An anthology of speculative fiction and criticism from the Clarion Writers' Workshop edited by Robin Scott Wilson featuring Samual R. Delany, Harlan Ellison, Damon Knight, Fritz Leiber, Frederik Pohl, Joanna Russ, Kare Wilhelm, Joe Wehrle, Jr. and including NAL Prizewinning stories by Robert Thurston, Gerard F. Conway and Steve Herbst--and more.
Contents:
Something Happens by Kate Wilhelm What About Us Grils? by Mel Gilden Only at Night by Vonda McIntyre The Soft Blue Bunny Rabbit Story by Ed Bryant Dreamers on the Barricades by Harlan Ellison Wheels by Robert Thurston Trouble Follows by Geo. Alec Effinger The Game-Playing Literature by Frederik Pohl Just Dead Enough by C. Davis Belcher Sending the Very Best by Ed Bryant Charting Utopia by Damon Knight A Free Pass to the Carnival by Geo. Alec Effinger The Beholder's Eye by Amy Hutton Chains by Dave Skal Fantasy: Many Mansions and Hovels by Fritz Leiber Anaconda by Robert Thurston Crossover by Octavia Estelle Butler Norman: Friends and Other Strangers by Lynnda Stevenson Reading Between the Words by Samuel R. Delany Silent Hands by Gerard F. Conway An Uneven Evening by Steve Herbst The Inspector by Evelyn Lief Genre by Joanna Russ The Last Desperate Hour by Robert Thurston "The Westfield Heights Mall Monster" by Geo. Alec Effinger The Terrific Play of Forces Natural and Human by Robin Scott Wilson Song from a Forgotten Hill by Glen Cook The Secret by Maggie Nadler The Bandemar by Joe Wehrle, Jr.
This was the first of three anthologies showcasing and celebrating the Clarion science fiction writing workshops founded by Wilson, Damon Knight, and Kate Wilhelm that grew out of the famed Milford writing conferences. It's a nice mix of (mostly very) short stories by the students and essays by the instructors, who include Harlan Ellison, Frederik Pohl, Fritz Leiber, and Samuel R. Delany, as well as the aforementioned Knight, Wilhelm, and Wilson. The young writers include Ed Bryant, Vonda McIntyre, Mel Gilden, Glen Cook, Gerald F. Conway, Octavia Estelle Butler, Robert Thurston, and others, many of whom went on to have significant careers in the genre. My favorite is the trio of stories by George Alec Effinger.
I enjoyed this collection of short SF stories especially appreciating it being a product of its time. Published in 1971 the term, "Can you dig it," was used several times. I really liked Frederk Pohl's chapter on the purpose of Sci Fi.
This collection of essays from the instructors, and stories from the students, of the Clarion Science Fiction Writers Workshop is a wonderful document for fans and writers, though of significantly less interest for a general readership. Also, while well-written, some of the stories are slight or (at this point in time) dated. Still, worth a read if you're a SF fan/writer.