Who was Merlin? Is the famous wizard of Arthurian legend based on a real person? In this book, Merlin's origins are traced back to the story of Lailoken, a mysterious 'wild man' who is said to have lived in the Scottish Lowlands in the sixth century AD. The book considers the question of whether Lailoken belongs to myth or reality. It looks at the historical background of his story and discusses key characters such as Saint Kentigern of Glasgow and King Rhydderch of Dumbarton, as well as important events such as the Battle of Arfderydd.
Lailoken's reappearance in medieval Welsh literature as the fabled prophet Myrddin is also examined. Myrddin himself was eventually transformed into Merlin the wizard, King Arthur's friend and mentor. This is the Merlin we recognise today, not only in art and literature but also on screen. His earlier forms are less familiar, more remote, but can still be found among the lore and legend of the Dark Ages. Behind them we catch fleeting glimpses of an original figure who perhaps really did a solitary fugitive, tormented by his experience of war, who roamed the hills and forests of southern Scotland long ago.
Based on an exploration of surviving Medieval texts, Tim Clarkson concludes that one of the prototypes for Geoffrey of Monmouth's Merlin was Lailoken, a British warrior who is said to have been driven mad by the scale of the slaughter at the battle of Arfderydd (modern Arthuret) in 573 and to have fled into the Great Wood of Calidon in what is now southern Scotland, where he lived as a wild man. He may be buried in the vicinity of Drumelzier in Tweeddale.
This is a densely argued book which examines the legends of Merlin, Lailoken and other dim figures of the sixth century and thereabouts. Merlin is convincingly placed in the Scottish Borders North East of Carlisle and is buried at Drumelzier near Peebles. Welsh sources are extensively used with a proper level of scepticism as they are not necessarily history. It’s pretty hard going (hence the length of time it’s taken to read but the efforts will be repaid.
Clarkson makes a compelling case for the origin of the Merlin legend, and that of King Arthur, in the Strathclyde area. A fascinating, well-reasoned read, perfectly balanced in terms of accessibility and scholarly acumen. Includes the original legends referred to in the book as appendices. If you have ever wondered about the connection between the legends of Merlin, Sweeney the Madman, and Lailoken, you will find a satisfying answer here. A very enjoyable read.
Very scholarly dive into the origins of Merlin the Magician, famous to us through the tales of King Arthur. Various prototypical Merlin figures are explored to bring together the man written about by Geoffrey of Monmouth. This book is very scholarly and I only recommend it to those who enjoy that type of writing.
Tim Clarkson is an independent researcher and historian who gained a PhD in medieval history from the University of Manchester in 2003. He has since written four books on the history of Scotland and the Old North. Scotland’s Merlin: A Medieval Legend and its Dark Age Origins is his fifth.
This clearly written and well-researched book traces the story of Merlin, a figure best known from television as a wizard and advisor of King Arthur associated with Wales and Cornwall, back to its origins in Dark Age southern Scotland, which was then part of the Old North.
Clarkson begins with Geoffrey of Monmouth’s Historia Regum Britanniae as the source of Merlin’s depiction as an Arthurian wizard then turns to the Vita Merlini where we find a different ‘Scottish’ Merlin: a ‘Man of the Woods’ possessed ‘by a strange madness’ after a battle who seeks solitude in the Forest of Calidon and predicts his own threefold death.
This depiction originates from Geoffrey’s knowledge of medieval Welsh poems about Myrddin Wyllt, who became wyllt (‘wild’) after fighting in the Battle of Arfderydd and fled to the forest of Celyddon where he found solace beneath an apple tree with a little pig.
One of Clarkson’s more contentious arguments is that this northern wildman was not originally called Myrddin but Llallogan. The earliest roots of his story may be found in Vita Merlini Silvestris, where Lailoken (Llallogan) tells St Kentigern he became mad after a battle then begs for sacrament before his three-fold death.
The name Myrddin arose from the false etymology of ‘Carmarthen ‘Merlin’s Fort’ (Welsh Caerfyrddin, with ‘m’ softening to ‘f’)’. There is no ‘need to imagine that Lailoken of the North was already known as ‘Myrddin’ before his story migrated to Wales’.
More contentiously, Clarkson claims that Myrddin was not pagan but Christian. This is partially based on textual evidence. Lailoken pronounces ‘I am a Christian’ and petitions Kentigern for the sacrament. In the medieval Welsh poems, Myrddin addresses Jesus and his sister, Gwenddydd, urges him to take communion before he dies.
Clarkson also contests Skene and Tolstoy’s views that Gwenddolau, the northern British ruler who Myrddin fought for at Arfderydd was a pagan. The 5thC archaeological evidence shows ‘the aristocratic landholding elite proudly displayed their Christian credentials on memorial stones’.
‘the organisational infrastructures of paganism were unlikely to have survived the onslaught of the new religion. The two institutions could not exist side-by-side. Wherever Christianity came, the old beliefs died out within a couple of generations. Christian missionaries in the Celtic lands were not, as it is sometimes imagined, willing to turn a blind eye to pagan worship. They were determined to eradicate it. In such a climate of non-tolerance it is very unlikely that druidism, in whatever form, was able to survive… we should envisage Gwenddolau as a Christian king.’
Although Clarkson claims Merlin was not a pagan he admits it is possible to see him as a Celtic seer, shaman, or awenydd, in the Christian tradition. Rather than asserting his view as correct he encourages readers to make up their own mind whether ‘the original story was sprinkled with Christian allusions by later writers and all references to paganism were expunged’ or ‘there was no pagan narrative from the outset.’
Before I read this book it was my personal opinion that the medieval poems about the pagan wildman Myrddin Wyllt formed the earliest strata of the Merlin legend, and that the vitae of St Kentigern and Vita Merlini Silvestris contained later Christianised variants as propaganda promoting Kentigern and the Christian church. I haven’t been persuaded otherwise. It remains my opinion that Gwenddolau was one of the last pagan rulers of the Old North and that Myrddin was pagan; the allusions to Jesus and communion were added by Christian scribes.
Minor personal disagreements aside, this is an excellent book which does valuable work in tracing the origins of the Arthurian wizard, Merlin, to their roots in the story of a northern British warrior who became ‘wyllt’ at the Battle of Arfderydd, found solace amongst the wild creatures of the forest and became a renowned prophet.
I’d recommend this book to everybody interested in Merlin, British mythology, and the history of southern Scotland and the Old North. As somebody based in Lancashire it’s encouraging and inspiring to see the forgotten Dark Age histories of the north returning to life and being reclaimed.
The amount of minisculed and detailed research for this book is truly astounding. I'm filled with awe. Some of the book is of great interest, for example the chapter on Druids and the possibility that Merlin was a Druid. The author also deals with the resarch of Adam Ardrey whose book 'Finding Merlin' I used in my own research. Nothing in this book caused me to cry in dismay. 'Oh no! I have to rewrite my books!' Sad to say, it is mostly dead boring, but I'm glad I read it. My advice, however, is to read my books. They're ever so much more interesting. And just as true (in their own way)
I picked up this wonderful book at Govan Old Church while visiting The Govan Stones project in Glasgow. My curiosity was piqued by Merlin, but once I started reading I realized it was so much more. Clarkson thoroughly explores the potential origins of Merlin from an incredible range of sources and offers pros and cons for those theories. Nonetheless, his conclusions about Merlin’s origins being Scottish are strongly backed by evidence and explanation. Anyone interested in Grail lore will find this examination fascinating and thought provoking.