Fortune Smiles

by Adam Johnson

NATIONAL BOOK AWARD WINNER - WINNER OF THE STORY PRIZE -"LOS ANGELES TIMES "BOOK PRIZE FINALIST -A "NEW YORK TIMES" NOTABLE BOOK -NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY "SAN FRANCISCO CHRONICLE, USA TODAY, "AND "MIAMI HERALD "- NAMED ONE OF THE BEST BOOKS OF THE YEAR BY "The Washington Post "NPR "Marie Claire St. Louis Post-Dispatch BuzzFeed The Daily Beast Los Angeles Magazine The Independent BookPage Kirkus Reviews"
Winner of the Pulitzer Prize for his acclaimed novel about North Korea, "The Orphan Master s Son, " Adam Johnson is one of America s most provocative and powerful authors. Critics have compared him to Kurt Vonnegut, David Mitchell, and George Saunders, but Johnson s new book will only further his reputation as one of our most original writers. Subtly surreal, darkly comic, both hilarious and heartbreaking, "Fortune Smiles" is a major collection of stories that gives voice to the perspectives we don t often hear, while offering something rare in fiction: a new way of looking at the world.
In six masterly stories, Johnson delves deep into love and loss, natural disasters, the influence of technology, and how the political shapes the personal. Nirvana, which won the prestigious "Sunday Times" short story prize, portrays a programmer whose wife has a rare disease finding solace in a digital simulacrum of the president of the United States. In Hurricanes Anonymous first included in the "Best American Short Stories" anthology a young man searches for the mother of his son in a Louisiana devastated by Hurricanes Katrina and Rita. George Orwell Was a Friend of Mine follows a former warden of a Stasi prison in East Germany who vehemently denies his past, even as pieces of it are delivered in packages to his door.And in the unforgettable title story, Johnson returns to his signature subject, North Korea, depicting two defectors from Pyongyang who are trying to adapt to their new lives in Seoul, while one cannot forget the woman he left behind.
Unnerving, riveting, and written with a timeless quality, these stories confirm Johnson as one of America s greatest writers and an indispensable guide to our new century.
Praise for "Fortune Smiles
"
Masterful . . . Each [story] is a miniature demonstration of why his remarkable novel "The Orphan Master s Son" won the 2013 Pulitzer Prize for fiction. "The Washington Post"
[Johnson] is always perceptive and brave; his lines always sing and strut and sizzle and hush and wash and blaze over the reader. "The New York Times Book Review"
Superb . . . explosive. "The Wall Street Journal"
Remarkable . . .the best short story collection since"Tenth of December" . . . Johnson is one of America s greatest living writers. "The Huffington Post"
Haunting, harrowing . . . Johnson s writing is as rich in compassion as it is in invention, and that rare combination makes "Fortune Smiles" worth treasuring. "USA Today"
[Blends] exotic scenarios, morally compromised characters, high-wire action, rigorously limber prose, dense thickets of emotion, and, most critically, our current techno-moment. "The Boston Globe"
Johnson s boundary-pushing stories make for exhilarating reading. "San Francisco Chronicle"
Entrancing. "O: The Oprah Magazine"

"From the Hardcover edition.""

Genres: Short Stories, Fiction, Contemporary, Book Club, Literary Fiction, Literature, Short Story Collection

336 pages, Paperback

First published August 18, 2015

About the author

Adam Johnson was born in South Dakota and raised in Arizona. He earned a BA in Journalism from Arizona State University in 1992; a MFA from the writing program at McNeese State University, in 1996; and a PhD in English from Florida State University in 2000. Johnson is currently a San Francisco writer and associate professor in creative writing at Stanford University.

He founded the Stanford Graphic Novel Project and was named "one of the nation's most influential and imaginative college professors" by Playboy Magazine. His fiction has appeared in Esquire, Harper's, and The Paris Review. He is the author of Emporium, a short story collection and the novel, Parasites Like Us, which won the California Book Award. His most recent novel, The Orphan Master's Son, won the 2013 Pulitzer Prize for Fiction.

Reviews

[Vit Babenco · Rating 2 out of 5]

Fortune Smiles is a fake postmodern – a set of gaudy trash. Stumbling from cyberpunk parody to ridiculous dystopia to perverted horror everything tends to sound garishly bombastic.

‘You’ve got your friends and family. And you’ve got technology. The whole world is at your fingertips.’ By friends, I meant her nurses and physical therapists. By family, I meant her distant and brooding mother.

Why did Kurt Cobain blow his brains out? He couldn’t endure writing crap anymore. And now Adam Johnson is on his own trail of crap, a profiteer trading in pop-culture scatology.

“He is cute even when he shits…” Isn’t he?

And how about the author in this risqué position?

[Richard (on hiatus) · Rating 4 out of 5]

Fortune Smiles is an award winning collection of short stories by the American writer, Adam Johnson.
Not usually a fan of short stories I did enjoy this volume and it’s encouraged me to read more.
Most of the central characters in these tales lead lonely, remote lives and are a little awkward in the world around them. The storylines are jagged and unsettling - a light is shone on the cracks in society and usually untalked-of subjects are talked about.
Fortune Smiles is an uncomfortable read at times but it’s clear eyed, dark and truthful.

Nirvana:
Set a little in the future it features a man and his paralysed wife and looks at the possibilities of a high tech virtual world and loneliness.

Hurricanes Anonymous:
Randall traverses Louisiana in the wake of hurricane Eric in his UPS truck with his two year old son riding shotgun. He searches this scattered and upturned world for his ex partner who unceremoniously left the boy with him before disappearing.

Interesting Facts:
An uncomfortable, sad but strangely humorous story of a woman coping with cancer and ghosts and a husband she worries about.

George Orwell Was My Friend:
An East German prison warden deals with the reunification of Germany, his prison closing down and his wife leaving him.
In self denial he rewrites his personal and professional history.

Dark Meadows:
A cyber security tech guy lives a stark, lonely life. He’s damaged, he’s a pedophile and he tries to come to terms with the person he’s become.

Fortune Smiles:
Two North Koreans have defected to the south. Impoverished outsiders they struggle for a foothold in a bright, rich, shiny new city. This story concerns love, loss, belonging and balloons.

[Glenn Sumi · Rating 4 out of 5]

It’s been a week since I finished this knockout collection of six stories – which recently won the National Book Award – and its characters continue to haunt me.

Among them are: two North Korean defectors who are lost and aimless in Seoul; a UPS delivery guy in chaotic post-Katrina New Orleans who’s temporarily living with his son (he thinks it’s his son, anyway) while the boy’s mother is AWOL and his own estranged dad is dying in LA; a former Stasi prison warden whose offensive rant while waving around his dog’s poo ends up in a viral YouTube video; a pedophile who debugs computers and finds himself drawn to a young neighbour.

The settings – you get a sense of their range from the above paragraph – are distinct and efficiently set up. As with George Saunders’s work, there’s a sense of urgency to these tales and the people in them. Characters are dying (or have died); they’re homesick; they’re living in a world they no longer understand; they’re trying to avoid the temptations that have caused them to stray before.

One of the main themes is dislocation and dealing with loss. Nowhere is this made clearer than in "Nirvana," the opening story, in which a man (whose wife has a debilitating degenerative disease) creates a program in which you can "talk" to the recently assassinated president (his replies are drawn from things he said while he was alive).

Johnson, who teaches writing at Stanford and won a Pulitzer Prize for his novel The Orphan Master’s Son (note: there’s a character who also teaches writing and won a Pulitzer in the book, so think what you like), knows how to create memorable voices.

Sun-ho, a short, feisty gangster in the title story set in South Korea, practically leaps off the page with his schemes and yearnings. The operator of a halfway house in the post-Katrina story is the voice of reason, even if her words have a hectoring tone. And the pedophile’s tale? Yes, Johnson goes there, and he makes him simultaneously sympathetic and scary. Shouldn’t the best fiction get you inside the heads of people you don’t know?

Make no mistake. These are literary stories. They take work. And they reward rereading so you can see how carefully they’ve been constructed. But you won’t soon forget them.

[Perry · Rating 5 out of 5]

Here we are, now entertain us....
Hello, hello, hello, how low

"Smells Like Teen Spirit," Nirvana

Adam Johnson, winner of the 2013 Pulitzer for the phenomenal The Orphanmaster's Son, won the 2015 National Book Award for this collection of six stories, which are illuminative, inventive, at times humorous, and always "prosefully" puissant, stories.

In the story "Nirvana," set in the near future, husband tries to cope with suicidal wife's paralysis along with desire to get pregnant. His wife's a big fan of Kurt Cobain/Nirvana. Trying to understand wife's obsession, husband listens to some of their music and quips that he doesn't understand the song, "All Apologies," in which Cobain "never apologizes and doesn't even say what he did wrong." And, jokes to his wife after disrobing, "Here we are, now entertain us," from the song, "Smells Like Teen Spirit."

Adam Johnson seems to me the writer's equivalent to Disney's best imagineer. In the Wonderful World of his Wizardry, Adam Johnson was able to move me in ways that seem counterintuitive and for characters that I'd never have thought possible: by the plight of a North Korean recently immigrated (unwittingly) to South Korea desperately longing to return home; a former warden of an East German prison wherein the Stasi committed atrocities who appears to be suffering dementia (with psychological undertones); cringing while feeling sympathy for a pedophile who was abused as a child; being frustrated by a Louisiana alcoholic/addict a few months after Hurricanes Katrina and Rita searching for his toddler's ne'er do well mom while being afflicted by a Bathsheba wanting to abandon the boy to go to Cali.

Finally, the story "Interesting Facts" is narrated by a wife and mother who had a double mastectomy for breast cancer. The story is one of the most crushing I've read in a while (and it's neither mawkish nor manipulative).

It's too bad that the buying public doesn't purchase more books of short stories. Perhaps, it's because most readers have so accepted the nice and tidy: a perfectly formed beginning-middle-end. And so, they miss out on some of the most moving stories today, packing as hefty an emotional punch in a much more compact frame. This is the second collection of short stories awarded the NBA in the past four years.

Highly recommended.

[Iris P · Rating 5 out of 5]

Fortune Smiles

This is a fantastic eclectic collection of six stand-alone short stories by Pulitzer prize winner author Adam Johnson. They are almost novella-like in length, so they run a little longer than your average short story.

The geographic settings span from post-Katrina Louisiana to Berlin to North and South Korea. These stories and these characters are dark, controversial and morally complex. There's a deep sense of pain and loss that runs through all of them, but there's also a delightful wicked sense of humor that helps lighten the mood for the reader.

I found it very interesting that two of the stories, George Orwell Was A Friend Of Mine and Fortune Smiles, are set in Germany and the two Koreas. Countries that although under very different circumstances, ended up split in two blocks, one pledging allegiance to a Democratic-Capitalist type of government -in the case of West Germany and South Korea - and the two others becoming Marxist-Totalitarian regimes, in the case of East Germany and North Korea.


Here's a summary of each story:

Nirvana- Follows a computer programmer who invents a sort of projector that creates a very real three-dimensional hologram. The device lets grieving citizens interact with a recently assassinated president.
His wife who suffers from Guillain-Barré syndrome, a rare disease that have left her bedridden, finds comfort in the music of Kurt Cobain. Against her wishes he spends his free time talking to the hologram of the deceased president which is programmed to answer the user’s questions and complaints .

There is a clear dystopian atmosphere on this story and I guess the metaphysical question the author explores is, can technology be use to help people overcome pain and loss?

Hurricane Anonymous- Set in post Katrina New Orleans, tells the story of Nonc, a UPS driver who while dealing with both the region's devastation and his own personal chaotic life, is trying to care of a 2 year-old, who may or may not be his legitimate son.
The mother is missing in action, so Nonc is left to wander the FEMA camps, delivering packages while at the same time planning his future with his current girlfriend and trying to find out what happened to the boy's mother.

Interesting Facts- It's about a terminally ill woman, who speculates on her husband and family's life after her death and grows increasingly angrier with what she imagines that'd look like.

George Orwell Was A Friend Of Mine- It's for sure my favorite story on this collection.
The story takes place in 2008 in what used to be East Germany, 18 years after the fall of the Berlin Wall.
The narrator is Hans Bäcker, a former STASI prison administrator. STASI was the secret German policy agency that operated before the country went through the reunification process.

The former warden returns to the prison premises, which is now a museum visited by former prisoners, tourists and German students.
The prison was used by the secret service to held prisoners where they were physically and psychologically tortured and kept under very inhumane conditions. Their crime was trying to flee to West Germany through the Berlin Wall in search of freedom and a better life.

Hans, who is in complete denial about this past, claims he had done nothing wrong, he is a man who "believes in order and stability, who knows firsthand that without rules, everything descends into chaos". The death rate in the prison, he claims, "was no higher than anywhere else. No one, he claims, was ever tortured on his watch."

But in this post-unified Germany, Hans is the object of scorn and his presence serves as a reminder of a very dark chapter in his country's history. He's utterly baffled by this new reality and incapable of accepting responsibility for the role he played on it.

Still I thought Johnson left some room for sympathy for Hans, is he to blame and to be considered part of the whole STASI establishment or just a bystander, a man caught on the wrong side of history?
The author also explores the issue of the ubiquitous presence of cell phones and technology in every aspect of our lives and how is affecting the way we think about privacy.


Adam Johnson is a Pulitzer Prize winning American novelist and short story writer.

Dark Meadow- Written from the viewpoint of a pedophile struggling to suppress and cope with his instinctive urges, this one is not doubt, the most morally complex and controversial of these stories. I suspect many readers will shy away from reading it, I almost didn't finish it myself but at the end I am glad I did.

Dark Meadow, is the screen name of a reformed pedophile. He has, for the most part settle down to a quiet life in Los Angeles. He loves gardening and has done to try to atone for his past sins by using his computer skills to expose other pedophiles to the authorities.

All the while he continues fighting his very dark urges. As it happens, the temptation is not far away when two vulnerable young girls that live across the street come asking for help. They live with a neglectful mother who fails to see how perilous is their situation.

Although there's nothing remotely graphic or sexually explicit on this story, I admit that reading it was at times stomach-churning and very disturbing to say the least.

Fortune Smiles- I recently read that the author spent seven years doing research for his 2012 Pulitzer prize winner novel The Orphan Master's Son. That level of knowledge is obvious when you read the titled story Fortune Smiles.
It features two North Korean defectors struggling, and at times outright resisting to assimilate to their new lives in Seoul.

Several of the reviews I read mentioned that this story was not as powerful as some of the others, I however was impressed by the author's ability to describe the shock culture you experienced as an immigrant, especially if this happens when you are an adult.
Considering the startling political, cultural and economic differences between North and South Korea, I thought the struggles the characters experienced rang very true.

The wide range of stories on Fortune Smiles are a testament to Johnson's fertile and original imagination and because they are not interconnected, you can read one at a time without fear of losing track of the plot or the characters.

[Matt Quann · Rating 5 out of 5]

Sometimes I read a book so good I wonder what I'm going to say about it in my review. In the case of Adam Johnson's Fortune Smiles, I can only attempt to convey my absolute adoration and excitement at the writing horsepower packed into this collection.

Linking the characters over Johnson's six stories is a potent denial of their circumstances, the choices that led them there, or the realizations that might change their lives. What makes each of these stories compelling is the ways in which these characters' world views are juxtaposed with the world around them. In George Orwell Was a Friend of Mine, a former Stasi prison warden is in florid denial of the crimes that took place within the walls of his prison as well as the collapse of his marriage. By contrast, the collection's most challenging story, Dark Meadow, sees a pedophile trying to reconcile his sexual urges with his self-loathing while a sinister cloud hangs over his every meeting with a child.

Lest you think that all the stories are uniformly grim, Johnson is also infinitely adept at turning a hopeless or disturbing scenario into dark comedy gold. Hurricanes Anonymous handles a man who searches for his child's mother in the wake of Hurricane Katrina and pumps some genuinely hilarious moments in amidst scenery that would otherwise be deflating. Interesting Facts details a woman's struggle with metastatic breast cancer and manages to be simultaneously melancholy and hilarious due to the narrator's voice. The same story also delivers one of the most powerful slow twists of story that I've read in a long time that left me astonished, shattered, uplifted, and delighted all at once.

These stories work on so many different levels that they feel constantly rewarding and compelling. I was reminded of David Mitchell's ability to spin any genre, voice, time period, or setting into a finely woven tapestry. Much like Mitchell, Johnson's stories feel entirely different from one another: you might be in a slightly futuristic Silicon Valley only to venture to mid-00's Germany or New Orleans. What's more, each of the characters and writing styles in this collection feel wholly their own and help establish a world with startling economy.

I've been reading a lot of short story collections this year (this is my fourth!), but Fortune Smiles is likely my favourite so far. Johnson's range on display is startling and his ability to view humanity's darkest corners with empathy is nothing short of a gift. This comes highly recommended from me to any and all readers.

[Darwin8u · Rating 5 out of 5]

"All this information," I say. "Yet the world is more mysterious than ever." - Adam Johnson, Fortune Smiles



Seriously, these stories BREAK me. Johnson pulls each story's string to the point of breaking and then plays them beautifully with precision and dexterity. 'Interesting Facts' about crushed me -- so good

[Pause, breathe]

Blown away by every single page and every story. Seriously, I might just have to put back on my white shirt and name badge from my 19 yo missionary days and go door-to-door evangelizing about Adam Johnson's book. "Have you read Adam Johnson?" "I know Adam Johnson is True." "A man get nearer to God by reading Adam Johnson's short-stories than any other fiction writer, save perhaps McCarthy". Oh, fine. That is probably an exaggeration, but still, GOD, these stories were amazing. Scary even. Like being transported to a foreign land and buried alive. He captures the language of the other and once you get on his train there is no getting off. OK. Perhaps again I am exaggerating. Perhaps, I am caught up in a convert's euphoria. But I'm not new to Adam Johnson. I've read The Orphan Master's Son and loved that too.

[Elle (ellexamines on TT & Substack) · Rating 2 out of 5]

This review begins somewhat complementary, and indeed is, on the whole. There is one story in this that is a garbage fire and a half.

"George Orwell was a Friend of Mine" is by far my favorite from this book: it’s a story about the moral problems of bystanding, and the ways in which collective memory can fail us. I know some found "Fortune Smiles" less powerful, but I appreciated its direct commentary on the problems of assimilation. Both of these stories successfully convey the mundanity of living in an oppressive society and the cultural shock, afterwards, of realizing its global perception. I appreciated that "George Orwell" fit multiple perspectives; "Fortune Smiles" does not question its narrative’s disdain for “the tv defectors,” those who have experienced trauma, and I enjoyed that the former story explored this contrast.

I unfortunately found the stories of both "Nirvana" and "Hurricanes Anonymous" to be on the lower end of enticing. I read this book out of order, with these two coming second and third after }Fortune Smiles", and found them each to be oddly lacking in contrast to what came before. Nirvana explores romanticization of the past and technology’s impact on our grief; Hurricanes Anonymous focuses on a single father after Katrina and the repetition of old mistakes.

Johnson clearly does not enjoy emotionality in his narrators, which works for stories like "George Orwell"; I felt this held the stories back here. Perhaps as a result, I came away feeling both of these stories were saying very little. Each was more interesting, maybe even entertaining, than impactful.

"Hurricanes Anonymous", specifically, follows a specific trend of this collection: the tendency to focus on the lives of those doing wrong, with very little redemption or questioning towards this. Perhaps this is why I found the story that best subverted this trend and asked questions of personal responsibility — "George Orwell Was a Friend of Mine" — to be my favorite.

Reviewer Emilypoints out, I think correctly, that the two stories in unfamiliar settings are ironically the more human of the collection. In contrast, stories in more familiar settings begin using wild gimmicks to distinguish themselves. Strip the several fascinating premises of "Nirvana" away, and you have very little. Some of these stories, to me, feel cynical to a point where they cease to say anything. A generational gap, perhaps.

I have a very complicated array of thoughts towards "Dark Meadow", a story that deals with a reformed-maybe pedophile, who does not act on his feelings. I was really expecting to hate it. I instead have complex feelings on it. It certainly asks complex questions.

I think in general, almost all of these stories step outside the realm of personal experience. I don’t think this is inherently a bad thing but it’s worth commenting upon.

Were these stories the only stories of the collection, I would probably have felt that though this collection was a mixed bag for me personally, it was a good expression of talent. However, the story "Interesting Facts" genuinely disgusts me.

Imagine that you are diagnosed with breast cancer and have a double mastectomy. Your husband reacts to this by writing a story in which you — and it’s very clearly you, his wife, not a hypothetical wife; the story’s husband even has a Pulitzer for writing about North Korea — envy other women with larger breasts, before dying and coming back as a ghost to continue watching the women he may or may not be dating. He adds in a subtext about himself having a fetish for Asian women — which is honestly quite disturbing, considering he writes about North Korea — and for big breasts, which is downright insulting as, again, you have just had a double mastectomy. You’ve just undergone the trauma of breast cancer, and this is how your husband was thinking about you: as an already-ghost, stripped of agency, desperate to get your breasts back. Now, imagine that instead of looking at this story as a misogynistic and hateful expression of trauma and putting it aside, he publishes this story without removing any identification, leaving in many humiliating details of the ordeal of breast cancer.

I think this as a situation is genuinely disturbing. It made me very strongly wish this man had not received any of my money. I was shocked that when he came to my school to discuss his stories, he commented to a friend that his wife had been upset by this story. Of course she was. Why wouldn't she be?

I think Adam Johnson is wonderfully good at writing. I don’t think that, as a society, we should appreciate that he does so.

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[Ron Charles · Rating 4 out of 5]

The six stories in Adam Johnson’s new collection, “Fortune Smiles,” will worm into your mind and ruin your balance for a few days. From ravaged American cities to abandoned torture chambers, these pieces take place in an uncanny world you recognize but don’t. They’re all cast in an unsettling twilight of moral struggle, and each one is a miniature demonstration of why his remarkable novel “The Orphan Master’s Son” won the 2013 Pulitzer Prize for fiction.

In fact, the title story, placed last in this collection, returns to the setting of “The Orphan Master’s Son.” Two recent defectors from North Korea, DJ and Sun-ho, are struggling to assimilate in the opulence of Seoul. Crooks raised in the gray horrors of the Dear Leader’s paradise, they find the people and technology of their new home. . . .

To read the rest of this review, go to The Washington Post:
http://www.washingtonpost.com/enterta...

[Fabian · Rating 5 out of 5]

An audacious,amazing story collection, all six pearls are marvels. (Hehe.) Read whichever story and you will find yourself seriously satisfies. All of them are supremely different (only sly references between the stories remind us that a writer always has the satisfaction only gods can attain!)--think the global humanism of early millennium Alex Garland (who went on to become a significant sci-fi director; Johnson also seems destined to write for a movie or tv show or both), the directness/hearbrokenness of Jhumpa Lahiri, the less austere version of Joyce Carol Oates. The fifth story ("Dark Meadow") is absolutely disturbing--my absolute favorite of the bunch.

I cannot wait to get to "The Orphan Master's Son"--a book lost in some forgotten stack back in El Paso. I will certainly relish it. I cannot wait!

[Panagiotis · Rating 5 out of 5]

Τον Άνταμ Τζόνσον τον γνώρισα μέσα από το The Orphan's Master Son. Είχα εντυπωσιαστεί τότε από ένα σύνολο χαρακτηριστικών που συνέκλιναν σε ένα συγγραφέα που δεν αστειεύεται: μια προσεκτικά μελετημένη ιστορία στην Β. Κορέα, με τον πρωταγωνιστή να έχει γίνει ειδήμων σε απαγωγές ανύποπτων πολιτών από γειτονικές, δημοκρατικές χώρες. Με είχε καθηλώσει η εμβρίθεια του συγγραφέα αλλά και την ίδια στιγμή η απόλυτη προσήλωσή στην αφήγηση. Ο Τζόνσον διαθέτει εύρος γνώσεων που σπάνια συναντιούνται στην λογοτεχνία, ωστόσο έχει τη σπάνια σύνεση να μην επιδεικνύει εαυτόν.

Τελικά κάνει το 2 στα 2 ο Τζόνσον; Αντ��πεξέρχεται στις προσδοκίες που καλλιέργησε ως πολλά υποσχόμενος συγγραφέας με ταυτότητα, δική του φωνή; Ήταν μια επιφοίτηση της στιγμής εκείνο το βιβλίο ή όντως το απαύγασμα του ταλέντου του; Λοιπόν, ναι, αυτή εδώ η συλλογή έρχεται να καθιερώσει τον Τζόνσον στην βιβλιοφιλική μου συνείδηση ως έναν συγγραφέα που όμοιό του δεν έχω δει. Ακολουθώντας το όραμά του μέσα από ετερόκλητες ιστορίες και πολυποίκιλες αφηγήσεις, παραθέτει τις αρετές του προηγούμενου βιβλίου του δίχως κοιλιές, δίχως συμβιβασμούς, δίχως ποτέ να κουράζεται και να κουράζει - κάνει την συγγραφή να μοιάζει τόσο εύκολη.

Η πρώτη ιστορία, ο ήρωας προσπαθεί να βρει καταφύγιο από τον αργό θάνατο της παράλυτης γυναίκας του, σε έναν δική τους δημιουργίας κώδικα που ανασταίνει το προσφάτως νεκρ�� πρόεδρο των ΗΠΑ. Οι συζητήσεις στα κλεφτά, στην αποθήκη, με την περσόνα του νεκρό πρόεδρο που απαντάει με ερανίσματα λόγων του από το διαδικτύου. Οι διάλογοι αυτοί είναι στοιχειωτικά αλλόκοτοι, εθιστικοί. Όπως όλοι οι διάλογοι του Τζόνσον. Και ο παθητικός χαρακτήρας του μου θυμίζει πόσο μου αρέσουν οι παθητικοί χαρακτήρες στην λογοτεχνία - ίσως και στην πραγματικότητα. Δεν είναι ένας καλλιτεχνικός τρόπος να ζεις, αφήνοντας το ρεύμα να σε παρασέρνει;

Με μια τέτοια εκπληκτικά ξεχωριστή ιστορία, γραμμένη με μια γλώσσα που κατάπινα με τα μάτια μου, ξεκινάει το βιβλίο. Ο Τζόνσον είναι ένας αξιοζήλευτος, εντυπωσιακός συγγραφέας. Δεν γράφει μόνο εξαιρετικά, αλλά αλλάζει σαν χαμαιλέοντας τον λόγο του, προσαρμόζεται απόλυτα στην ιστορία που θα πει. Με μια εξωφρενική άνεση γράφει για αλκοολικούς, πρώην υπαλλήλους πολιτικών φυλακών της Ανατολικής Γερμανίας, για κυκλώματα ανήλικων σεξουαλικών βίντεο και άσους των υπολογιστών, για ηλικιωμένα και μεσήλικα ζευγάρια. Η άνεσή με την οποία μεταφέρει όλο αυτό τον πλούτο πληροφοριών σα να είναι κτήμα του είναι εξοργιστική. Γιατί αποκλείεται να είναι γνώστης τόσων ετερόκλητων πεδίων. Μα δεν φαίνεται ποτέ πως μόχθησε να ερευνήσει για κάθε διήγησή του - λες και γράφει αυτά που γεννιούνται μέσα του.

Εξαιρετική συλλογή από έναν συγγραφέα που τώρα πια θα τον θεωρώ ένα σπάνιο φαινόμενο. Παλεύει μέσα μου ο φθόνος για τις δεξιότητές του με την απόλαυση που παίρνω διαβάζοντάς τον.

[Hannah · Rating 4 out of 5]

As is often the case with short story collections, this one was incredibly hard for me to rate because some stories were a lot better than others. This collection was not quite what I expected - the super dark nature surprised me. Adam Johnson shows an incredible range in the stories he tells and in the characters he created. The stories take place all over the world - and one is even set in the future.

I personally prefered the stories set in the US to the ones set elsewhere; they just seemed more authentic to me and the characters were more fully fleshed out. I have to admit to not even finishing the story set in East Germany - it all seemed so stereotypical and so missing heart. I could not connect with the main character in this story at all and he set my teeth on edge. Weirdly enough, this was not a problem I had with the paedophiliac character in another story - and I have to admit that an author who makes me empathize with a person like him must be pretty brilliant.

My absolute favourite story of this collection is called "Interesting Facts" - here Johnson does something so clever with the structure and the way he chooses his words that it made my jaw drop. I have actually read this story twice already; absolutely, wonderfully brilliant and poignant and so so sad but also hopeful and full of love for human connection.

[Julie · Rating 3 out of 5]

"The truth is, though, that you don't need to die to know what it's like to be a ghost."

So observes a woman dying of cancer in the story Interesting Facts, a bitter meditation on the life that will continue after she is gone.

Fortune Smiles is haunted by ghosts, nearly all of whom are still alive, but walking shadows, poor players, strutting and fretting their hours upon the stage. Some are victims: the aforementioned cancer patient, and another wife nearly paralyzed by Guillain-Barré syndrome in the story that had the most emotional resonance for me, Nirvana (really, the only story that had any emotional resonance for me; most everything else left me feeling hollow, carved out, or soiled and used up); North Koreans, whose lives are only nominally their own; a toddler tossed between negligent parents after Hurricanes Katrina and Rita. Some of Johnson's characters have left victims in their wake: the former warden of a Stasi prison; a pedophile twisted into a thick cord of self-hatred; people so ill-equipped to raise a child that the word "parent" gets stuck in the throat like a piece of grizzle.

These are difficult stories to read because the suffering is so great. Any notion of satire, with its strained humor, is choked and throttled by the living nightmares of these lives. There is tenderness, particularly in the strange sadness that is Nirvana in which a husband finds solace in a hologram of an assassinated president, while his wife seeks out the voice of a dead rockstar; and in Hurricanes Anonymous that follows a UPS driver through the storm wreckage, his toddler son in tow. But Johnson withholds resolution and redemption in even the most empathetic of his stories, making them a very bitter pill for this reader to follow.

The writing is brilliant; this is work I admired, but did not enjoy.

[Diane S ☔ · Rating 4 out of 5]

Short stories seem to have once again surged in popularity, if one is to go by the many that have been published this year. Seems more and more novelists are either turning or returning to this form. I have never read Johnson's novel so this is my first experience with his writing and it was a successful one. Some of these stories were exceptional, but there really wasn't one I didn't like.

The themes of technology and imprisonment are a common theme among many in this eclectic collection. How we live with, how it can interfere or how we can use it for solace. Imprisonment in ones' own body, in a communist regime or in an actual prison also covers three of the stories. In the title story the author returns to North Korea to tell the story of three asylum seekers in South Korea. They have escaped for various reasons, the twist is that one of them misses North Korea and wants to go back. If he will, why and how he will is the story.

All in all am very good collection, super writing and a wide range of locales.

ARC from NetGalley.

[Paula K · Rating 5 out of 5]

Terrific. Disturbing. Thoughts that no one would say out loud. Understandable why these short stories won the National Book Award. Interesting Facts, about breast cancer, is the best in the lot. Unforgettable.

5 out of 5 stars.

[Dianne · Rating 5 out of 5]

This is a truly masterful collection of six short stories. 5 of the 6 are longer in length, so they are actually more novellas than short stories.

The stories range from two North Korean defectors trying to make new lives in South Korea; a pedophile grappling with his past and trying to overcome his dark urges; a young mother with breast cancer coming to terms with her fate; a UPS deliveryman in post-Katrina New Orleans who is simultaneously dealing with a manipulative girlfriend and a toddler son who has been abandoned by his mother; a man with a paralyzed and depressed wife who creates a hologram of a recently assassinated president so can feel that he saved someone; and (my favorite) a former superintendent of a notorious East German prison who refuses to acknowledge his complicity in the atrocities committed under his watch.

The thing that I think is most remarkable about this collection is how completely different these stories are in location, perspective, narrator, and style. Each story has an incredible wealth of supporting detail that makes the story live and breathe. I can only imagine the amount of meticulous research that went into this collection! While the stories are all very different, each is a testament to some aspect of loss - loss of home and country, loss of life, loss of innocence, loss of moral compass. Far from being depressing, though, the feeling I have on completing this is more an appreciation of the complexity of what it means to be human.

Johnson is the real deal. I admit I did not love "The Orphanmaster's Son" - it was such a chore for me to finish, even as I acknowledged his great talent. These stories exhibit that talent in more manageable (for me) chunks.

If you love great writing matched with superb storytelling - and doesn't everyone? - do give this a chance. One of my favorites so far this year; so glad I picked it up. I'll be thinking about these characters for some time.

If you read this, I'd be interested to hear what you thought and what stories/characters (if any) resonated with you. This would be a great choice for a book club. So much to discuss!

[Erika · Rating 5 out of 5]

These six amazing stories are all about people disoriented and in pain from a life changing event. It could be illness, a hurricane, or the defection to another country, but whatever has happened to them, the different ways in which they respond brilliantly illuminates the world and who they are in it.

One of my favorite pieces opens with the confusing sentence: “Interesting fact: Toucan cereal bedspread to my plunge and liver.”
About half way through the story the code is revealed, and you realize it means, “Toucan cer spread to my plunge and liver.”

Eventually I saw that the whole piece is a sharply twisting puzzle filled with references to characters in other stories, and even to Johnson himself. As soon as I finished it, I went back and read it again partly to make sure I understood every clever nook and cranny, and partly to spend more time with the fascinating, spiky protagonist who I was rooting for, desperately, even while knowing her cause was hopeless.

In another memorable story, a lonely pedophile lives in a self-imposed prison, both physical and emotional. Creating a sympathetic pedophile is audacious, and Johnson pulls it off with Mr. Roses, a man in terrible pain who hates himself for what he wants, but wants it nevertheless. The story is amazingly layered, like the earth, and Johnson plays with what’s revealed, so that you think you’re reading Crust and Mantle but then, in the middle of a paragraph, you get a sudden, wrenching glimpse of Inner Core that's gone in an instant.

The other four stories—all dealing with dislocation and loss—are equally powerful and complex. Johnson is a truly great writer and here he’s at the top of his game.

[Peter Boyle · Rating 3 out of 5]

I love nothing more than a good short story, so when I spied the award-winning Fortune Smiles in my local bookshop (the wonderful Hodges Figgis in case you are curious), I was rubbing my hands in glee. However this is a curate's egg of a collection: at its best it's extraordinary, at its worst it's completely forgettable.

Of the six stories included, only two made any kind of impression on me. But they are both stunning. The first is a chilling account of a retired Stasi prison warden in Berlin, a man who lives in complete denial of the torture he was complicit in. The second is an incredibly dark tale of an IT repairman in LA, who fights a disturbing addiction. These are very uncomfortable pieces to read but I have to commend the originality and bravery of the writing. Johnson does an amazing job of understanding what it is that makes these unsavoury characters tick, and they can't have been easy subjects to explore. The rest of the collection I just didn't really engage with - the events and observations didn't interest me at all. So if two remarkable tales are enough to make you investigate a book, I recommend Fortune Smiles. Prepare to be shocked/bored, depending on the story.

[Banu Yıldıran Genç · Rating 5 out of 5]

bir yazarın bir coğrafyayı her şeyiyle, insanı, duyguları, hayalleri, hayal kırıklıkları, tarihiyle anlatması sadece orada yaşayarak mı mümkündür? adam johnson işte böyle olmadığını kanıtlıyor sanki bize. doğu almanya'daki bir hapishane müdürünün yeni hayata adaptasyonunu ya da adapte olamayışını, kuzey kore'den güney'e kaçan iki arkadaşın her şeye rağmen çektikleri özlemi, gelecekte bir zamanda silikon vadisi'nde yaşayan bir adamın tüm teknolojik gelişmeye rağmen çaresizliğini anlatıyor çünkü. nasıl bu kadar ustalıkla anlatıyor? çünkü anlattığı asıl unsur: insan. insana dair her duyguyu müthiş bir derinlikle işliyor.
kullandığı teknoloji ve tıp terimlerine hiç girmiyorum çünkü belli ki çok çalışkan bir yazar karşımızdaki. hem çalışkan hem yetenekli çünkü ilk öyküyle midenize yediğiniz yumruktan sonra her güne bir öykü şeklinde ilerleyebiliyorsunuz. hazmetmeniz, güzelliğinin tadına varmanız ancak öyle oluyor.
"ilginç bir bilgi" öyküsü gerek farklı kurgusu gerekse anlattığıyla beni mahvetti.
yüz kitap hayatımdaki en güzel şeylerden biri ^.^

[Maxwell · Rating 2 out of 5]

I prefer reading short story collections that share an overarching theme to tie them together. With this collection, they all felt quite disparate which made it hard for me to feel fully invested in them. Though his writing is good, I wasn't compelled by many of the stories. Nothing super memorable here to me, but not the worst collection I've ever read.

[Bianca · Rating 5 out of 5]

I should probably let this great book simmer for a little while and then write the review, but that's not my style - I have to get it done as soon as I finish, otherwise I get distracted and never do it.

This has been easily the best collection of short stories I've read in the past year. I almost considered not requesting and looking up short stories, as the ones I read in 2015 weren't that satisfying.

"Fortune Smiles" is definitely on another level. The first thing that comes to mind when thinking back to the six stories is the incredible diversity of both subjects and writing style.

"Nirvana" is about a husband trying to deal with his young wife's Guillaine-Barre syndrome - a debilitating disease. The story takes place in the recent future where holograms and driverless cars are the norm.

"Hurricanes Anonymous" is about a man, Nonc, who finds himself in the post Katrina New Orleans with a toddler, who may or may not be his, and a girlfriend. He drives a UPS delivery van, so in many respects he's doing better than most. But while dealing with the hurricane's aftermath, he's trying to find the child's mother. Also, his good-for-nothing father is dying in California and wants to see him.

Interesting Facts - without a doubt the story that touched me the most, is about a fourty-five-year-old woman, who had a double mastectomy and who now imagines how her husband and kids will go on without her. Initially, I was a bit annoyed at the author for embodying a woman, as in how dare he, but I have to say he did a brilliant job which makes me conclude that Johnson must be a very intuitive, observant man. I loved the way this story was written, the tone, the medical titbits, the brutal honesty. LOVED IT!

”George Orwell was a Friend of Mine” - this was such an interesting story, a subject that I’ve never come across before. The story takes place in 2008 Germany, and the main character is Hans, former manager of a STASI (the East German secret police) prison, where dissidents were locked up.

I thought this story was very well researched. By having Hans as the narrator, we have a difficult time hating him completely. Was he a bad person or was he just a willing participant, with no better options? As he claims relatively often “somebody had to run the prison”. Of course, Hans is in complete denial of his role or of the fact that people were tortured and imprisoned for no other reasons but for wanting to escape, or showing opposition to the dictatorial regime.

Having lived myself in a Communist country and having experienced the transition from a totalitarian regime to democracy, I can vouch that some of the things addressed and expressed in this story felt very authentic. I thought Johnson did a great job in showing the upheaval of change and how some people adapt to it easier than others. There are so many things to draw and learn from this story. This was definitely another favourite.

Dark Meadow - being the story of a paedophile who’s also the narrator, I immediately thought of Nabokov’s Lolita. But the similarities stop there. First of all, the story takes place in our modern times. Our narrator is an IT expert, who lives by himself in LA; he works hard at staying away from temptation and not acting on his impulses. He knows all there is to know about the trading of kids pornography. He also knows that some paedophiles are born, some are made and some just choose. While the subject matter is hard to digest, I, for one, commend Johnson for having the “audacity” to write this story and also kudos to the publishers for including it. It’s a very good story.

Fortune Smiles is about North Koreans defectors, who now find themselves in South Korea, where they have freedom and choice, and food!, and the ubiquitous internet, yet, they miss home. How can that be?

This was a very interesting story, that explored, amongst other things, the power of brainwashing of a totalitarian system where not even famine makes people question things. Also, it seems to be a case that “the devil you know” is better than the unknown.

This was another terrific short story. I enjoyed learning new things. It’s obvious that Johnson researched the subject greatly.

Actually, all the stories, while extremely varied, were very well researched and felt very authentic. I’m in awe of Johnson’s versatility, imagination and research skills. His writing style appealed to me a great deal. It was relatively simple, yet beautiful, and original, and it felt very modern.

A good author creates three-dimensional characters, who are not completely bad or good, they're somewhere in between, like most of us. Johnson is a great writer, managing to show nuances of grey in all the characters.

Speaking of research, I’ll have to find some more articles and interviews on/with Adam Johnson, because this is how I roll – when something intrigues me, I research and read extra.

ABSOLUTELY BRILLIANT SHORT STORIES! Highly recommended.

I received"Fortune Smiles" via NetGalley. Many thanks to the publishers, Random House UK, Transworld Publishers, for the opportunity to read and review this terrific book.

[Jenny (Reading Envy) · Rating 5 out of 5]

I felt like I was walking in slow motion, treading water, navigating quicksand, on my way to read this book. I just couldn't get a copy in my hands! And then it won the National Book Award and I missed everything. Except I still had the pleasure of reading it during my slowest week of the year (with more time for reading!)

I was shocked when a book of short stories won the award, knocking out my favorite to win (A Little Life.) I almost wish literary awards were more like genre awards, which more often have a separate category for individual short stories. Three stories in this collection could stand powerfully alone, able to defeat any other singular literary story from 2015 - "Interesting Facts," "George Orwell Was a Friend of Mine," and the incredibly disturbing "Dark Meadow." The other three stories are good but lack the pacing that make the other three so powerful.

I loved The Orphan Master's Son and I wonder if anything in these stories will find a way into a novel. Post-wall East Berlin seems like a very comfortable setting full of interesting characters based on "George Orwell Was a Friend of Mine," and I could see a longer story being told in that situation. I wonder if this Charles Manson novel that was mentioned several times in these stories really exists somewhere (but it was clever how it tied a few stories together!)

[Meike · Rating 3 out of 5]

Adam Johnson has an incredible gift when it comes to describing the darkest, most twisted thoughts and impulses of humankind, and in "Fortune Smiles", he displays it in six highly unsettling stories full of haunting imagery. To really appreciate all of his ideas, it takes a patient and alert reader, and while I wouldn't claim that engaging with these stories is fun (in these cases, it's not supposed to be), I was extremely impressed by Mr. Johnson's poetic abilities.

The protagonists we meet include a paraplegic woman who loves Kurt Cobain, a truck driver who searches after the mother of his son after Hurricane Katrina, a dying wife and mother, a former warden of the infamous GDR torture prison Hohenschönhausen, a padeophile who himself used the be the victim of sexual abuse, and two North Korean defactors - bleak, bleak stuff, and Johnson handles his material very well. Still, I have to admit that it took me a long time to finish this, partly because I was not drawn into it as much as I was into Johnson's "The Orphan Master's Son", one of my favorite books ever. I had to repeatedly push myself to pick this collection up again, and I have to admit that it felt a little like work.

Still there is no question that this is a great book and Johnson a brilliant writer, but I guess that I wasn't the ideal reader for this one.

[Larry H · Rating 4 out of 5]

Full disclosure: I received an advance copy of this book from NetGalley in exchange for an unbiased review. Many thanks to Random House for making it available!

Adam Johnson is a tremendously talented writer, with a unique and creative voice. Interestingly enough, while I couldn't get into his Pulitzer Prize-winning novel, The Orphan Master's Son , I enjoyed his previous short story collection, Emporium , so I had high hopes for his newest collection, Fortune Smiles . And I'm pleased to say that Johnson didn't disappoint me—nearly all of the six stories in this collection were powerful, a few were very moving, and at least one was a bit disturbing.

In my favorite story in the collection, "Interesting Facts," a terminally ill woman grows increasingly angrier about the thought of her husband and family moving on after her death. A programmer tries to deal with his wife's mysterious illness in "Nirvana" by speaking with a simulation he created of the recently assassinated president. In "Hurricanes Anonymous," a UPS driver searches for the mother of his young son, whom she abandoned to his care, while dealing with other emotional challenges as well as life in Louisiana following Hurricanes Katrina and Rita. The warden of a notorious Stasi prison in East Germany is the protagonist of "George Orwell Was a Friend of Mine," and he has some trouble reconciling his memories of his job with those who try and tell the prison's story. And "Dark Meadow" chronicles the struggles of a IT repairman who also happens to have a bit of a child pornography addiction, although he doesn't see it that way. (Interestingly enough, Johnson revisits North Korea, the setting for The Orphan Master's Son , in the title story of this collection, and I found it to be the weakest.)

While Johnson's storytelling ability is outstanding, I feel his greatest strength comes from the characters he has created. These stories are longer than your average short stories and some pack more of a punch, but the characters have stuck in my head the most. The stories are at times quirky, but they're tremendously compelling and get under your skin, which for the most part is a good thing. If you're a short story fan, or a fan of Johnson's, definitely give this one a read.

See all of my reviews at http://itseithersadnessoreuphoria.blo....

[♑︎♑︎♑︎ ♑︎♑︎♑︎ · Rating 2 out of 5]

To me, reading this collection was something like realizing I have accidentally thrown my grandmother's heirloom one-of-a-kind diamond ring in the trash, and it's already gone to the dump, and so I go after it and dig for a few hours through smelly refuse, before giving up.

[A. Raca · Rating 5 out of 5]

Çok klişe bir şey yazacağım: Nasıl bunca zaman bekletmişim, çok güzel kitap.
Okuyun!

[Laysee · Rating 4 out of 5]

"Fortune Smiles" is a collection of six brilliantly crafted and imaginative stories. Little wonder it is the winner of the 2015 National Book Award for fiction and the 2016 winner of the Story Prize.

The stories take the reader to diverse locales - Palo Alto, Louisiana, and Los Angeles in the U.S., East Germany, and South Korea - but they all pulsate with the tribulations and pain universally experienced. They revolve around dislocated lives and relationships, irreparable loss, ghosts of the past, and hopes for the future. I read a few of these stories with bated breath, so skilfully constructed the key triggers are suspended, allowing the layers to slowly peel away. The mood is often one of foreboding. The endings are, I suspect, intentionally ambivalent. It frustrates me somewhat that I will never know what happens next to some of the characters I care about. Thus, the stories take on a haunting quality with the characters hovering around the edge of my consciousness after the stories end.

Nirvana
The first story "Nirvana", with links to Kurt Cobain, is set in Palo Alto but has surreal overtones. The nameless narrator's wife had Guillain-Barré syndrome, which put both a physical and emotional strain on their marriage. It is sobering how a major health concern of a spouse can disrupt and derail marital relationships. The narrator reflects that "Amid familiar surroundings, the impossibility of normal life is amplified." The story projects a future where technology takes over our lives and becomes an indispensable emotional crutch. The couple finds consolation in the artificial world created by holographic simulacrums of celebrities that have died. The living talk to the dead but no longer to each other.

Hurricanes Anonymous
Set in Lake Charles, Louisiana, this story uncovers lives dislocated in the aftermath of Hurricane Katrina and Hurricane Rita. The story unravels the internal versus external chaos of individuals living amidst the devastation and squalor of make shift tents. The main character, Nonc, struggles to care for his 2½-year-old son, Geronimo, when his wife mysteriously disappears and dumps the child in his van. Displaced connections appear again as a theme. Nonc tries to be a good father while seeking to reconcile himself to his own father who is close to death. That distance parallels Nonc's relationship with his very young son whom he may not have fathered. The story ends with Nonc seeking to reconstruct his life with his new girlfriend. He leaves his son at a welfare agency while he tries to set up a new business venture proposed by his girlfriend. She seems, however, not a very reliable person, and there is no certainty of better days. I cannot stop thinking about the child left behind and if he will ever see his father again.

Interesting Facts
Set in San Francisco, this story takes an intimate look at cancer and how it gnaws at the stricken patient's ability to relate reasonably and rationally to family and friends. "It was some serious brain-bending business, the illusion of being in that dead woman. But that's how powerful cancer is, that's how bad it can mess your head. Even now you cannot shake the sense of time - how will you ever know again the difference between what's past and what's to come, let alone what is?" A wannabe lady writer in her forties who is married to a Pulitzer prize winner author husband has had a double mastectomy. They go to a literary event to hear a reading by an author in her twenties. Johnson gave a sympathetic account of how she cannot look at this lovely woman without feeling threatened and bitter. Her insecurity erodes her relationship with her husband and children. Like the first story, a serious illness in a spouse changes a marriage: "I missed talking to him. I miss how nothing seemed like it really happened unless we told each other about it." The narrator reflects that her illness and dying will over time simply be a stage her children lived through, "preserved in a story… a story from when they were little." In between the emotional wrangling are woven interesting facts about types of drugs, plants, and other facts. Merciful respite for the reader.

George Orwell Was A Friend Of Mine
Set in East Germany in 2008, this story is narrated in the first person. The narrator, Hans, is the former and retired warden of a Stasi prison (Hohenschönhausen), which is now a museum of STASI torture. Hans has a tough time understanding why his wife has left him. He is troubled by mysterious packages that keeps appearing on his lawn. He believes that the prison system has been fair to inmates and is appalled to hear allegations of abuse and torture when he takes the prison museum tour. Part of the thrill of reading this story is deciding if Hans is a reliable narrator. What kind of prison warden has he been? Why does his daughter accuse him of deceit? Has he also himself been deceived by the prison authorities he has worked for? Hans's encounter with Berta the tour guide is electrifying and keeps me on edge. Of the two, who is telling the truth about the prison? This is one story where the ambiguous ending leaves me in agony.

Dark Meadow
A computer-repair guy who lives in LA posts an article on pornography onto an influential IT website. He claims to receive signals from a beacon whenever someone downloads a porn picture. He also gardens and tends roses at night for their soothing effect. This story unnerves me. Johnson did not need to go far. In a handful of pages, I am gripped with fear. The question: Is the milk-drinking Mr. Roses a pedophile? A friend of mine said this about Johnson's stories: "there's some hidden terror waiting to pounce". A fitting description that sums up this story.

Fortune Smiles
Set in Seoul, "Fortune Smiles" is a story about displacement. Dongjoon and Sun-ho are defectors from North Korea. The former takes on a new name, DJ, in a bid to fit into a new society. The latter, however, is an unwilling defector and resists assimilation. I have thought that crossing over from the North to the South will be like striking the lottery, but this is not the case. The experience strips Sun-ho of his reason for living. Ironically, it parallels "Fortune Smiles", a counterfeit lottery ticket in North Korea. For DJ, "living in Seoul was bringing into focus not the South but the life he'd lived in the North". "Where was the lottery ticket whose prize took the blood from your hands?" And thus, even though the North is "a land of thuggery, corruption, brutality and murder", the defectors cannot really leave it behind and pine after beauty that only they can see. Johnson allows us to feel Sun-ho's loss and to fear the inevitable.

Dark but engaging, "Fortune Smiles" comes close to a 5-star read for me.

[Sofia · Rating 5 out of 5]

What does not kill you makes you stronger.

Well strong enough to limp your way to the end like Sin-ho or breath by breath like Dark Meadow or seeking solace from holograms or clinging to interesting facts rather than drowning in pain and loss or by numbing ourselves with denial.

This was a tough read but so so beautiful in giving us bits of people challenged by adversity and we see the human spirit fighting to survive in any which way possible, just step after step. Johnson gives tough stories and I wonder how people make it through and Johnson explores this, how they try to make it through, not always successfully or morally on the right track, but they/we continue trying like the spider or else we die.

In this world full of judgement, I like that Johnson loves his people enough just to give us them, without judgment, letting me try to figure out the pieces. So allowing me to see how I feel in regards to their life/decisions which shows me where I am at this point in my life.

Read with Maya

[Mel · Rating 5 out of 5]

If I knew the sound your heart makes when it is pierced and wrung out, I would type those letters here, or if there was only an emoji -- it would be so much easier because sometimes words just aren't enough. The stories here just killed me; they turned me inside out; they made me want to dig my fingernails into my palms and cry out loud -- then read more; because this book defines that green flash moment, that explosion of something brilliant when light and dark meet, when beauty and pain clasp hands, when your heart and mind override their roles and expand. Johnson captures the fragility of US. He explains how we are, as Whitman wrote, "Multitudes."

Returning to his 2013 Pulitzer Prize winning novel The Orphan Master's Son, Johnson's final story is "Fortune Smiles." But for me, it was the previous 5 stories that toyed with my heart and mind the most. I imagine each person will read them subjective to their own lives, but Johnson has a talent for slipping you into the story just barely ahead of your own biases or experience. The unrolling facts of the story, written so fluidly concise, take turns with you emotionally. You find yourself in the author's hands, understanding his message, his words breaking new frontiers in your own mutinous head.

Not exactly a spoiler, but a personal (I'm shy) and relevant aside that I didn't want to include directly in this review. (This isn't about me--that said, here's a little something about me.) I am thinking of some of my own experiences that very few people can share that explain seeing the child inside the monster; experiencing the other side of the coin, walking in someone else's shoes; understanding love and hatred in one feeling: elements of Johnson's stories. During my professional years, I worked in Psychology and with the criminal justice system. I worked for several years with court ordered juvenile sex offenders in a psychiatric hospital. You had only to slip someone a business card (Clinical Program Director for--you can imagine) or mention what your job was, to get the look. There was understandably a polarity of reactions, usually some degree of repugnance, also understandable. "How can you work with these guys that have sexually abused other children..." It's a monstrous crime. I'll answer that question: "Because once upon a time, they were cruelly molested themselves." I worked with the courts, their families, and victims everyday. The conversation would continue as you'd expect, "If they knew how awful it was, then why did they go on and do the same thing to someone else?!" Well, that's not how the mind works, nor the body. You learn out of necessity to separate the victim and the perpetrator; that compassion can still demand accountability; and as the saying goes, to hate the sin but love the sinner. We are not just the failures or successes that create our facades, nor the loudest chapters of our books, nor what we are labeled. My experience with these patients and those they perpetrated helped me understand what Johnson was saying about the struggling former(?) pedophile/victim in the story "Dark Meadows." Life, and all my good but ill-fated intentions sent a tear down my cheek reading "Hurricanes Anonymous." Thinking of what our soldiers have to do when they are called to fight made my throat tighten during "George Orwell is a Friend of Mine."

In these few stories (far too few) he reaches deep into the situations and lives of People, pushes illness, death, jealousy, mourning, hope, even pornography and sexual abuse, into the background and lets these wretched aching souls speak beyond words and judgements. I remember for just a second feeling a thought skitter across my mind, formed somewhere beneath my consciousness -- I can't even remember which story it was I was reading, but it said to me this must be how God sees us. Perhaps to some this will be a glass half full/half empty kind of read, where some will hear Betrayal, Danger, Denial, Selfishness. For me, the stories spoke gently that the glass, no matter how much it contains, has capacity. For a few brief stories, Adam Johnson was "the poet of the soul."

[thanks D8U for giving this the glorious review that compelled me to read the book, because There but for the grace of God, go I.]

[Jill · Rating 5 out of 5]

This new collection of six short stories might as well have been called “Fortune Smirks” for the simple reason that it does. Adam Johnson’s characters are all tragic – a software engineer whose wife is suffering from Gillian-Barre syndrome, a former warden of an East Germany Stasi prison, a down-and-out man and his young son in the aftermath of Hurricanes Katrina and Rita, a woman staving off cancer, a pedophile, two North Korean defectors who feel displaced in the South.

It sounds like the recipe for a depressing read, but somehow, Adam Johnson colors between the lines to give his characters a sense of humanity and even (dare we say?) hope.

“Do you believe in second chances?” one character asks. “Can people change their nature?” The answer seems to be, “No BUT…” In my favorite of the stories, a man named Nonc finds himself saddled with a child he may (or may not) have fathered, named Geronimo, who is left in his van. Down and out in post-Katrina New Orleans, he strives to do the right thing. One carefully written line says it all: “…he kicks his leg out from under the sheet and leaves it exposed to lure mosquitoes away from his son.” The ambiguous ending leaves it unclear about whether he will be able to be the dad his father wasn’t…or not.

Similarly, in Nirvana, the first story, a digital programmer creates a virtual simulacrum of the assassinated president of the United States as he deals with his wife’s paralysis and growing depression. She is a Kurt Cobain fan; will his tech skills be able to give his wife a reason to live? In Dark Meadow, a pedophile, abused himself, uses his technical gifts to…what? As an officer asks, “Is this guy trying to protect kids by alerting the authorities of a way to catch predators? Or is he trying to help pedophiles by warning them of a vulnerability?”

In Adam Johnson’s stories, the endings aren’t wrapped up in a big bow. Like life itself, the characters are presented with a way forward; whether they eventually take it or not is up to them. That’s the beauty of this collection.