/spoiler/ Another author who drew from the "How to write mysteries for dummies" manual. That sounds harsh, but if you'll read this book, you'll come out of it shaking your head at the convoluted, messy, try-hard plot. But hey! At least, it's popcorn fodder, of the "so stupid-it's-kind-of-enjoyable" variety.
Brief summary: Sophie, a recovering alcoholic with mental health problems, has her eight-year-old daughter abducted one day at the funfair. Possible suspects include her shady ex-husband Paul, loser boyfriend Oliver, or her boss Zander. Or could it be Sophie herself?
Some of the male characters weren't fully sketched out with Oliver and Paul being the worse offenders. No attempt was made by the author to physically describe them. Even in their dialogue, they both kept on calling Sophie "woman", which was off-putting and disrespectful. Maybe it would have worked if one of them had said it, but it showed a lack of editing. The scenes with her therapist Darren were also a waste of space. Was there any purpose to his character? He was just a way for Sophie to remember her backstory and to spout the usual psychological schtick to our confused heroine.
It is revealed through her talks with Darren that, as a university student, she witnessed her friend Bethany's suicide. Although, Sophie is convinced that someone, a woman, murdered her while they were out escorting. The backstory gave some interesting opportunities to take the main story in another direction, but unfortunately, the climax and ending was a predictable and unimaginative let-down.
I have no problems with first person narration in crime fiction/psychological thrillers, but in "S is for Stranger", Sophie sounded unstable and boring. Nothing about her stood out. Throughout the story, she was suspicious to everyone she came into contact with, even if they were trying to help her like the policewoman in charge of the case D.I. Ward. She had an unlucky past which the author could have developed to tell a good story, but the execution was lacking and it seemed liked a rushed, disorganised effort. With similar tropes, it was a confusing mix of crappy titles like "Before I Go To Sleep" and "The Girl on the Train." Not being a fan of those works, I can't say I enjoyed it. But at least it went by quickly, so there's some consolation.
Best avoided, but the cover's cute: a heart-shaped lollipop smashed... aww.