The sins of the past haunt an isolated farmhouse as a snowstorm rages outside . . . It’s not shaping up to be a very merry Christmas. Clover Moon feels trapped in her life as a farmer’s wife. She certainly doesn’t enjoy hosting Fergus’s mother, Violet, who always finds new ways to publicly humiliate her unsatisfactory daughter-in-law. But would Violet ever seek a more violent way of expressing her disapproval?
Violet is a medium, and the voices of the dead sometimes encourage her to do disturbing things. During her stay at the farmhouse, she claims to sense an intrusive presence. Fergus then discovers the dead body of a woman floating in their flooded cellar, and the elderly Miss Bates, a resident of a nearby senior home and a client of Violet’s, is missing . . . With her acute sense of human nature and gift for suspense, reminiscent of Barbara Vine, Gillian White will leave you guessing until the very end.
Gillian White (b. 1945) grew up in Liverpool, England. She has written sixteen novels under her own name, which are known for suspense, Gothic thrills, and satiric views of contemporary society. She also writes historical romance under the name Georgina Fleming. She lives in Devon, England.
If ever there was an antidote to a Merry Christmas, this book is it! Set during a wintry Christmas, in the middle of a storm the electricity goes off while Violet Moon is visiting her son and daughter-in-law at the farm she owned and ran with her now dead husband William. Away from her cosy house and her séances she holds Violet Moon is dreading Christmas on the farm which once meant so much to her...
This is a fantastic study of human life, but don't expect to find fluffy nice characters within the pages of this book. The Sleeper has a collection of people trapped in lives they don't want to be in, those looking for others to provide their happiness, those who want to turn back time, and too many who think they can orchestrate a different future. Jealousy, suspicion and dastardly deeds are the presents for Christmas this year.
At the same time at The Happy Haven Hotel in Torquay one of the elderly residents is missing. No family is known of and no clue to where she may have gone to, her roommate is concerned and the police are called...
With the roots to this unhappy Christmas originating in some part in the past the reader is let in on events involving Violet and the loss of her mother over fifty years previously. The narrative to this book is unusual using a narrator viewing events as a whole inviting the reader to question each person's actions, thoughts and adding pertinent information to enrich those tales being told in the present.
I really enjoyed this most claustrophobic of novels, the isolated farmhouse with its aga, candles and a pervading darkness hiding more than anyone would have expected.
This book, reminiscent of those written by Barbara Vine, was first published in the 1990's. Open Road Media has re-published this book, and others by Gillian White, for the kindle. Excellent news for anyone who hasn't had the pleasure of this talented writer before, or those of us who missed some titles the first time around.
I received a free copy of this book in return for my honest review.
This is a dark story, dark in the deepest sense, because no character comes out untarnished. Set at Christmas in Devon in the 1990s, there is no respite with the festivities. Couplets from carols begin most chapters, their sole aim to contrast with the bleak inner lives of the protagonists. A woman has gone missing from a hostel; a medium channels spirits connected to Torquay’s sad and lonely residents; a body is found in a farmhouse cellar, lifted by the flooding caused by an atrocious snowstorm; and Clover Moon, unhappy with the farming life she’s married into, fears her unloving mother-in-law might be taking her dislike of her to the next level.
This is a bleak, remorseless tale in a stark style that gripped me from start to finish. There are enough clues to work out where it’s heading, but that doesn’t diminish its relentless, driving hold on you.
Having read 2 of Gillian White's books and thoroughly enjoyed them I was really pleased when this book was free to read through Audible. I only made it to the end of chapter 2 the reader Lynn Jenson is awful to listen to and her voice and way of telling the story grates. I may try reading this the conventional way but for now this is on my struggled to like shelf! I would be interested to hear what other people who have read the book (rather than listening to it on audible) thought of it 🤔
I’m really unsure on this book: I found the audible narration so bad that it jumped to about 6 different accents in a paragraph therefore I totally struggled to follow the story at all. I hate giving a bad review, if I’d been able to read in physical form in may be a totally different review. Sorry.
Christmas at Southdown Farm is always an uncomfortable time for Clover Moon, since her disapproving mother-in-law Violet comes visiting. But this year’s even worse than usual. Firstly, Clover has realised she’s deeply unhappy with her life and is in a permanent state of rage. And secondly, someone appears to be trying to hurt her, perhaps even kill her. Clover is sure that Violet has finally lost her senses and become dangerous. Meantime Miss Bates, a resident of the nearby Happy Haven home for the elderly, has disappeared. As the worst snow for decades continues to fall, the farm is cut off without phone or electricity and fears for Miss Bates’ safety grow…
Each Gillian White book seems to be stylistically different to the others. There are some things that do link them – the excellent quality of the writing, the creation of rather quirky characters, good if sometimes far-fetched plotting and an undercurrent of humour, though that shows up more in some than in others. This book has all of those things. White’s description of the isolated snowbound farm is chilling in more ways than one, as we see Clover’s husband battle the elements to look after his herd of cows while trying to prevent the house from being flooded by the overflowing river, not to mention dealing with the dead body that’s floated into the cellar along with the floodwater. The humour is quite muted, but comes through blackly at points, and the plotting is fairly complex, though to be honest I’d more or less guessed both what had happened and what the outcome would be by about the halfway point.
The characterisation is White’s real strength and she’s assembled a strong cast here. We learn through flashbacks of Violet’s unhappy early life when her widowed father married the archetypal wicked stepmother. Clover is shown as an unstable drama-queen, quite unsuited to be a farmer’s wife, as Violet pointed out well before the wedding. We see Fergus, tied to the land by his family’s expectations, trying to please everyone and failing. The manager of Happy Havens is a middle-aged woman, fearing that she will have to give up her freedom to look after her aging and not-terribly-lovable old father. And the one likeable character is Miss Kessel, the worried friend and roommate of the missing Miss Bates.
While I found this a clever and well put together tale, the unlikeablity of most of the characters prevented me from feeling really engaged with the story. White has also used the ‘omniscient narrator’ device, never a favourite trick of mine; and this particular narrator has a technique of interjecting sly little asides that I found rather annoying. The earlier timeline of Violet’s childhood was much more interesting to me than the gathering of rather unpleasant and self-obsessed people in the present-day farm. But all of these points are a matter of personal taste rather than a real criticism of the writing. Overall, I found this another well written and quirky tale - not quite White’s best, but still enjoyable and worth reading.
NB This book was provided for review by the publisher, Open Road.
As daylight becomes shorter, there is nothing so comforting as a good novel. “The sleeper” set in the dark days of December leading up to and including Christmas certainly fills the bill. To say this novel is atmospheric is an understatement. An isolated Devon farm during a winter storm, a family gathered to spend the holidays together, and…. a body.
Originally published in hardcover in 1998 this novel is now newly available through Open Road Media in ebook format. I was given a copy via NetGalley in exchange for this review.
This novel is told from three different perspectives. We have the perspective of Clover Moon, the farmer’s wife, mother of two teenage daughters, and one deeply unhappy woman. Never really cut out for the farming life she has inherited through marriage, Clover is bitter. She feels having her mother-in-law Violet as a house guest during Christmas week is putting her under even more stress than the holidays already entail. Clover has never lived up to Violet’s expectations for her beloved only son and finds fault with myriad things Clover does making Clover feel inadequate and an unsuitable wife. It is only with the help of her best friend Diana – who is also staying over Christmas – that Clover can cope with her mother-in-law.
We also have the perspective of Violet, a widow, who remembers her entire married life on this farm. Hers was a very different existence there as she worked alongside her husband and was a true helpmeet who strived to make the farm a success. Upon William’s death, she moved to the tourist town of Torquay where she now has a small bungalow. She holds seances there and has a regular group visit her bungalow to attend them. Also, Violet had a tragic childhood with a trauma that would scar even the most strong minded.
Thirdly, we have the perspective of Valerie Gleeson, a hotel manageress in Torquay. Her hotel residents are mostly elderly and just days before Christmas one of them goes missing…
Family secrets, mounting family discord, and a busy dairy farm to run during a power outage all serve to ratchet up the tension.
Gillian White ties the three narratives together seamlessly with an ending that will please readers of Ruth Rendell, Margaret Yorke, Frances Fyfield and the like.
I did not like this book... I found the writing style incredibly unbearable to read. The author writes in a choppy and conversational tone that I found difficult to get into. I felt that I was constantly struggling to remember who was narrating at the moment and what was going on in the story because the writing style was so difficult to follow.
On top of that, none of the characters seemed very likable or relatable. All of the characters seemed like they were incredibly negative and I found myself disliking all of them just because of their negativity.
After reading this book, I definitely wouldn't read anything else written by this author.
I received this book for review purposes via NetGalley.
4/10 Well on the cover it promised a dark, disturbing story. But I was bored. I wanted to give up a few times and it was only to couple of twist in this tale that saved this book from having only 1 star. This is a Christmas tale of voices and ghosts of the past. One family, lots of secrets and paranoia. Three murdered people and it all starts with a body in a farmhouse cellar found during a big storm and from there it just gets worse for all the family members.
Not a fan of this book and I won't be looking for any more books from this author.
This book was certainly not a light read. Christmas should be fun and happy. A time of goodwill. Not in this area, the local elderly rest-home is missing a resident. The Owners are more worried about their secret coming out. The Moon family are having a family Christmas with best friends and Granny. Now add a isolating snow storm , some evil secrets, a body in the cellar, mysteries accidents and everyone is on edge. The past is coming for you Violet Moon!
I thought this book sounded really good but after a few pages I was ready to give up. I persevered but was disappointed with it. I found it hard to follow and often didn't realize who was talking. All a bit farfetched and convoluted.
Very well written, and scary. Full of unreliable narrators, and pretty awful characters. Laughed that two of the nastier characters, are named Clover and Violet, after pretty flowers. This would be a great story to be produced by BBC, and then shown on PBS Masterpiece Mystery.