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The Richard Carter Novels #2
Cold Tears
Librarian Note: Alternate Cover Edition for ASIN: B00F45FJZW.
Richard and Jill flee their unwanted celebrity in Michigan by moving to southwest Missouri where she pursues a graduate degree while he tries to come to terms with the things he's been forced to do.
Is it redemption or ruination when he agrees to find out about Molly's missing baby? Is Molly what she appears? Or is she what the local cops say she is?
Jill struggles for balance and sanity for her damaged husband. Richard struggles to be the "godsend" that Molly sees him as. Molly struggles with the memories of her addiction and guilt.
Richard's amateur investigation crosses that of a real P.I. working for a famous country music impresario. The local police are much more concerned with not annoying the celebrity than they are in finding Molly's baby.
Why are they convinced that Molly herself is to blame? And what are "cold tears?"
Richard and Jill flee their unwanted celebrity in Michigan by moving to southwest Missouri where she pursues a graduate degree while he tries to come to terms with the things he's been forced to do.
Is it redemption or ruination when he agrees to find out about Molly's missing baby? Is Molly what she appears? Or is she what the local cops say she is?
Jill struggles for balance and sanity for her damaged husband. Richard struggles to be the "godsend" that Molly sees him as. Molly struggles with the memories of her addiction and guilt.
Richard's amateur investigation crosses that of a real P.I. working for a famous country music impresario. The local police are much more concerned with not annoying the celebrity than they are in finding Molly's baby.
Why are they convinced that Molly herself is to blame? And what are "cold tears?"
350 pages, Kindle Edition
First published September 1, 2007
5 people are currently reading
21 people want to read
About the author
A.R. Simmons
16 books59 followersAR Simmons grew up in the Missouri Ozarks. He walked a gravel road to a rural school evocative of “Walton’s Mountain.” His parents did factory work to buy things not provided by their subsistence farm which was passed down from his grandfather who cleared the land from the native forest. He and his wife (beta reader, illustrator, and muse) still live on that farm. So his roots run deep in the Ozark soil. Using the culture, language, and mores of this "Bible Belt" region, he writes culturally immersive stories of obsession set amidst the small-town and rural life that he knows and loves.
He began writing seriously with a suspense novel which he serialized around the turn of the millennium on his website www.bluecreeknovels. It took until 2013 for him to publish the first Richard Carter novel (Bonne Femme) as an e-book. The series now includes fourteen mystery/suspense stand-alone stories that also chronicle Richard’s life with each story spaced about a year apart. This required a year-by-year update to the technology available to the characters because time marches on.
PS. Simmons is a rather common drudge, so once considered changing his nom-de-plume to “Bess Sellers.”
He began writing seriously with a suspense novel which he serialized around the turn of the millennium on his website www.bluecreeknovels. It took until 2013 for him to publish the first Richard Carter novel (Bonne Femme) as an e-book. The series now includes fourteen mystery/suspense stand-alone stories that also chronicle Richard’s life with each story spaced about a year apart. This required a year-by-year update to the technology available to the characters because time marches on.
PS. Simmons is a rather common drudge, so once considered changing his nom-de-plume to “Bess Sellers.”
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Displaying 1 - 2 of 2 reviews
April 30, 2014
After traumatic events force them to leave home and hearth, Richard and Jill Carter have moved to a small Missouri town where Jill can continue working her way toward a coveted doctorate at a nearby university. While Jill pursues her passion, Richard feels trapped in a nothing job, in a nothing town with no friends and where the residents see him as nothing more than an interloping outsider. Richard can't focus enough to keep a job - any job - and spends his days pining away for a dream life that can never be: a job with the FBI. After a self-defense killing of a wanted criminal, the resultant arrest and then governor's pardon, his pursuit of a criminology degree is moot. No one in law enforcement will ever hire him. His dream is dead.
Until their neighbor Molly passes out in their front yard one night. The next morning she comes over to thank Richard for helping her back home in her drunken state and begins to share with him the reason behind her actions. Three months before her eight-month-old daughter was taken from her home in the wee morning hours. The problem now is that the local law enforcement believe she's responsible. Her blood alcohol level was off the charts that night, not counting the almost lethal dosage of Valium in her system. With no tiny body yet discovered and little else to go on, they cannot hold the young mother indefinitely nor charge her with the crime they believe her guilty of - murdering her own child.
With nothing more than his gut instinct, Richard believes Molly's story and agrees to help find out what happened to little Mancie that night - much to Jill's chagrin. Jill's been fighting an uphill battle to help her husband find hope and healing again, not to mention income to keep them financially afloat. Now Molly's quest threatens the very thread of his sanity, leaving Jill feeling even more vulnerable and helpless in the face of uncertainty. What if Molly really did kill her baby? What about the sudden death of the babysitter? Molly's boss? And what if Richard is next?
The beginning of Cold Tears wrapped me up in the heart of the story, the kidnapping, and Jill's and Richard's emotional struggles. But after awhile, it felt like the story wasn't moving forward and that the conversations between Jill and Richard were just constant rehashing of the same argument - so much so that I almost felt as if I was on a hamster wheel just running and spinning without getting anywhere.
Don't get me wrong - there were some really good elements of a mystery here and if the story would have stayed on track in that regard, it would have kept my heart pounding. At almost four hundred pages, however, I felt it was just wrung out until it was overlong and lost much steam because of it.
Jill and Richard obviously had a lot of trauma going on in their lives. I'd liked to have gotten a bit more of the back-story to what had happened prior to their moving to Missouri. Without that, it just seemed like they argued about and conversely avoided arguing about the same things over and over without any growth or resolution. I get these kind of arguments DO happen in real life, but this is a novel. Jill flipped back and forth in her support/lack-of-support of Richard's investigation until I felt as if I was watching a very looong tennis match. It made her come across as petty and a bit unhinged at times and then almost like she was trying to be a parent to a child by the end. Even though Richard seemed a bit child-like at times, I could understand his suffering and depressed state after having the rug pulled out from underneath him. His whole life's work has collapsed. Molly's need to find out what happened to her daughter fuels a faint spark of life he hasn't felt in many months. The whole way Jill treated him, however, took her from a rather sympathetic character to a bit of a pathetic individual.
Elements of the mystery surrounding what had happened to Molly's child were initially cohesive and then became a rather disjointed mish-mash that again didn't really move the story forward until all of a sudden "poof" here's the resolution. So many characters popped in and out without getting any real time or having any real connection to the story they seemed almost unnecessary or an afterthought to get back to the main story arc after weaving away for awhile. This is where point-of-view rather ebbed and flowed too much between heads, whereas again at the beginning POV was clear and concise.
However, showing was good. We followed along with the characters most of the time as the action was happening (except for the occasional moments where things like "but he didn't notice the car passing slowly by" and such that pulled me from the story - ugh!). I appreciated this element of showing instead of telling more than I can say, especially when reading a mystery.
The elements of a good mystery are here. With some tightening of the storyline to improve pacing, a bit more of Richard's back-story blended in, and additional editing of missing or misused words, I think Cold Tears has promise. I'll give it three and a-half stars.
Until their neighbor Molly passes out in their front yard one night. The next morning she comes over to thank Richard for helping her back home in her drunken state and begins to share with him the reason behind her actions. Three months before her eight-month-old daughter was taken from her home in the wee morning hours. The problem now is that the local law enforcement believe she's responsible. Her blood alcohol level was off the charts that night, not counting the almost lethal dosage of Valium in her system. With no tiny body yet discovered and little else to go on, they cannot hold the young mother indefinitely nor charge her with the crime they believe her guilty of - murdering her own child.
With nothing more than his gut instinct, Richard believes Molly's story and agrees to help find out what happened to little Mancie that night - much to Jill's chagrin. Jill's been fighting an uphill battle to help her husband find hope and healing again, not to mention income to keep them financially afloat. Now Molly's quest threatens the very thread of his sanity, leaving Jill feeling even more vulnerable and helpless in the face of uncertainty. What if Molly really did kill her baby? What about the sudden death of the babysitter? Molly's boss? And what if Richard is next?
The beginning of Cold Tears wrapped me up in the heart of the story, the kidnapping, and Jill's and Richard's emotional struggles. But after awhile, it felt like the story wasn't moving forward and that the conversations between Jill and Richard were just constant rehashing of the same argument - so much so that I almost felt as if I was on a hamster wheel just running and spinning without getting anywhere.
Don't get me wrong - there were some really good elements of a mystery here and if the story would have stayed on track in that regard, it would have kept my heart pounding. At almost four hundred pages, however, I felt it was just wrung out until it was overlong and lost much steam because of it.
Jill and Richard obviously had a lot of trauma going on in their lives. I'd liked to have gotten a bit more of the back-story to what had happened prior to their moving to Missouri. Without that, it just seemed like they argued about and conversely avoided arguing about the same things over and over without any growth or resolution. I get these kind of arguments DO happen in real life, but this is a novel. Jill flipped back and forth in her support/lack-of-support of Richard's investigation until I felt as if I was watching a very looong tennis match. It made her come across as petty and a bit unhinged at times and then almost like she was trying to be a parent to a child by the end. Even though Richard seemed a bit child-like at times, I could understand his suffering and depressed state after having the rug pulled out from underneath him. His whole life's work has collapsed. Molly's need to find out what happened to her daughter fuels a faint spark of life he hasn't felt in many months. The whole way Jill treated him, however, took her from a rather sympathetic character to a bit of a pathetic individual.
Elements of the mystery surrounding what had happened to Molly's child were initially cohesive and then became a rather disjointed mish-mash that again didn't really move the story forward until all of a sudden "poof" here's the resolution. So many characters popped in and out without getting any real time or having any real connection to the story they seemed almost unnecessary or an afterthought to get back to the main story arc after weaving away for awhile. This is where point-of-view rather ebbed and flowed too much between heads, whereas again at the beginning POV was clear and concise.
However, showing was good. We followed along with the characters most of the time as the action was happening (except for the occasional moments where things like "but he didn't notice the car passing slowly by" and such that pulled me from the story - ugh!). I appreciated this element of showing instead of telling more than I can say, especially when reading a mystery.
The elements of a good mystery are here. With some tightening of the storyline to improve pacing, a bit more of Richard's back-story blended in, and additional editing of missing or misused words, I think Cold Tears has promise. I'll give it three and a-half stars.
June 12, 2014
Overall: I absolutely love this author's world building. The setting of both this book and the first one Bonne Femme. I also love the plot building. The author did an awesome job making every single person suspicious without giving any solid information away until the very end. The characters are all well written, with realistic dialogue, along with realistic flaws. There's nothing I hate more than characters lacking flaws. I also loved the internal turmoil of both Richard and Jill. The small town was written beautifully, making me feel like I was there personally. Molly, the next door neighbor who's baby disappeared, was equally untrustworthy and lovable. Each clue uncovered came together wonderfully at the end, making everything make sense. The whole time I was trying to figure out the clues, but the author keeps enough until the end. All in all, I loved the storyline, characters, and the setting. The only thing I had problems with is how wishy-washy Richard was about actually helping Molly find her baby. One second he would be dying to help and the next he'd say he wanted out.
Characters: I loved each character. The police officer was hilarious. Molly, like I said, was a little sketchy, but also lovable. I felt so bad for Jill, she was so understanding even when Richard was rude or whatever. Richard was so kind-hearted and loyal, regardless of what people's reputations. Each characters flaws were so touching and realistic.
Quotes:
"You always said that despair was a sin"
"He'd always supposed that people killed themselves to escape something they thought worse than death."
Recommend?: Yes, 4/5 stars. Loved the adrenaline, setting, characters, etc.
Salaam,
Lived One Thousand Lives
Characters: I loved each character. The police officer was hilarious. Molly, like I said, was a little sketchy, but also lovable. I felt so bad for Jill, she was so understanding even when Richard was rude or whatever. Richard was so kind-hearted and loyal, regardless of what people's reputations. Each characters flaws were so touching and realistic.
Quotes:
"You always said that despair was a sin"
"He'd always supposed that people killed themselves to escape something they thought worse than death."
Recommend?: Yes, 4/5 stars. Loved the adrenaline, setting, characters, etc.
Salaam,
Lived One Thousand Lives
Displaying 1 - 2 of 2 reviews