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Those We Forget
The official Australian casualty statistics suffered by the men of the Australian Imperial Force in the First World War are seriously wrong, with significant inaccuracies and omissions.
Groundbreaking research exhaustively examining over 12,000 individual soldiers' records has revealed that hospitalisations for wounding, illness and injury suffered by men of the AIF are five times greater than officially acknowledged today.
Why has it taken nearly one hundred years for this to come to light?
Was it a conspiracy to suppress the toll, incompetence of Australia's official war historians Bean and Butler, or was it simply the unquestioning acceptance of the official record?
You are invited on the journey in this book to find the truth. The findings are startling and will rewrite Australia's casualty statistics of the First World War.
Lest we forget.
Groundbreaking research exhaustively examining over 12,000 individual soldiers' records has revealed that hospitalisations for wounding, illness and injury suffered by men of the AIF are five times greater than officially acknowledged today.
Why has it taken nearly one hundred years for this to come to light?
Was it a conspiracy to suppress the toll, incompetence of Australia's official war historians Bean and Butler, or was it simply the unquestioning acceptance of the official record?
You are invited on the journey in this book to find the truth. The findings are startling and will rewrite Australia's casualty statistics of the First World War.
Lest we forget.
Hardcover
Published July 18, 2014
About the author
David Noonan
72 books11 followersDavid Noonan is an Australian artist known for his distinctive collage-based practice that merges found imagery with screen-printing, painting, and textile work to explore themes of performance, ritual, and the theatrical. Born in Ballarat, Victoria in 1969, Noonan studied fine art at Ballarat University College and later earned his MFA from the Victorian College of the Arts in Melbourne. He relocated to London, where he currently lives and works.
Noonan's work has been widely exhibited internationally, with solo shows at leading institutions including the Tate Modern in London, Palais de Tokyo in Paris, Chisenhale Gallery, and the Contemporary Art Museum in St. Louis. His haunting, monochromatic pieces often draw from archival sources such as stage productions, avant-garde film, and folk traditions, lending his art an enigmatic and timeless quality.
In 2020, he was featured in the Adelaide Biennial of Australian Art, and his exhibition Stagecraft at the Art Gallery of Ballarat reflected his long-standing interest in performance and transformation. His work is held in major public and private collections, including the Museum of Modern Art in New York, the Tate, the Guggenheim, the National Gallery of Australia, and the Whitney Museum of American Art.
Noonan's work has been widely exhibited internationally, with solo shows at leading institutions including the Tate Modern in London, Palais de Tokyo in Paris, Chisenhale Gallery, and the Contemporary Art Museum in St. Louis. His haunting, monochromatic pieces often draw from archival sources such as stage productions, avant-garde film, and folk traditions, lending his art an enigmatic and timeless quality.
In 2020, he was featured in the Adelaide Biennial of Australian Art, and his exhibition Stagecraft at the Art Gallery of Ballarat reflected his long-standing interest in performance and transformation. His work is held in major public and private collections, including the Museum of Modern Art in New York, the Tate, the Guggenheim, the National Gallery of Australia, and the Whitney Museum of American Art.
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