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Wildflowers #1
Misty
Misty meets three girls in group therapy and they discover that they are all children of divorce. Each has her own distinct personality -- and her own dark secrets. Here, Misty shares the story of her life so far with the other girls. Ultimately, to get her parents to see what using her as a weapon in their battle has done to her, she acts out in the only way she knows...
170 pages, Paperback
First published July 1, 1999
69 people are currently reading
2535 people want to read
About the author
V.C. Andrews
370 books9,094 followersBooks published under the following names - Virginia Andrews, V. Andrews, Virginia C. Andrews & V.C. Endrius. Books since her death ghost written by Andrew Neiderman, but still attributed to the V.C. Andrews name
Virginia Cleo Andrews (born Cleo Virginia Andrews) was born June 6, 1923 in Portsmouth, Virginia. The youngest child and the only daughter of William Henry Andrews, a career navy man who opened a tool-and-die business after retirement, and Lillian Lilnora Parker Andrews, a telephone operator. She spent her happy childhood years in Portsmouth, Virginia, living briefly in Rochester, New York. The Andrews family returned to Portsmouth while Virginia was in high school.
While a teenager, Virginia suffered a tragic accident, falling down the stairs at her school and incurred severe back injuries. Arthritis and a failed spinal surgical procedure forced her to spend most of her life on crutches or in a wheelchair.
Virginia excelled in school and, at fifteen, won a scholarship for writing a parody of Tennyson's Idylls of the King. She proudly earned her diploma from Woodrow Wilson High School in Portsmouth. After graduation, she nurtured her artistic talent by completing a four-year correspondence art course while living at home with her family.
After William Andrews died in the late 1960s, Virginia helped to support herself and her mother through her extremely successful career as a commercial artist, portrait painter, and fashion illustrator.
Frustrated with the lack of creative satisfaction that her work provided, Virginia sought creative release through writing, which she did in secret. In 1972, she completed her first novel, The Gods of the Green Mountain [sic], a science-fantasy story. It was never published. Between 1972 and 1979, she wrote nine novels and twenty short stories, of which only one was published. "I Slept with My Uncle on My Wedding Night", a short fiction piece, was published in a pulp confession magazine.
Promise gleamed over the horizon for Virginia when she submitted a 290,000-word novel, The Obsessed, to a publishing company. She was told that the story had potential, but needed to be trimmed and spiced up a bit. She drafted a new outline in a single night and added "unspeakable things my mother didn't want me to write about." The ninety-eight-page revision was re-titled Flowers in the Attic and she was paid a $7,500 advance. Her new-generation Gothic novel reached the bestseller lists a mere two weeks after its 1979 paperback publication by Pocket Books.
Petals on the Wind, her sequel to Flowers, was published the next year, earning Virginia a $35,000 advance. The second book remained on the New York Times bestseller list for an unbelievable nineteen weeks (Flowers also returned to the list). These first two novels alone sold over seven million copies in only two years. The third novel of the Dollanganger series, If There Be Thorns, was released in 1981, bringing Virginia a $75,000 advance. It reached No. 2 on many bestseller lists within its first two weeks.
Taking a break from the chronicles of Chris and Cathy Dollanganger, Virginia published her one, and only, stand-alone novel, My Sweet Audrina, in 1982. The book welcomed an immediate success, topping the sales figures of her previous novels. Two years later, a fourth Dollanganger novel was released, Seeds of Yesterday. According to the New York Times, Seeds was the best-selling fiction paperback novel of 1984. Also in 1984, V.C. Andrews was named "Professional Woman of the Year" by the city of Norfolk, Virginia.
Upon Andrews's death in 1986, two final novels—Garden of Shadows and Fallen Hearts—were published. These two novels are considered the last to bear the "V.C. Andrews" name and to be almost completely written by
Virginia Cleo Andrews (born Cleo Virginia Andrews) was born June 6, 1923 in Portsmouth, Virginia. The youngest child and the only daughter of William Henry Andrews, a career navy man who opened a tool-and-die business after retirement, and Lillian Lilnora Parker Andrews, a telephone operator. She spent her happy childhood years in Portsmouth, Virginia, living briefly in Rochester, New York. The Andrews family returned to Portsmouth while Virginia was in high school.
While a teenager, Virginia suffered a tragic accident, falling down the stairs at her school and incurred severe back injuries. Arthritis and a failed spinal surgical procedure forced her to spend most of her life on crutches or in a wheelchair.
Virginia excelled in school and, at fifteen, won a scholarship for writing a parody of Tennyson's Idylls of the King. She proudly earned her diploma from Woodrow Wilson High School in Portsmouth. After graduation, she nurtured her artistic talent by completing a four-year correspondence art course while living at home with her family.
After William Andrews died in the late 1960s, Virginia helped to support herself and her mother through her extremely successful career as a commercial artist, portrait painter, and fashion illustrator.
Frustrated with the lack of creative satisfaction that her work provided, Virginia sought creative release through writing, which she did in secret. In 1972, she completed her first novel, The Gods of the Green Mountain [sic], a science-fantasy story. It was never published. Between 1972 and 1979, she wrote nine novels and twenty short stories, of which only one was published. "I Slept with My Uncle on My Wedding Night", a short fiction piece, was published in a pulp confession magazine.
Promise gleamed over the horizon for Virginia when she submitted a 290,000-word novel, The Obsessed, to a publishing company. She was told that the story had potential, but needed to be trimmed and spiced up a bit. She drafted a new outline in a single night and added "unspeakable things my mother didn't want me to write about." The ninety-eight-page revision was re-titled Flowers in the Attic and she was paid a $7,500 advance. Her new-generation Gothic novel reached the bestseller lists a mere two weeks after its 1979 paperback publication by Pocket Books.
Petals on the Wind, her sequel to Flowers, was published the next year, earning Virginia a $35,000 advance. The second book remained on the New York Times bestseller list for an unbelievable nineteen weeks (Flowers also returned to the list). These first two novels alone sold over seven million copies in only two years. The third novel of the Dollanganger series, If There Be Thorns, was released in 1981, bringing Virginia a $75,000 advance. It reached No. 2 on many bestseller lists within its first two weeks.
Taking a break from the chronicles of Chris and Cathy Dollanganger, Virginia published her one, and only, stand-alone novel, My Sweet Audrina, in 1982. The book welcomed an immediate success, topping the sales figures of her previous novels. Two years later, a fourth Dollanganger novel was released, Seeds of Yesterday. According to the New York Times, Seeds was the best-selling fiction paperback novel of 1984. Also in 1984, V.C. Andrews was named "Professional Woman of the Year" by the city of Norfolk, Virginia.
Upon Andrews's death in 1986, two final novels—Garden of Shadows and Fallen Hearts—were published. These two novels are considered the last to bear the "V.C. Andrews" name and to be almost completely written by
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Displaying 1 - 30 of 95 reviews
December 9, 2023
Re-reading before I read the rest of the series. I don't think the girls' stories really connect, but just in case.
I honestly can't pinpoint what I like about these shorter VC Andrews books. It doesn't really make sense that Misty was seeing a psychiatrist to begin with, so that's a little unrealistic. you don't see an MD because you're acting out after your parents divorce. Most of what she did was perfectly normal and reactionary given how her parents were acting. I would think the judge would order them all to the therapy. Also, the dialogue sounds strange coming from a teenager. This sounds like a 80s soap opera, but I can roll with it because, at least it's different than most YA today.
I really feel like I'm just here for the drama. lol I just love a good scandal and whatever else you say about Andrew's books, there is always scandal.
Some notes in the updates
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I thought that the concept of these four girls sharing their experiences in a group therapy setting was pretty unique. At first I thought that they would be too vulnerable, but Misty seemed okay throughout and didn't really hesitate. I didn't care for Star and thought it was interesting that the one black character was the rude, poor, uneducated one. That could have been different. I found Cat the most compelling and want to know more about her, mostly because she was the quietest.
I honestly can't pinpoint what I like about these shorter VC Andrews books. It doesn't really make sense that Misty was seeing a psychiatrist to begin with, so that's a little unrealistic. you don't see an MD because you're acting out after your parents divorce. Most of what she did was perfectly normal and reactionary given how her parents were acting. I would think the judge would order them all to the therapy. Also, the dialogue sounds strange coming from a teenager. This sounds like a 80s soap opera, but I can roll with it because, at least it's different than most YA today.
I really feel like I'm just here for the drama. lol I just love a good scandal and whatever else you say about Andrew's books, there is always scandal.
Some notes in the updates
-----------
I thought that the concept of these four girls sharing their experiences in a group therapy setting was pretty unique. At first I thought that they would be too vulnerable, but Misty seemed okay throughout and didn't really hesitate. I didn't care for Star and thought it was interesting that the one black character was the rude, poor, uneducated one. That could have been different. I found Cat the most compelling and want to know more about her, mostly because she was the quietest.
February 4, 2018
I read this book once before but I forget what happened so I read it again and it was better than the first time I read it I feel sorry for what this girl had to go through.
May 26, 2019
I literally can’t handle how she’s like an older teenager but still refers to her parents as mommy and daddy.
June 16, 2014
The language used bothered me a little bit. Misty kept referring to her parents as 'Mommy' and 'Daddy' which wouldn't bother me if she was a five year old or if she didn't hate her parents, but she's a teenager and she hates them; it just didn't fit.
February 8, 2017
Even as a 31 year old women, I can still remember the feelings I encountered after my parents divorced. They were very similar to Misty's story. I am looking forward to reading the others' stories.
December 23, 2024
I love revisiting the books I read when I was a teenager!! They seem to get better and are more fun to read into again and again:)
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October 19, 2018Check out this, other reviews, and more fun bookish things on my young adult book blog, Here's to Happy Endings!
My mom has always had a ton of books by V.C. Andrews in her bookshelf, and to be honest, I think the only one I ever read was Flowers in the Attic. I read that when I was probably like 13 or so, and I loved it, but for whatever reason never really looked to read any of her others.
I recently helped my mom clean out her bookshelf to look for Flowers in the Attic, as well as the rest of the books in the series, because I wanted to read them again, and I came across others books that she has by V.C. Andrews, as well. I actually came across the Wildflowers series because when I was looking, her bookshelf decided to collapse (directly onto my head, of course), and it was a painful ordeal - but I found a ton of books to bring home and read (much to my husband's dismay).
Anyway, I decided to start this series first, because I love the whole prospect of them being in short novels (only about 150-200 pages each), and thought that since I'm so busy right now, it would be easier to read them. Needless to say, I've been reading one of them a day.
Misty, along with three other girls, are meeting their therapist, Dr. Marlowe, for group therapy. During this therapy, they are each to take a turn telling about their lives and what circumstances led them there, together. Four girls, all from different walks of life, all with different stories, and they are all about to be told.
Misty is the first to tell her story to the others. She is the first to tell her story about her home life, which isn't so great - her father is dating a girl closer in age to Misty than himself, and her mother only cares about herself and her looks, making Misty feel as though is alone. All Misty ever wanted was an actual, normal family, and instead, she got parents who constantly aim cruel remarks at each other - often through Misty.
While Misty's parents might love her, she doesn't love them. She is tired of all the cruel things her parents say and do, and when she meets a boy, she thinks that she could have someone to talk to - until she finds out that he isn't that great of a guy, and he hurts her, too.
When she meets someone else, she wonders if maybe she can help him, and he can help her - they both live in less than ideal conditions with their parents, and one day, Misty makes a decision that impacts her life and leads her to therapy with Dr. Marlowe.
Misty's character is quite quirky and almost fun - she makes jokes and she smiles, despite all the circumstances. She really brings a lot of emotion into her story, and hers is definitely one that will have you hanging on, feeling the same emotions she feels. I love Misty's character.
Misty's story is intriguing enough and keeps you hooked on her every word, and the way the other characters interact with one another really helps the story along. I love how not all of them get along at first, and then they eventually realize that maybe they have more in common than they originally thought - especially after Misty is finished.
After reading Misty, you're going to want to dive right into the next novel in the series, Star. While they are quick reads, they pack a big punch, and there is so much emotion behind them. Of course, if you like character driven stories with a lot of personal development (and ones that often have dark twists), definitely don't hesitate to read this!
My mom has always had a ton of books by V.C. Andrews in her bookshelf, and to be honest, I think the only one I ever read was Flowers in the Attic. I read that when I was probably like 13 or so, and I loved it, but for whatever reason never really looked to read any of her others.
I recently helped my mom clean out her bookshelf to look for Flowers in the Attic, as well as the rest of the books in the series, because I wanted to read them again, and I came across others books that she has by V.C. Andrews, as well. I actually came across the Wildflowers series because when I was looking, her bookshelf decided to collapse (directly onto my head, of course), and it was a painful ordeal - but I found a ton of books to bring home and read (much to my husband's dismay).
Anyway, I decided to start this series first, because I love the whole prospect of them being in short novels (only about 150-200 pages each), and thought that since I'm so busy right now, it would be easier to read them. Needless to say, I've been reading one of them a day.
"We live in such a perfect world. Why were we so imperfect?"
Misty, along with three other girls, are meeting their therapist, Dr. Marlowe, for group therapy. During this therapy, they are each to take a turn telling about their lives and what circumstances led them there, together. Four girls, all from different walks of life, all with different stories, and they are all about to be told.
Misty is the first to tell her story to the others. She is the first to tell her story about her home life, which isn't so great - her father is dating a girl closer in age to Misty than himself, and her mother only cares about herself and her looks, making Misty feel as though is alone. All Misty ever wanted was an actual, normal family, and instead, she got parents who constantly aim cruel remarks at each other - often through Misty.
"'It's funny how when you're little, you miss all the little lies. They float right past you, but you don't wonder about them much. For a long time, you think this is just something adults still do after being kids - pretend. Then one day you wake up and realize most of the world you're in is built on someone's make-believe.'"
While Misty's parents might love her, she doesn't love them. She is tired of all the cruel things her parents say and do, and when she meets a boy, she thinks that she could have someone to talk to - until she finds out that he isn't that great of a guy, and he hurts her, too.
When she meets someone else, she wonders if maybe she can help him, and he can help her - they both live in less than ideal conditions with their parents, and one day, Misty makes a decision that impacts her life and leads her to therapy with Dr. Marlowe.
Misty's character is quite quirky and almost fun - she makes jokes and she smiles, despite all the circumstances. She really brings a lot of emotion into her story, and hers is definitely one that will have you hanging on, feeling the same emotions she feels. I love Misty's character.
Misty's story is intriguing enough and keeps you hooked on her every word, and the way the other characters interact with one another really helps the story along. I love how not all of them get along at first, and then they eventually realize that maybe they have more in common than they originally thought - especially after Misty is finished.
After reading Misty, you're going to want to dive right into the next novel in the series, Star. While they are quick reads, they pack a big punch, and there is so much emotion behind them. Of course, if you like character driven stories with a lot of personal development (and ones that often have dark twists), definitely don't hesitate to read this!
May 10, 2021
This wasn't too bad. It was a short, straight to the point kind of story. We get to see Misty first in this girl group. She definitely had some typical child of divorced parents problems. She ran away with the "bad boy" and they did a good job of not dwelling too much on that particular part of the story. It was quick and to the point, letting us understand that Misty really is in a certain type of pain. She wasn't getting help at first and was feeling worse and worse about herself. I'm glad she's being made to go to this girl group because I think it will help. It will be interesting to see how they all tie in together.
September 5, 2021
Siento que con el paso del tiempo y cuando vaya leyendo el resto de los libros, la puntuación va a subir, pero por ahora me quedo con 3 estrellas. Me gustaron los personajes y el concepto, medio básico y aburrido el desarrollo, pero está bueno el libro.
November 24, 2021
Assez déçue par ce premier tome. Connaissant plusieurs autres sagas de l'autrice, je m'attendais à plus d'intrigue. Même si le récit est dynamique et se lit extrêmement vite, il n'est question que du divorce des parents de l'héroïne pendant la quasi totalité du roman.
Je continuerais tout de même à lire les tomes suivants en espérant qu'une intrigue se développe.
Je continuerais tout de même à lire les tomes suivants en espérant qu'une intrigue se développe.
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April 1, 2025Book Review: Misty by V.C. Andrews
V.C. Andrews’ Misty, the first book in the Wildflowers series published in 1999, introduces readers to a richly layered narrative centered around the experiences of Misty, a young girl coping with the complexities of family dynamics, friendship, and personal identity. Known for her signature blend of gothic elements and psychological insight, Andrews crafts a compelling tale that resonates with themes of trauma and resilience.
Narrative Style and Structure
Misty employs a first-person narrative that immerses readers in the protagonist’s emotional landscape. The novel unfolds through Misty’s perspective, allowing for an intimate exploration of her thoughts and feelings as she navigates her troubled upbringing. Andrews’ writing is characterized by vivid descriptions and a strong sense of place, particularly in the evocative portrayal of Misty’s rural surroundings. The linear structure of the plot effectively builds tension as Misty’s journey unfolds, seamlessly integrating flashbacks that reveal the pivotal moments of her past.
Character Development
Misty, the central character, is depicted as both strong and vulnerable, embodying the struggles faced by many adolescents. Throughout the novel, she grapples with her troubled family life, including her complex relationship with her father, who exhibits controlling and abusive behavior. This familial dysfunction profoundly impacts Misty’s sense of self-worth and her ability to forge connections with others. The supporting characters, including her friends, contribute to her growth, providing contrasting perspectives on loyalty, betrayal, and the meaning of true friendship.
Andrews excels at developing multidimensional characters who elicit empathy from the reader. Misty’s friendships are particularly poignant, demonstrating the power of support systems in overcoming personal challenges. These relationships highlight the importance of finding solidarity in times of adversity, a theme that resonates throughout the series.
Themes of Trauma and Resilience
A central theme in Misty is the exploration of trauma, particularly the psychological effects of abuse and neglect. As Misty navigates the difficulties of her home life, Andrews poignantly illustrates the ways in which trauma can shape identity and influence interpersonal relationships. The novel does not shy away from the harsh realities of Misty’s experiences, instead presenting a raw and honest portrayal of her struggles.
Additionally, the theme of resilience emerges as Misty gradually learns to assert her independence and redefine her sense of self. Her journey reflects a broader narrative of empowerment, illustrating how individuals can reclaim their identities in the face of adversity. This message is particularly significant for young adult readers, as it emphasizes the importance of self-advocacy and the capacity for personal growth despite challenging circumstances.
Societal and Educational Implications
Misty addresses important societal issues, including familial abuse, the struggles of adolescence, and the search for belonging. These themes provide fertile ground for educational discussions regarding mental health, the dynamics of dysfunctional families, and the importance of supportive friendships. By engaging with these topics, Andrews encourages readers to reflect on their own experiences and the broader societal implications of such issues.
Conclusion
In conclusion, V.C. Andrews’ Misty is a powerful introduction to the Wildflowers series, offering a deep exploration of trauma, resilience, and the complexities of personal identity. Through Misty’s journey, Andrews not only captivates readers with a compelling narrative but also invites them to engage with pressing social issues that resonate on both personal and societal levels. The novel serves as a testament to Andrews’ ability to craft emotionally rich stories that resonate with young adult audiences, making Misty a significant contribution to contemporary literature in the genre.
V.C. Andrews’ Misty, the first book in the Wildflowers series published in 1999, introduces readers to a richly layered narrative centered around the experiences of Misty, a young girl coping with the complexities of family dynamics, friendship, and personal identity. Known for her signature blend of gothic elements and psychological insight, Andrews crafts a compelling tale that resonates with themes of trauma and resilience.
Narrative Style and Structure
Misty employs a first-person narrative that immerses readers in the protagonist’s emotional landscape. The novel unfolds through Misty’s perspective, allowing for an intimate exploration of her thoughts and feelings as she navigates her troubled upbringing. Andrews’ writing is characterized by vivid descriptions and a strong sense of place, particularly in the evocative portrayal of Misty’s rural surroundings. The linear structure of the plot effectively builds tension as Misty’s journey unfolds, seamlessly integrating flashbacks that reveal the pivotal moments of her past.
Character Development
Misty, the central character, is depicted as both strong and vulnerable, embodying the struggles faced by many adolescents. Throughout the novel, she grapples with her troubled family life, including her complex relationship with her father, who exhibits controlling and abusive behavior. This familial dysfunction profoundly impacts Misty’s sense of self-worth and her ability to forge connections with others. The supporting characters, including her friends, contribute to her growth, providing contrasting perspectives on loyalty, betrayal, and the meaning of true friendship.
Andrews excels at developing multidimensional characters who elicit empathy from the reader. Misty’s friendships are particularly poignant, demonstrating the power of support systems in overcoming personal challenges. These relationships highlight the importance of finding solidarity in times of adversity, a theme that resonates throughout the series.
Themes of Trauma and Resilience
A central theme in Misty is the exploration of trauma, particularly the psychological effects of abuse and neglect. As Misty navigates the difficulties of her home life, Andrews poignantly illustrates the ways in which trauma can shape identity and influence interpersonal relationships. The novel does not shy away from the harsh realities of Misty’s experiences, instead presenting a raw and honest portrayal of her struggles.
Additionally, the theme of resilience emerges as Misty gradually learns to assert her independence and redefine her sense of self. Her journey reflects a broader narrative of empowerment, illustrating how individuals can reclaim their identities in the face of adversity. This message is particularly significant for young adult readers, as it emphasizes the importance of self-advocacy and the capacity for personal growth despite challenging circumstances.
Societal and Educational Implications
Misty addresses important societal issues, including familial abuse, the struggles of adolescence, and the search for belonging. These themes provide fertile ground for educational discussions regarding mental health, the dynamics of dysfunctional families, and the importance of supportive friendships. By engaging with these topics, Andrews encourages readers to reflect on their own experiences and the broader societal implications of such issues.
Conclusion
In conclusion, V.C. Andrews’ Misty is a powerful introduction to the Wildflowers series, offering a deep exploration of trauma, resilience, and the complexities of personal identity. Through Misty’s journey, Andrews not only captivates readers with a compelling narrative but also invites them to engage with pressing social issues that resonate on both personal and societal levels. The novel serves as a testament to Andrews’ ability to craft emotionally rich stories that resonate with young adult audiences, making Misty a significant contribution to contemporary literature in the genre.
January 18, 2021
This is a re-read for me. I read this when I was in high school and connected to the entire series due to having divorced parents and a dysfunctional family similar to the ones these characters did. It inspired me to write a similar book of my own as well. I probably last read this one when I was in college.
Misty isn’t one of my favorite characters but I do appreciate her sarcasm. I do wish Andrew Neiderman would stop having his more modern characters refer to their parents as “Mommy and Daddy” when they are in their teens as this really annoys me. It annoyed me back when I read it, too.
Some of Misty’s observations, such as Star being a (gasp) black girl and her comment about babies born out of rape were odd but usually challenged by other characters. The observations still don’t seem to fit the rest of Misty’s character and makes me question why they were voiced to begin with.
While Misty’s family issues aren’t as severe as some of the others in her group, they were still worth discussing and I could relate to the way her mother reacted to things. Those who have divorced parents will probably appreciate this series, but I have always felt Misty’s story was the weakest out of all of the girls.
I love the way the girls (Misty, Star, Jade, and Cat) all interact with one another. The story on its own is fine but it doesn’t grip me nearly as much as the way these girls seem to be connecting to one another. Doctor Marlowe does fine as a background character, but the main focus is definitely on the girls.
Misty still says some things that took me back to my high school years, such as:
“We’re different. You’re…like some wildflower growing out of the garden, untended, left to fend for yourself most of the time, to pray for the right amount of rain and sunshine because no one’s there to water and nature you.”
and
“I used to think everyone else was at peace while we were pawns in silent wars. There were no guns fired, although sometimes we all wondered if there would be. The wounded and the dead were only hopes and wishes and the bombs were just words, nasty words wrapped in cold smiles or printed on official documents that floated into our lives along with the ashes from the fires that burned up our families.”
My version has a lot of missing commas, which slightly annoyed me. I’m not sure if that has been corrected in any newer editions or not.
Overall this was still enjoyable for the most part and it also brought back my feelings when I first read it. Very much looking forward to re-reading the others!
3.5 stars!
Misty isn’t one of my favorite characters but I do appreciate her sarcasm. I do wish Andrew Neiderman would stop having his more modern characters refer to their parents as “Mommy and Daddy” when they are in their teens as this really annoys me. It annoyed me back when I read it, too.
Some of Misty’s observations, such as Star being a (gasp) black girl and her comment about babies born out of rape were odd but usually challenged by other characters. The observations still don’t seem to fit the rest of Misty’s character and makes me question why they were voiced to begin with.
While Misty’s family issues aren’t as severe as some of the others in her group, they were still worth discussing and I could relate to the way her mother reacted to things. Those who have divorced parents will probably appreciate this series, but I have always felt Misty’s story was the weakest out of all of the girls.
I love the way the girls (Misty, Star, Jade, and Cat) all interact with one another. The story on its own is fine but it doesn’t grip me nearly as much as the way these girls seem to be connecting to one another. Doctor Marlowe does fine as a background character, but the main focus is definitely on the girls.
Misty still says some things that took me back to my high school years, such as:
“We’re different. You’re…like some wildflower growing out of the garden, untended, left to fend for yourself most of the time, to pray for the right amount of rain and sunshine because no one’s there to water and nature you.”
and
“I used to think everyone else was at peace while we were pawns in silent wars. There were no guns fired, although sometimes we all wondered if there would be. The wounded and the dead were only hopes and wishes and the bombs were just words, nasty words wrapped in cold smiles or printed on official documents that floated into our lives along with the ashes from the fires that burned up our families.”
My version has a lot of missing commas, which slightly annoyed me. I’m not sure if that has been corrected in any newer editions or not.
Overall this was still enjoyable for the most part and it also brought back my feelings when I first read it. Very much looking forward to re-reading the others!
3.5 stars!
March 21, 2021
Since I'm reading a few thicker books, I really wanted the satisfaction of having an 'easy read' under my belt, something that I could finish in a day, and this was the perfect scratch to that itch.
It definitely is written in a different style than the other VC Andrew novels I've read, but that doesn't lessen my enjoyment of it.
The story centers around a group of girls in therapy, in which each girl tells their own story.
This one was Misty's, and she speaks about her parent's divorce, how it's been affecting her, and the choices she's made as a result. Nothing she discusses strays from reality, and as a child of divorce, I could really relate to the feeling of being a weapon between your parents.
Her mother, in particular, is really detestable- perhaps because she reminds me too much of my own, lol. However, her father is no saint and is definitely at fault too.
I can see this novel being very relatable to teens who are in the midst of having their parents divorcing or anyone who has had that life experience.
I noticed many people have a grip on a 16/17-year-old calling her parents 'mommy' & 'daddy.'
Still, it didn't bother me at all, and if anything could maybe reflect her could be reflective of her naivety in the fact this seems to be the first big trauma of her life to the reader's knowledge.
I'm definitely looking forward to continuing this series with Star.
It definitely is written in a different style than the other VC Andrew novels I've read, but that doesn't lessen my enjoyment of it.
The story centers around a group of girls in therapy, in which each girl tells their own story.
This one was Misty's, and she speaks about her parent's divorce, how it's been affecting her, and the choices she's made as a result. Nothing she discusses strays from reality, and as a child of divorce, I could really relate to the feeling of being a weapon between your parents.
Her mother, in particular, is really detestable- perhaps because she reminds me too much of my own, lol. However, her father is no saint and is definitely at fault too.
I can see this novel being very relatable to teens who are in the midst of having their parents divorcing or anyone who has had that life experience.
I noticed many people have a grip on a 16/17-year-old calling her parents 'mommy' & 'daddy.'
Still, it didn't bother me at all, and if anything could maybe reflect her could be reflective of her naivety in the fact this seems to be the first big trauma of her life to the reader's knowledge.
I'm definitely looking forward to continuing this series with Star.
December 21, 2020
3/5
Wildflowers miniseries is somewhat not as compelling as the Orphan miniseries because orphans are a bit more... interesting in which you would want to hear more about their trauma and issues. With a child of divorce, how far can you go?
At first I didn't like how the story was set up, where Misty was retelling her story through her group therapy session because Orphan miniseries was just small tales of them, but after a good while in, I began to appreciate this style as it gave a bit more insight to all four of the young girls and their possible issues. It also, in a way, made their issues a bit more sympathetic. I liked hearing Star say, oh these are just rich people issues, and I could relate to that. It was nice in that aspect.
I did however think I wasn't going to finish this book in the beginning because it seemed so insignificant, like what can truly happen? It wasn't dramatic in this book, but I will give it credit that it was possibly better than Crystal's story within Orphan miniseries, maybe the same around Brooke's for level of enjoyment.
Wildflowers miniseries is somewhat not as compelling as the Orphan miniseries because orphans are a bit more... interesting in which you would want to hear more about their trauma and issues. With a child of divorce, how far can you go?
At first I didn't like how the story was set up, where Misty was retelling her story through her group therapy session because Orphan miniseries was just small tales of them, but after a good while in, I began to appreciate this style as it gave a bit more insight to all four of the young girls and their possible issues. It also, in a way, made their issues a bit more sympathetic. I liked hearing Star say, oh these are just rich people issues, and I could relate to that. It was nice in that aspect.
I did however think I wasn't going to finish this book in the beginning because it seemed so insignificant, like what can truly happen? It wasn't dramatic in this book, but I will give it credit that it was possibly better than Crystal's story within Orphan miniseries, maybe the same around Brooke's for level of enjoyment.
March 10, 2019
Un premier tome qui pose le cadre de l'histoire avec ces 4 adolescentes négligées par leurs parents et forcées d'entreprendre une thérapie. L'histoire de Misty est du classique VC Andrews, une mère frivole qui ne vit que pour sa propre beauté, un père faible et esclave de ses désirs pour les femmes. Et Misty elle même, riche et livrée à elle-même qui découvre le sexe et les garçons. Donc pour chaque livre, nous avons l'histoire d'une des adolescentes. J'avoue que j'ai bien aimé Misty mais je ne vois pas forcément de différences entre cette série et la précédente (Les Orphelines). Au final, j'ai passé un bon moment mais sans surprise
Ce que j'aime : la relation de Misty et de Loyd
Ce que j'aime moins : aucune surprise, on retrouve tous les ingrédients classiques de la franchise. Le personnage de Star qui ne m'inspire pas
En bref : Un premier tome plaisant mais sans surprise
Ma note
6/10
Ce que j'aime : la relation de Misty et de Loyd
Ce que j'aime moins : aucune surprise, on retrouve tous les ingrédients classiques de la franchise. Le personnage de Star qui ne m'inspire pas
En bref : Un premier tome plaisant mais sans surprise
Ma note
6/10
December 9, 2017
I remember reading this book as a very small child due to the wantoness of a play aunt who gave it to me as a gift. I remembered it being scandalous, full of sex, and drama, but as an adult this book really speaks volumes to me; as much as a book about a whiny teen’s battle with their place in the world after a divorce can do. I recently had parents go through a divorce and this book is one that is ripped right from my life. I really suggest anyone who has been through a later in teen life or young adult divorce in the family to give his book a try. It may be a cheesy pocket novel that can be found in any goodwill, but it’s message is eerily familiar and relatable.
May 17, 2020
3,5 stars I'm reading the omnibus version. Misty is a young girl leading with the divorcie of her parents and her own dissapointment with them and with life .
I wish her rebel phase last longer. I like that she doesn't talk of eternal love for or love for that matter of her ships. After leading with many YA romances I'm grateful for that.
Its from 1999 yet is better than some YA novels.
I think (everyone complains that she call her parents mommy and Daddy) is a psicological issue like she see herself as a child alone in the middle of everything.
I wish her rebel phase last longer. I like that she doesn't talk of eternal love for or love for that matter of her ships. After leading with many YA romances I'm grateful for that.
Its from 1999 yet is better than some YA novels.
I think (everyone complains that she call her parents mommy and Daddy) is a psicological issue like she see herself as a child alone in the middle of everything.
September 2, 2019
The author (or ghostwriter?) wrote Misty's story in a detailed yet too theatrical manner, especially the part about her mother's narcissism. The book isn't as dark as 'My Sweet Audrina' nor as 'gothic' as 'Flowers in the Attic', but it certainly can make a reader feel the pain and loss of a teenager who lost her parents due to divorce. It's actually hard to put down and I'd certainly read this again.
August 17, 2022
So I really liked this book, misty just wanted to be loved but she was so use to having her parents together it was hard seeing them apart/divorced. She eventually goes off the hedges and despises them both, she starts to be come more reckless and starts failing in school as well as falling in with the wrong crowd (boys), by the end of the book misty reveals why is she is group therapy and why the things happen. She also reveals that she has given her parents a second chance!
This entire review has been hidden because of spoilers.
December 17, 2021
This is the first VC Andrews book I read outside of Flowers in the Attic series. It was an interesting concept. These 4 girls have group sessions to share their stories. Misty has had a rough time during her parents separation and divorce. I felt bad for her. I hated that this teenage girl called her parents mommy and daddy though.
April 29, 2019
I never read these as a teen but it seems like they are still pretty legit books even 20 years later! It amazes me that an entire book can be dedicated to one character. This was a perfect read for me, at this point in my life, even as an adult.
October 4, 2022
Quick read and an interesting story. I thought Misty's mom was going to wind up seducing Charles Allen, I have to admit. The twist about his parents not being divorced was bad but honestly nothing compared to what we normally find in VC Andrews.
This entire review has been hidden because of spoilers.
July 19, 2017
Misty was a good and realistic start to this series. Although the style was not what i was expecting it was still good overall. it was not the best work of the ghost writer but it worked well enough.
March 1, 2018
It was different the way the author made one whole day into a book. I haven't read a novel that did that before, so it was a good experience for me. Although it was a short book, it was a good read.
October 8, 2018
Not a bad start to the short series.
October 14, 2018
I read this series many years ago, I thoroughly enjoyed it from start to finish.
December 19, 2019
Not much to say really it was just a typical VC Andrews book....
December 27, 2019
I liked this book, but it was a little repititious
January 17, 2021
Good just to short
Read
May 25, 2021What a fun short read. Looking thru the eyes of a teenager who is going thru a parents nasty divorce, you understand who things get turned upstide down.
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