З усього написаного Марком Твеном найвідомішими в світі стали вміщені у цій книзі твори про пригоди двох друзів. Один із них - відчайдушний, кмітливий, вигадливий Том ріс у сім’ї, другий - Гек - дитина вулиці.
Попри суттєву різницю у вихованні, розвиненості, звичках, обидва вони добрі, справедливі хлопчики, які ненавидять расову дискримінацію, здатні на благородні вчинки, навіть на ризик.
Librarian Note: There is more than one author by this name in the Goodreads database.
Samuel Langhorne Clemens, known by the pen name Mark Twain, was an American writer, humorist and essayist. He was praised as the "greatest humorist the United States has produced," with William Faulkner calling him "the father of American literature." His novels include The Adventures of Tom Sawyer (1876) and its sequel, Adventures of Huckleberry Finn (1884), with the latter often called the "Great American Novel." Twain also wrote A Connecticut Yankee in King Arthur's Court (1889) and Pudd'nhead Wilson (1894), and co-wrote The Gilded Age: A Tale of Today (1873) with Charles Dudley Warner.
Though its a combined collection but I bought it only for to read "The Adventures of Huckleberry Finn". I could have written much more but there is not much to say about this work. So, it would be just a brief snapshot of my thoughts on the same;
For me its nowhere belongs to the nearby aura of what The Adventures of Tom Sawyer has created so far since my childhood. What I read and feel while going through 'The Adventures of Tom Sawyer', this character is nowhere close to that level. Only at point when Tom entered the scene, it became more realistic and adventurous in true sense. I must say that the mind of author what runs for Tom didn't ran that well for Huck; not even same. Its quite boring at various points. Start was flat and so is the part with Jim being with Huck on the island. Only part that was interesting is either with Tom in the last scenes or when Huck was with 'Grangerfords' & with the 'Mary Jane' part. Even the part of king and duke was boring except when them being introduced to Huck.
Language with Jim & Aunt Sally's Nigger has been written with so deep analysis of the words came out of Black people around his habitat/surroundings. That's something he created finely.
The enjoyment that Tom created is far ahead of what Huck did, in comparing both of these Twain's works. Sense of humor that worked with Tom didn't went well with Huck Finn.I thought, separating Huck from Tom and that also while Tom in lead as theme character, spoiled things. Twain's brain seemed to have been more mischievous with Tom and more dramatic with Huck. That's the difference that can't easily be patted.
In short, just for the Tom part in last scenes and part with Mary Jane, I'm giving it 3.5/5.0 else I would have planned for only 3.0/5.0 so far.
(Reprinted from the Chicago Center for Literature and Photography [cclapcenter.com:]. I am the original author of this essay, as well as the owner of CCLaP; it is not being reposted here illegally.)
The CCLaP 100: In which over a two-year period I read a hundred so-called "classics," then write essays about whether I think they deserve the label This week: The Adventures of Tom Sawyer, by Mark Twain (1876) Book #6 of this essay series
The story in a nutshell: Designed specifically to be a popular example of the then-new American Pastoral novel, Tom Sawyer is Twain's look at an impossibly idyllic small-town childhood that never was, that never could be, in fact, based very loosely on a handful of real events that happened in his own childhood in Hannibal, Missouri (on the banks of the Mississippi River, about a four-hour drive north of St. Louis), but with each story sharpened and honed until they become too impossibly magical to be anything but fictional. As such, then, the book mostly concerns those subjects regarding childhood that adults most fondly look back on with nostalgia -- the sense of societal freedom, the sense of playful rebellion, the simplicity and elegance of pre-pubescent romance -- couched in an insanely whimsically perfect rural environment, one designed specifically to recall a kind of idealized frontier existence that most people even in 1876 had never actually experienced, much less all of us 132 years later.
In fact, our titular hero Tom pretty much stands for each and every element of a "noble childhood" that we all secretly wish we could've had -- a constant irritant to his legal guardian who is nonetheless clearly loved and constantly forgiven by her, clever hero to the rest of the neighborhood boys while still being a simple-minded romantic to the girls he's got a shinin' for. Throughout the first half of the novel, then, we follow Tom and his cohorts as they get in and out of a series of short-story-worthy jams; there's the Story of How Tom Convinced The Other Boys to Whitewash His Fence For Him, the Story of the Dog That Got Bit During Church And Made a Huge Racket, the Story of the Boys Who Ran Away and Played Pirates for a Week on a Mid-River Island But Then Found Out That Everyone In Town Thought They Were Dead So Decided To Attend Their Own Funeral. Yeah, impossibly romantic little stories about impossibly idyllic small-town life, pretty much the definition of a Pastoral novel. Add a more serious story to propel the second half, then, in which a couple of local drunks actually do commit a murder one night, with Tom and his badboy friend Huck Finn being the only secret witnesses, and you've got yourself a nice little morality tale as well, not to mention a great way to end the story (buried treasure!) and a fantastic way to set yourself up for further sequels.
The argument for it being a classic: As mentioned, one of the strongest arguments for Tom Sawyer being a classic is because it's one of the first and still best examples of the "American Pastoral" novel, an extremely important development in the cultural history of the Victorian Age that has unfortunately become a bit obscure in our times; for those who don't know, it was basically an artistic rebellion against the Industrial Age of the early 1800s, a group of writers and painters and thinkers who came together to decry the dehumanization of mechanized urban centers. Ironically, it was these same people who established what are now many of the best things about our modern cities, things like parks and libraries and zoning laws and all the other "radical" ideas that many people first laughed at when first proposed; as a complement to these forward-thinking theories, though, such artists also put together projects about rural small-town life that were designed deliberately as political statements, as little manifestos about how much better it is when you live in the countryside and breathe fresh air and grow your own food and make your own clothes.
The Pastoral movement first really caught on over in England*, where urban industrial growth proceeded a lot more quickly than in America, and where the detrimental effects of the age could be more rapidly seen; nonetheless, by the mid-1800s (and especially after the horrific Civil War of 1860-65), more and more Americans had started pining for this unique brand of entertainment as well, and pining for a "good ol' days" that had never really existed. This is what Twain built the entire first half of his career on, fans say, and it really doesn't get much better than Tom Sawyer for pure delightful small-town escapist entertainment; his later books might be better known, they say, more respected within the academic world, but it is these earlier Pastoral tales that first really caught on with the public at large, and made him the huge success he was.
The argument against: Of course, you can turn this argument straight around on its head; there's a very good reason, after all, that this book's sequel The Adventures of Huckleberry Finn (written ten years later) is the much more studied and analyzed of the two. And that's because Twain only grew into his role as "America's Greatest Political Satirist" over time, critics of this book argue; if you take a close look at his career, they say, you'll see that the majority of work he wrote in the first half of his career is either kitschy nostalgic housewife pabulum or smartass travelogues about how Americans pretty much hate everything and think they're better than everyone else. We've lost sight of this over the last century, the argument goes, but Twain wasn't really considered a "serious" writer until late in life and already a big success; I suppose you can think of it in terms of Steven Spielberg pre- and post-Schindler's List, with Tom Sawyer being the 1800s version of the popular but ultimately intellectually empty E.T..
My verdict: So let me first admit that I am probably too close to this book to be able to be completely objective about it; after all, I grew up just three hours away from the town of Hannibal where these events took place, have visited the town many times over the years, connected deeply with the book when a child precisely because of it taking place so close to where I lived, and in fact have probably now seen and read a dozen movie, television, comic-book and stage-play adaptations of the novel by now as well. (Why yes, even as late as the 1970s, in rural Missouri you could still find plenty of stage-play versions of Tom Sawyer each year, mostly Summerstock and other community productions.) I will always love this story because it will always remind me of my childhood, just as is the case I imagine with a whole lot of people out there; of nighttime barefoot runs through woods, of bizarre superstitious rituals held in the bottoms of muddy creek beds.
That said, it was certainly interesting to read it again as an adult for the first time, I think maybe the first time I've ever actually read the original novel from the first page to the last without stopping, because what its critics say really is true -- there really is just not much of substance at all to Tom Sawyer, other than a collection of amusing little stories about small-town life, held together with just the flimsiest of overall plots. In fact, the more I learn about Twain, the more I realize that his career really can be seen as two strikingly different halves; there is the first half, where Twain was not much more than a failed journalist but great storyteller, who started writing down these stories just because he didn't have much else better to do; and then there's the second half, when he's already famous and finally gets bitter and smart and political, as we now erroneously think of his entire career in our hazy collective memories. This doesn't prevent me from still loving Tom Sawyer, and still confidently labeling it a "classic" for its American Pastoral elements; it does give me a better understanding of it, though, in terms of Twain's overall career, and how we should see it as merely one step along a highly complex line the man walked when he was alive.
Is it a classic? Yes
*And in fact, the term "Pastoral" has actually been around since the 1500s (or the beginning of the Renaissance) and originally referred to stories specifically about shepherds; these anti-city writers of the Victorian Age sorta co-opted the term from the original, with the American wing then co-opting it from the Brits.
Tom Sawyer was an all right read, but it wasn't something that really stood out to me. It just felt like another story of the era, and I put it down for quite a while before I decided to try the accompanying volume.
Huckleberry Finn -- 5 stars
I couldn't put this book down. It was all in first person, so it felt like you were along for the ride on this magnificent journey down the river. It is such a perfect book with such a perfectly simple plot, and wonderfully entertaining characters. It turned my opinion of Mark Twain as just another over-rated 19th century writer into a true stand-out who needs to be read.
As you may have heard, some of the language isn't politically correct, but fifteen years ago I was saying a lot of things that would be frowned upon today, and no doubt I'm saying words currently that will be frowned upon tomorrow. So move past it and devour every word. Then do it again. Highly recommended.
I had to decided to read Huckleberry Finn as a sort of preparation for Coover's new novel Huck Out West, but I bought the wrong book combining the two by accident so I decided to read Tom Sawyer anyway. I'm so happy I did. And while that one was very good, I was much more drawn to Huckleberry Finn.
Anyway, more on the subject soon. For now I'll just say that there's a world of difference reading these novels as an adult after reading them as a child, and it's been eye opening.
It's been over 40 years since I first read this classic and it is pure entertainment. Crazy subplots and real danger staring Huck and Jim in the face. Unbelievable that it didn't really register in my 11 year old brain that Jim's could be HANGED for being a runaway slave (or that Huck smoked a pipe, so much went over my head). How did I not ask my parents or my sister or my friends about the appearance of the n word over 219 times? Worth reading in middle and high schools today paired with James by Percival Everett.
The Adventures of Tom Sawyer is one of my all time favorite books. I have read it a few times over the years and it never fails to put a smile on my face. It is very well written and has laugh out loud moments throughout.
The Adventures of Huckleberry Finn is also an amazing read though I liked the first one a teeny tiny bit better. Huck Finn is also great and this continues with the adventures of Tom Sawyer as well.
How can you rate this classic any less than five stars? This was my return to Mark Twain after a childhood acquaintance, and I found it as engrossing and enjoyable as before. One has never quite forgotten Tom’s escapades, especially turning the tables on his Aunt, who set him to whitewash the fence as a punishment, and making it a profitable venture, where he relaxes in the shade and watches his friends vie for a chance to join in the whitewashing game. ‘Lessons on a change in attitude, which can turn disaster into wild success’. The harum scarum boy is a born leader and steers his followers into the most amazing escapades, camping on a river island to play pirates, attending their own funeral service, getting lost deep within a labyrinth, yet emerging safe and sound barring a few cuts and scrapes. His mischievous exterior hides a tender heart and an eye for pretty young ladies. But, when put to the test, his principles always override his fears. The strong hold that superstition had on the simple village folk, including Tom and Huck Finn, his vagrant pal, who is the protagonist of the next adventure, is woven carefully into the tale and lays the background for a time when, despite a rudimentary education and strong religious beliefs, superstition held its sway. Some pearls of wisdom, which I missed as a child, but relish as an adult, I quote here: “Injun Joe was believed to have killed five citizens of the village, but what of that? If he had been Satan himself there would have been plenty of weaklings ready to scribble their names to a pardon petition, and drip a tear on it from their permanently impaired and leaky waterworks.” Hats off to Mark Twain! I still have The Adventures of Huckleberry Finn to finish, but couldn’t resist putting up half the review of this two in one volume.
Part 2: The Adventures of Huckleberry Finn I’ve finally finished the last few pages, and here’s my review as promised. Huck’s adventures take off from the time when the two scamps run into riches, and Huck’s no good father reappears to take his share. Despite Huck’s attempts at giving away the money to escape the unwanted attentions of his parent, he is captured and held prisoner. How he escapes, I leave for you to read. Well, quite soon, Huck is free once more and unexpectedly runs across his old friend, the black slave Jim, who is on the run from his owner and seeks to reach the Free states, where slavery has been abolished. He dreams of gaining his freedom and getting back his beloved wife and two children, who have been sold to different masters. There is no overt moralizing or preaching in Twain’s writing, except in an ironic fashion, but the reality of slavery, families broken up and resold on the whims and fancies of the owners, and yet the complete faith in the superior knowledge and capacity of the white man, and the criminality of the black one to resist or try to escape, which merits punishment by hanging, hits the reader with the force of a blow. Can this be the United States of America, the land of freedom? I’m reminded of Uncle Tom’s Cabin, which I must go back to now, in the light of my sensitivities as an adult reader. Where Huck’s adventures differ from those of Tom is the author’s treatment of the story. While Tom ‘s story is all about Tom and his madcap adventures set against life in rural Mississippi, Huck’s long ride downriver on a raft, accompanied by Jim, is all about life in small towns along the river, the shysters who travel around deceiving the simple village folk, and doing them out of their hard earned money, the deeply entrenched family feuds, where one family takes potshots at members of the other, gleefully toting up the score, despite losing more of their own, notwithstanding the fact that the cause of the original feud is long forgotten, the simple, good-hearted country folk, who welcome all strangers to their homes and hearts, and swallow all the tall tales spun by little scamps like Huck, the gullible and easily aroused rabble, ready to lynch a victim at the drop of a hat, and many more. Huck now emerges from the shadow of Tom Sawyer, as a character in his own right, as quick-witted as Tom in inventing stories to account for his presence, when challenged, (though he himself, continues to idolize Tom), and as kind- hearted and brave as his friend and mentor, as he sets about ferrying Jim to freedom. There are again several hilarious dialogues, like the one below (edited, a bit to cut down the length): “Why Huck, doan’ the French people talk the same way we does?” “No, Jim; you couldn’t understand a word they said — not a single word.” “Well, now, I be ding-busted! How do dat come?” “I don’t know, but it’s so. I got some of their jabber out of a book. S’pose a man was to come to you and say Pollywoo franzy — what would you think?” “I wouldn’t think nuffn; I’d take en bust him over de head — dat is if he warn’t white. I wouldn’t ‘low no nigger to call me dat.” “Shucks, it ain’t calling you anything. It’s only saying, do you know how to talk French?’ “Well den why couldn’t he say it?” ‘Why he is a-saying it. That’s a Frenchman’s way of saying it.” “Well it’s a blame ridicklous way, en I doan’ want to hear no mo’ ‘bout it. Dey ain’ no sense in it.” By and by, Tom works his way back into the tale, and the madcap adventures restart. Tom just cannot do things in an ordinary fashion, but is only satisfied when he overcomes the most daunting problems (usually self-created), faces danger, and just manages to save his skin, though not quite intact. Anymore would spoil the tale, so do re-read this childhood favourite in the light of adult appreciation.
This the best volume without annotations, as it compactly contains both The Adventures of Tom Sawyer and The Adventures of Huckleberry Finn, with the split in the middle that explains the former is the story of a boy, and the latter is the story of a man.
The former captures the spirit of boyhood extremely well, with an unrivaled sense of humor and ignorance. It's just anecdotal enough to be read in tiny doses or in a steady stream, and builds to a satisfying climax - though plot is always in third place, between these characters and Twain's poignant observations about life. Considering it was a boy's book, it does an amazing job at painting reality.
The latter is one of the best novels in American history. Racism, sexism, segregation, violence, romanticism and family strife all get put in their places in the great American picaresque. It's a much more dangerous book, and its consequences are often more severe - but it's ending reminds us of its beginning, all the way back in the first book, which this volume conveniently contains. Just as adulthood is built on and reflects life, so Huckleberry Finn's adventures grow out of and reflect Tom Sawyer's. It's greatest achievement is that despite all the heavy subject matter, Twain writes in a simple style that allows readers of any age to enter it - and because of its simple and complex wonders, a child can enjoy it just as much as an adult. I know, as I've enjoyed it as both.
Tai buvo kultinė mano vaikystės knyga – žaisminga, pilna nuotykių ir netikėtumų. Dėl to kilo smalsumas ją perskaityti dar kartą, jau suaugusio žmogaus akimis.
Šįkart istorija atsivėrė kitaip. Nors pasakojimas vis dar žavi savo gyvu tempu, vaikišku nuotykių žvilgsniu ir šmaikščiu tonu, neįmanoma nepastebėti giliai įsišaknijusių problemų – seksizmo ir rasizmo, kurie šiandien verčia susimąstyti.
Tai, kas vaikystėje atrodė kaip nekaltas fonas, dabar skaudžiai bado akis: stereotipinis moterų vaizdavimas ir rasinė nelygybė, pateikiami normalizuojant ir be kritikos. Gaila, kad toks smagus, net klasika tapęs kūrinys taip aiškiai perteikia to laikmečio žmogaus teisių tamsą ir socialinių normų ribotumą.
“-Viešpatie! Gal ką sužeidė? - Ne, tiktai negrą užmušė. - Na, tai dar laimė, nes kartais užmuša žmones!”
Skaityti šį kūrinį šiandien, reiškia ne tik leistis į nostalgišką kelionę, bet ir atsiverti sudėtingoms istorinėms refleksijoms.
My main thought is that children in this village go missing at an absolutely alarming rate and I feel like someone should look into that. Mark Twain strikes me as a bit of an obnoxious author but I guess what white man in the 1800s wasn’t. “If Tom had been a great and wise philosopher, like the author of this book” give me a break it’s 21 pages in.
It definitely reads like it’s written in the 1800s and some things definitely don’t pass the test of time. Overall, I enjoyed Tom Sawyer’s shenanigans and I’m glad he wound up rich, feels like a fun ending for a 12 year old boy. Looking forward to the Adventures of Huck Finn.
The Adventures of Huck Finn: ⭐️⭐️
Obviously after you find $12k 1800s USD with your best buddy, the only reasonable course of action is to start a gang that murdered and robs people.
I liked that this story picked right back up after Tom Sawyer, and overall this was an enjoyable story. Some parts were crazy, like a gun fight between feuding families Romeo-and-Juliet-style, but who am I to judge.
What I didn’t like was Mark Twain’s writing style. He made every character into a racist caricature. Overall, I won’t read this again or probably anything else by Mark Twain, but I’m glad I powered through.
This entire review has been hidden because of spoilers.
Herrlich leichte Unterhaltung aus dem Amerika des späten 19. Jahrhunderts.
Gewissermaßen ist Tom Sawyer zu beneiden für sein herrlich erfrischendes und unbeschwertes Leben im kleinen Städtchen St. Petersburg im US-Bundesstaat Missouri.
Zusammen mit Huckleberry Finn und Joe Harper wird ordentlich Schabernack getrieben. Ob nun Piraten oder Räuber spielen, Maiskolbenpfeife rauchen oder in Höhlen verstecken, langweilig wird es nie.
Wäre da nicht die »Rothaut« Indianer-Joe…
Sei es nun der Übersetzung der Bechtermünz-Verlagsausgabe von 1991 geschuldet war oder doch dem Originaltextes von Mark Twain, fand ich die Erzählweise und den Sprachstil von Tom super angenehm und locker leicht.
Man muss auch manchmal aus seinen Genres ausbrechen und neues wagen. Auf »Huckleberry Finns Abenteuer« hätte ich auf jeden Fall große Leselust.
I was pleasantly surprised at how funny these stories were. They took me a while to get through because of how the dialects are written out, but it was worth it because it adds so much authenticity to the story and the characters. Easy 5 stars.
On je ten Mark Twain vtipný! Rereading jednej z mojich obľúbených detských kníh; prekvapujúco svieže a funkčné i dnes. Napriek všetkým námietkám voči autorovi. Taká bola doba a ja som rada, že o tom môžem čítať práve v Twainovom podaní.
If you can find it in yourself to look past the outdated morals, this book is a masterpiece! The writing style of the author and his ability to create atmosphere, as well as his infinitely relatable way of interpreting young people's though process had me feeling like I was there.
Moby Dick and this book have rather same after-taste. The notion of uncivilized civilization came to be quintessential moral value of both Tom Sawyer and Huck Finn, same as Ishmael.
With such a new style of writing, at first I've got a lot of difficulties reading this, especially with those south dialect. But oh boy, Twain told a very simple story about naughty kids in the hood. It just brings back my childhood memories about my past and stupid conviction that I used to hold true. But here and there, Twain gives a subtle lesson of humanity, though the characters seem quite naïve about what great philosophy they learned. It's revolutionary even now. As long as institutional racism exist in human society, this book will remain relevant.
I'm the one of those who don't supported censoring this book for the N-words. I mean, Twain narrates the reality, in clear honesty, about what society he lived then. Huck and Tom only a product of its society, and we must deal with that, so that we know that the outcome of racism is a bigoted people. In this case, Huck, who feels himself not civilized enough, see the worst of so-called civilized white people. Even Huck see more human in Jim, the slave, than in other white person.
The part Twain satirized tradition through Tom Sawyer's unpractical knowledge is one of the best insight about the nonsensical tradition in our society. Yet, we as a society, in the name of conforming, became one part of those ignorant herds. Through Huck's narrative, we dwell into logic and sensibility behind every rules, and always ask the outcome of it. An integral part in which society can progress.
Maybe that's all of my impression about The Adventures of Tom Sawyer and Adventures of Huckleberry Finn, I think the sensation of this will always echo in my mind forever, because it hits many parts of my heart softly but clicked on neatly.
This book is two stories: The Adventures Of Tom Sawyer, and The Adventures of Huckleberry Finn. Tom Sawyer is much more innocent story where Huck Finn gets mixed up in some more serious stuff. Both tales start fairly slow, but actually become page turners later on, especially Huck Finn. Mark Twain did a great job reminding me what it felt like to be a 12 or 13 year old boy, he captures the world as one sees it at that age perfectly. He also has a great sense of humor and the book was funnier than what you might expect for something written in 1876.
Huck Finn also contains insight into the way a kid would perceive slavery in pre-civil-war middle America, which is an interesting perspective.
4/5 Because the pacing does drag a bit at the beginning of both stories.
Hiya sorry about the late review it took me a long time to finish this book and I also have just been busy but here's the review hope you enjoy it.
As you can all tell I particularly didn't like this book and this review isn't going to be detailed like the others because I just can't remember a lot of what's happened in this book I just didn't take to this book.
I will admit I did like the Tom sawyer book part but I didn't like the huckleberry Finn book part I just found this book not engaging and not memorable.
One thing I will say is this is a book that has a lot of words you don't hear anymore, which took me out since I don't know what a lot of the words say and there's a lot of the n word in the book it's not a negative but I'd say you couldn't read this book in public or out loud because of that.
Overall I am sorry to the fans of the book but I just didn't enjoy this book but I am glad to finish it here's hoping the next book I read is enjoyable.
Leyendo las aventuras de Tom, rememoré las aventuras de mi hermano menor el cual hubiera sido un digno aspirante a la cuadrilla de Tom Sawyer. Esta lectura ha estado plagada de nostalgia, ternura, suspiros y risas, me ha llegado al corazón. Reading the adventures of Tom, I recalled the adventures of my younger brother who would have been a worthy contender for the gang of Tom Sawyer. This reading has been full of nostalgia, tenderness, sighs and laughter, it has touched my heart.
I decided to read The Adventures of Tom Sawyer and Huck Finn in preparation for reading James this year, and now I can appreciate why Mark Twain has been dubbed one of the greatest American writers. I’m not sure there is any other writer that can document such a vivid depiction of the world, people and language of this time. Aside from the maddening last quarter of this story, I was captivated by these charming characters and their adventurous journey down the Mississippi.
I remember reading these stories as an older child from my parents' Junior Classics collection that was a part of their encyclopedia set. Found them interesting stories at the time.
Miluju Pány kluky, takže na tuto předlohu pro náš krásný český film muselo jednou dojít. A je to parádní kniha o klukovinách nejen pro kluky. Dílko plné humoru, dětských tajemství a průšvihů.
After reading James I had to reread the book that James is a sequel to. I first read ‘Huck’ in college, for classic American literature classes by professor Hans Bak. I liked the adventure and the language: Mark Twain tried to stay as close to the language of the characters he wanted to portray as possible - love it! Now, the book James adds a layer to it for me. The one about the racism in the Deep South. Huck Finn has a mighty good time with James, but also knows that helping out a runaway is ’bad’. He struggles about what ‘doing the right thing’ is: turning the runaway in or helping the runaway find freedom? Huck chooses the latter, but fears going to hell for it. Rereading Huck was a great experience. What other book should I reread?