A moving adaptation of Frances Hodgson Burnett's 1911 novel, the story of a ten-year-old orphan's search for love and self-discovery in her uncle's locked garden. With her Tony-award winning book and lyrics, Norman recreates the classic form of the traditional American musical.
Marsha Norman is an American playwright, screenwriter, and novelist. She received the 1983 Pulitzer Prize for Drama for her play 'night, Mother. She wrote the book and lyrics for such Broadway musicals as The Secret Garden, for which she won a Tony Award and the Drama Desk Award for Outstanding Book of a Musical, and The Red Shoes, as well as the libretto for the musical The Color Purple and the book for the musical The Bridges of Madison County. She was co-chair of the playwriting department at The Juilliard School until stepping down in 2020.
Marsha Norman’s book and lyrics for the musical The Secret Garden is a delight. This book is a wonderful way to introduce the show or to relive a performance one has seen. I, personally, have seen four different productions of The Secret Garden, and reading the script here brought back so many memories. I also was able to “discover” small things that a theater-goer can miss while getting caught up in the overall production or forget over the years since seeing the show. I decided to re-read the script in order to help with a novel I’m writing in which a production of the show is prominent. But not only did the reading refresh my memory, it opened me up to many possibilities for my own characters’ motivations. A good theater piece should do just that—not only entertain but make us think as to how it applies to our own lives.
I noticed that this particular book says I've already read it, which is true...but Zia and I listened to the songs from the selections song book. I have always had a soft place in my heart for this musical. It came out when I was a middle schooler and Daisy Eagan won the Tony for Best Actress at 11 years old, and that was very inspiring to a middle schooler. I was also moved by the fact that it was written by two women. The set design of the original production was also masterful. Anyway, it was nice to go down memory lane with Zia and to hear Mandy Patinkin's voice over and over again.
The theatre for which I work is doing the Spring Version of this musical. The Spring Version is 90 minutes. The edits (It's been a long time since I saw the original.) seem to be removal of the prologue and shortened songs. I'm sure there are songs that were removed and I don't realize it.
This makes me want to read the Frances Hodgson Burnett book again. I don't think I've read it since i was a kid. It's interesting what I remember (from the book? from a film version?). Statements like this from Mary to Colin: "You're too nasty to die." How did I forget Dr. Craven?
In searching for a musical play script for our local theatre I was not hooked by the stodgy gloom and obscure symbolism of this play. The characters are all mostly unpleasant, although wondrously redeemable at the eleventh hour. As a musical it’s more of an operetta (28 musical numbers!) Rather squirm-inducing for kids, for whom this story is supposedly intended.
Goodness only knows how many times I've read it. It kept sending me away and not telling me when to come back and all the song lyrics are messed up but on the whole it's a very good play.