Good Will vs. Good History
Maria Aurora Couto lives with her husband in a beautiful old mansion in a most beautiful, secluded spot in the Indian state of Goa, formerly the major portion of Portuguese India. Some time ago, I was privileged to visit them. Couto grew up in both India proper and Goa during Portuguese times: her family played its role in the political and cultural events of their times. As an anthropologist with both long interest and fondness for Goa, I looked forward to reading her book as soon as I heard about its publication, though it was not available in the USA. I am aware that many people in India have criticized GOA: A DAUGHTER'S STORY as reflecting the view of a certain class, a certain caste, and a certain (maybe `outdated') culture. I think these criticisms are basically cheap shots. Everybody's work, including mine, reflects their personal background. Why should hers be any different ? I liked Couto's book because it emphasized the synthesis of Hindu and Catholic tradition within Goa's culture, a synthesis that is under strong attack by rightwing communalist forces today. Whether or not that tradition will survive remains to be seen. She also worries, rightly, about the effects of mass tourism on the culture and ecology of her beloved Goa. To meet Maria Aurora Couto and to read her book is to be convinced of her passionate love of her tiny corner of the world, tucked away on India's west coast, a couple hundred miles south of Bombay. Her good will is unchallenged.
However, I must say that as I read through the 400+ page book, I felt many times that it should have had an unbending editor. The author tends to wander down many interesting byways, lose the thread, pick it up, and lose it again. In short, it seems to me the book could have been cut somewhat, but tightened up a lot. Does good will make a good history ? That depends. Though I looked forward to inside details of Goan family life, of personal details of life at the top in politics or culture over the previous 40 years, I did not receive much satisfaction. The author sticks largely to the old script---the history of Goa that has been told by many people before, people who documented their statements, and checked them carefully. There are a number of mistakes that even I, not at all a Goa historian, was startled to meet. For example, on page 197---the explanation of how Daman, a former Portuguese enclave north of Bombay, got its name. (She says from a figure at the Peshwa's court, but the Portuguese had conquered it under that very name in the previous century ! ) Again on page 197-"sipais" is said to mean "spies", but it means "soldiers". Page 201---Sattari is said to mean 70 villages, which is correct, but it's noted as `sath vad' or 60 villages. On page 315, the Portuguese crown is said to pass to Spain in 1602. It was in 1580. Certain information appears several times as if it had not been mentioned before. Very interesting chapters on Goan musical traditions (in which the author's father features) and on little known political events in the 19th century are plagued by meanders into other topics when they could have been brilliant with tighter organization. OK, I only bring these things up to make my point that editing was needed. GOA: A DAUGHTER'S STORY is not meant to be an academic work, but by not including more biographical detail, the author has fallen between two ships. The book is a heartfelt paean of love for Goa, perhaps idealistic, somewhat idealized. For people not familiar with Goa, it may prove confusing and too full of unknown names. It might not provide them with the politically correct views of our times either. For those who know Goa, it could be a welcome addition to their library, a walk down memory lane that itself will be remembered.