Glory is a strange word. It can mean both praise that one gives to God and others, or it can signify the height of one's own achievement "He had reached his full glory as a writer." The word glory is used liberally in Protestant bibles; in the Catholic bible the word is often replaced with "brightness." All of these senses are applicable in Derrick Austin's glorious debut collection. The book is suffused with brilliance, a light which shines both on God and man, in some of the most rapturously devotional poems ever penned. "Expect a fire to the heart," writes Austin. "He will press His light into our bones and mouths, wear out our simple faces." What makes these devotions even more moving is the way in which they are anchored inside a life at the edge of transformation, where tidewaters meet gulf and the ecological realities of hurricane parties or of men in hazmat suits cleaning the toxic oil spill along the coast. Add to this global uncertainty, the still all-too-common ways in which race ("I can't stand to/ look ahead/ at another dead black boy") and sexuality ("exposing all/ the simple gemlike gears of my erotic life") can imperil us. But these dangers do not triumph. Even in Austin's elegy for Derek Jarman, who died with aids in 1993, there is an abiding radiance. "His soul tarries here." Derrick Austin's poems move through centuries of veneration and devoutness in art, architecture, worship and yes, even drag culture, as a way of affirming the glory and grace of the human condition. Our state of suffering is made holy through faith in a God who, Himself, has suffered on Earth. Describing the effigy of the body of Christ, Austin reminds us that He, too, has "been brought down before--ancient graffiti--/ and had 'love' carved into Him once more." Lest the reader think that this is going to be sweet Sunday school verse, I should say emphatically that this is nothing of the kind. The poems are formally elegant in every way, but they are broader and more inclusive of popular culture and of unabashed sex and sexuality. There is bravery at every turn, and at the same time, this is poetry that reaches back into human history and spirituality, refusing to compartmentalize the body and soul as separate considerations. This is poetry touched by our own image: alive, awake and glorious in every way we hope that art can be.