I'm a new-comer to classic movie fandom, and this book was the perfect introduction.
A few years back, my kids and I started having Friday night movie night: I'd get a movie from library, bring home take out, and voila. But after several years of weekly movie nights, we started running out of decent movies that we might all enjoy. My daughter asked to watch Breakfast at Tiffanys, and I was surprised that we all enjoyed it. So I figured we'd try another classic that I'd never seen: Casablanca. I was amazed at how fantastic it was! Then my daughter asked for Roman Holiday and All About Eve, and they were great! This was eye-opening. Up to this point, I'd been under the impression that (non-Hitchcock) older movies were dull and dry, or dull and silly. (I based this opinion on my impressions of Cutizen Kane and The Third Man, which I saw as a teen. I found them to be confusing and boring. ... Yes, I had seen The Apartment and enjoyed it, but I figured that was a fluke, because, Jack Lemmon can't miss.) I checked out Strangers on a Train, since I'd just read the book, and Rebel Without a Cause (a classic that I HAD liked as a teen.) I put The Big Sleep and The Maltese Falcon on my list, because I'd just read those books, too, but I wasn't really sure what else to add.
Then I learned about this book, and it sounded perfect! It spans from 1927 (Metropolis) to 1984 (Spinal Tap). Limited to only 52 movies, a lot of movies are necessarily left out. You have On the Waterfront, but not The Wild Ones. Double Indemnity, but not The Maltese Falcon or The Big Sleep. Bonnie and Clyde, but not Easy Rider. Some Like It Hot, but not Getlemen Prefer Blondes. Rear Window and North by Northwest, but not Psycho or Vertigo or The Birds.
There are very few foreign movies on the list: Metropolis, The Red Shoes, The Bicycle Thief, Breathless, and Seven Samurai are all I see. So, consider this very USA-centric.
The iconic 70s movies included are: Jaws, Rocky, and Annie Hall. No Star Wars or The Godfather. The biggest surprise was that there isn't a single James Dean or Clint Eastwood movie included in the list.
The choices are very focused on movies that pioneered a particular movie-making technique, which was actually very interesting for me, because that's never been how I look at movies. I look for big stars or good stories. This book helped me round out my list of movies to see; I probably never would have included movies such as It Happened One Night, The Thin Man, Now, Voyager, Sunset Boulevard, or Seven Samurai if I hadn't read about them in this book.
I understand that this is just a sampling from each film genre, focusing on movies that pioneered certain things. I am kind of surprised that Star Wars wasn't included, though (and it's not because Star Wars is a "duh, of course!" kind of movie that needs no introduction, because Gone With the Wind and Jaws are on the list.) The list is pretty light on science fiction flicks, in general. Along with Metopolis, they list only Bride of Frankenstein and Invasion of the Body Snatchers. Sorry, Alien, you don't make the cut. Blade Runner, you just get a one-line mention.
I really enjoyed the behind-the-scenes trivia about each movie, background about how the directors and actors prepped for the roles, and information about how these "essential" movies influenced future movies. What I found least interesting were the quotes from current actors and directors who have been involved with the TCM "Essentials" TV program (such as Alec Baldwun, Drew Barrymore, and Peter Bogdonovich) about how they felt about these movies.