The eater is an omnivore, dealing at once with very personal and with very public matters. The poet merges his concern with his children with the encroachments of a newspaper account of imprisonment and torture and elsewhere fuses his perception of Seattle's skid row with historical accounts of the death of Leschi, the hold-out warrior chief of the Northwest Indians. These poems can move with pop, signboard speed, then turn back on themselves with lines of such metrical skill and elegance that the electricity is held still and freshly examined.