After writing indie comics (such as the ensemble teen-drama The Waiting Place) for six years, Sean got his big break writing an issue of The Incredible Hulk for Marvel Comics in 2001. Since then, Sean has written hundreds of comics for Marvel, DC Comics and other publishers, including notable runs on Sentinel, Inhumans, Mystique, Marvel Adventures Spider-Man, Gravity, Spider-Man Loves Mary Jane, Birds of Prey and Teen Titans.
Best known for delivering introspective, character-driven work, Sean also wrote several weeks of the Funky Winkerbean syndicated comic strip, much of which has been reprinted in the celebrated collection, Lisa's story: the other shoe.
In 2005, Sean won the Eisner Award for Talent Deserving of Wider Recognition.
Sean continues to write comic books; he also writes for the videogame and animation industries.
I'm trying to think of some redeeming features of this comic. I'm glad it was in colour. Writing was like a kindergarten collage of sayings taped to the pages, images weren't much better. Was the art style supposed to be a simplified version of Aeon Flux? Lots of convenient plot devices, hardly any character, slow reactions, no real decision making, surprisingly dull for the amount of stuff crammed onto a page. I have the next three in the set, but think I'll pass the series along instead.
This is a pretty cool comic. The artwork is cool and well done and the story is interesting to start. I haven’t read the all of the other Onslaught epics and tie-ins, but this is a cool standalone.