It's no secret that my first work of fiction, No. 1, is a bit of an enigma. Anyone who sets out to read it may be perplexed or perhaps even annoyed. It's an odd book, but something I couldn't help myself to write. I loved writing it. And I still think it's a great book, something I find myself re-visiting regularly to enjoy. But here I wanted to put together a reading guide for the perplexed, not to explain everything, because I think the search is a part of the fun; instead, this guide will give an overview of some of the major themes, motifs, and influences, as well as a clear explanation of the story-line. You don't need to have read the book already to benefit from this guide, because it also acts as a kind of introduction to the book, encouraging you to take the leap into the strange new world of No. 1 I've tried to craft. At the end I offer an extended preview of the book for this reason.
Key terms: James Joyce, John Cage, Samuel Beckett, William Shakespeare, experimental literature, musical literature, Steve Reich, Philip Glass, artistic literature, Jackson Pollock, Mark Rothko, avant garde literature.
I knew it was something extra special the moment I got my hands on a copy. It looks amazing and once you start to unpack what the story is about, it's incredibly creative. Certainly not your usual novel - think James Joyce rather than James Bond. But it's a type of modernism I have been able to finish - and enjoyed immensely. In places it's very funny.
For some, I'd imagine it's not their cup of tea. Equally, it has the potential to be a modern day classic.
Amazing!
As the owner of the first copy sold by the author, signed too, I wonder what it might be worth in the future!