works, for instance. Or how about strong, sympathetic main characters?
The heroine, Mika was a black hole that sucked light and happiness into oblivion. I felt no compassion for her. And the only way Chase could have earned my respect would have been to drop that girl like a hot rock. She 'killed' him repeatedly in the books she wrote, for pity's sake. That's not a positive sign. He should have heeded the destiny of male black widow spiders after they mate, and ran like hell.
*possible spoilers*
Mika has annoying 'issues' that are annoyingly revealed in drips and drabs. The tedious mystery as to WHY extends beyond the boundary of curiosity into 'I don't give a shit anymore' territory. By the time a blow to the head, a poorly quantified botched surgery and unethical psychiatric practises are revealed as reasons for her 'quirkiness,' I detested her. She was indelibly painted in my mind as a self-centered, self-indulgent, self-pitying coward resigned to a life of misery.
I understand 'artistic license,' but if you're going to talk the talk than walk the walk. Do the proper research. I'm aware that predicting how the human brain functions and responds to injury is inexact, but let's err on the side of caution, shall we? Aside from poor impulse control, Mika's symptoms were not consistent with TBI. If the writer wanted to write about serious mental disorders - components of schizophrenia, OCD and attention-seeking behaviours associated with a personality disorder - then she should have stuck with that. If she wanted to realistically portray someone with a TBI, she should have been responsible and done her homework. Many of Mika's symptoms lierally made no rational sense, and I can only guess the writer didn't concern herself with the readers that wouldn't take her words as gospel.
In the real world, Mika would spend her life in and out of psych units.The implication that she couldn't be medicated was just stupid. Perhaps amping up the challenges Mika faced was to make her struggles for independence more inspiring.
Not for this reader. I found it all deeply irritating. I guarantee you Mika's behaviour would have her on a minimum 72-hour hold, in restraints if necessary, and certainly with a shot of thorazine in her ass. She would be on antipsychotic meds, and if necessary several would be tried until she was subdued. It's unlikely she would be able to live independently, given all the random things that might unhinge her.
And love? Forget about love. Unless there was serious pay involved, nobody in their right mind would memorise lists, nor retrain their own normal behaviour patterns to be compatible with her numerous triggers. Sorry folks, but someone going to that extent isn't romantic or sexy. It's called 'co-dependence,' and it's. Not. Healthy. It isn't grounds for an HEA.
People are by nature selfish, and no normal person is going to subject themselves to a life dictated by Mika's level of dysfunction. A relationship like that is destined to fail.
This book is romantic fiction, not romantic fantasy. There is a difference between suspension of belief and checking one's intelligence at the door. I won't bother myself again with a writer who assumes I will.