As an avid fan of both the television series, TWIN PEAKS, and the film works of David Lynch in general, I was extremely pleased to discover the existence of the magazine, "Wrapped In Plastic." In it, the reader could find analysis, opinions, theories, and speculation aplenty on the meaning behind the various plot lines (and for related material that also had popular followings). I still have every issue from my subscription.
This book is a collection of articles about both the television series and the prequel movie, FIRE WALK WITH ME. I suppose a case could be made that this is scholarly research, but unlike the practically impenetrable FULL OF SECRETS, this is written in a conversive form ... not unlike those late night coffee house sessions that were part of my college years where we solved all of the problems of the world.
Part of the charm of both this book and the magazine was that there wasn't only one answer given. If I was nodding my head in pleased agreement, sure that the Lynchean code had been deciphered, I would find an equally plausible article two months later that disputed the findings of the earlier one. It was wonderful. There are also contrarian points of view selected for this book.
The cinematic works of David Lynch defy a single viewing. For the casual viewer, this inability to sit back and allow the story to unfold without active mental participation can be amazingly frustrating. Add to this that David Lynch would often vacillate between saying the the stories were open to many different interpretations and affirming that there were clues provided to arrive at the "correct" understanding.
So, as the reader progresses through these articles, the will be amazement that the writers were able to uncover their interpretations from such obscurity ... especially the film, FIRE WALK WITH ME. Later, of course, it comes out that these writers studied the works very closely, over and over again, trying out different theories and measuring them against the original narratives.
Since TWIN PEAKS was designed as a television series, it allowed the viewer to watch without contribution. For the viewer who was willing to question what had been seen, though, it offered a delicious variety of possibilities that hadn't been seen on television since Patrick McGoohan's THE PRISONER.
Oh, there are occasional factual errors in an article, such as referencing an homage to the film, FRANKENSTEIN, when the actual reference should have been BRIDE OF FRANKENSTEIN. Yet, that is mere quibbling. For the student of David Lynch in general and TWIN PEAKS in particular, this is a refreshing book. (Be advised that EVERY plot point is reviewed, so the person who is unfamiliar with the series will find everything revealed ... except the definitive meaning.
I highly recommend this enjoyable collection of articles from the late and lamented "Wrapped In Plastic."