Note: I received an eARC of this novel from Ragnarok Publications in return for a fair and honest review
Young Adult (YA) isn’t an area that I’ve ever really had any interest in exploring. Partially this is because I’m nowhere near the reader age that the genre is targeted at, but also because I think that to a certain extent I’ve unconsciously brought into the negative stereotypes that are propagated about the genre: that YA fiction is characterised by poor writing, shallow characterisation and is generally dumbed-down for its intended audience. As such, it was with a feeling of slight trepidation that I started reading Jacked, worried that I would soon be wading through turgid prose and two-dimensional characters.
To my relief, I found that absolutely none of the above complaints apply to Jacked. Instead, I found myself quickly engaging with the story that the author was telling, as well as the characters. In the near-future, science and technology progressed to a point where the majority of humanity could become directly connected to the world-wide web via neural ports, becoming the World-Wide Mind. Humanity is united by the Mind, but its greatest strength becomes the ultimate weakness when a virus is introduced into the Mind, resulting in ‘The Crash’. Anyone connected to the Mind when the virus hits is either killed outright or goes ‘Zom’, becoming little more than lifeless husks aimlessly wandering around. It’s a fairly standard post-apocalyptic setting, then, but one with an intriguing hook in the form of the Mind and The Crash.
Jacked itself begins approximately 10-15 years after the effects of The Crash; it’s set in a post-apocalyptic society struggling to rebuild itself in the ruins of California. The survivors have regressed to a late 19th-Century, agrarian-based economy, with most technology either destroyed or wrecked. The main character, Tar, is a young ‘Fixer’, able to operate and repair ruined or powered-down tech just by touching it. At first Tar is able to keep this a secret, using his poorly-understood power to fix tech units and barter for food and favours, but before long his unique ability attracts the attention of the ‘Black Shirts’, a quasi-religious and anti-technology group that shun the use of any technology that could be linked with The Mind, and who kill anyone who attempts to use it. Going on the run with his best friend, Tar has to seek safety while simultaneously trying to find the true origins of his powers, and whether anyone else like him exists.
I found that Jacked is a good introduction to the post-apocalyptic genre for a YA reader – it’s grounded enough in reality not to alienate a casual or new reader, but features enough advanced tech and core concepts, such as the rise of radical, fascist-style groups, resource scarcity and the difficulties encountered surviving in the aftermath of a disaster, to spark some real interest. The concept may have been done many times before, becoming a stereotype – gifted child protagonist fleeing tyrannical authorities in an attempt to reach uncertain safety – but in Dougal’s hands, the story is executed with flair, drawing the reader into the story and making them engage with Tar and his story. Tar’s ‘Fixer’ ability is particularly well-written, reminiscent of Tron in the way he flies through corridors of glowing lines. And as per all of the stories published by Ragnarok Publishing, Jacked features a brilliant cover by the artist Shawn King, who has produced some of my favourite cover jackets I’ve seen on books. As such, I can highly recommend this novel to all readers, both younger and older, as an excellent read