Whenever I read anything of Jacinta Howard's, there's never any question that I'm going to enjoy it. The question is always, 'how much?' She writes brooding, soulful, heartfelt-without-being-corny prose that just gets you right in the gut. How could I not like that? And so I always do, no matter whether it's a short piece on her blog, or a full-length novel. But there are those of her works I don't just like, I love and 'Finding Kennedy' is definitely one of those.
While reading it, I'm pretty sure I experienced just about every emotion possible, and found myself highlighting passages that were either profound, quirky, amusing or just plain ol' well-written. This author's voice is stronger than it's ever been, but as always it shines most in the voices of her characters. When they speak, you hear them, and hear in them the voices of people you know, and whom you've met; and if not that, certainly people you would like to know and meet. And in this novel, more than ever before, I could see, feel, smell and touch things, just as the characters were. In moments that some writers would not be attentive to, she painted a picture.
Like this one when the main character Kennedy gets up the first morning after moving to her grandmother's and heads to the bathroom :
"The house was quiet and bright with natural sunlight when I stepped out of the room and made my way down the hall to the bathroom. It was tiny, with yellow flowered wallpaper and pea green linoleum on the floor. It was hideous but comforting."
A totally meaningless moment, but one that paints a picture -- we've all been in that bathroom in our grandmomma's house, haven't we?? And written in a way that is so clean, so simple, so accessible and yet it manages to transport us there nevertheless. Stuff like that makes an okay book, a great book for me.
And stuff like this, when Travis is thinking about how much he likes his old house, and wouldn't want it modernized. The wood floors, the author says "shined with weary experience". See, for me? That's the good stuff right there. For me, that's what makes a book live, instead of just being words on a page. It's in my mind like having a friend tell you a story in such vivid detail that years later when you're recounting it for someone else, you can almost believe you were there personally, and that it was not just a story someone told you. That's how vivid this book was.
But okay, it would be fair comment to say that not everyone geeks out on stylistic flourishes, so what about the story, the characters, the romance?
Trust me when I tell you all of that was tight as well. Following up on the powerful connection we saw between Jersey and Zay in book one of The Prototype series, she gives us Travis and Kennedy. And whoa. Now here's the real: I NEVER believe it when couples have an "instant attraction" unless the writer makes it clear that it's purely physical. That immediate soul connection stuff has never been convincingly portrayed (to me). Jacinta Howard did it here. After Travis and Kennedy's very first encounter when they almost kiss (yeah, right?) I believed that they would and almost could have kissed under those circumstances because she wrote it so well.
And later, when they actually do have that first kiss, it was one of the best written "first-kiss scenes" I have ever read. Because it was about emotion and connection and ambivalence and longing and animalistic attraction (or, as Kennedy would say, "some National Geographic shit"). And I felt it. It was (on my ereader anyway) a two-page build-up and navigation of will and emotion before the characters' lips met and it was effing perfect.
Because I'm in serious danger of gushing, I'm going to wrap up here with a couple more notes. The character of Travis was not just "book-boyfriend sexy", he was amazing in the way that Zay was amazing in 'Happiness in Jersey'--once he decided that he wanted Kennedy, he never faltered, never played games and never deviated from the plan of getting her. I love that about Jacinta Howard's heroes. Age and stage in life notwithstanding, they decide they want their woman and then they become single-minded about getting her. I was so moved by the emotion between Kennedy and Travis, I didn't need the physical stuff, but of course that blazed as well. The challenge to their relationship was well-played. Not too much drama (who needs it?) but just enough to make you understand how they might mess things up, as we humans are prone to doing.
A few moments I marked:
"He wasn't just looking at me. He was looking into me, seeing me--my cracks, my breaks, the lines and scars that defined my soul now."
and this, describing a kiss ...
"It was slow but hungry, full of intention, realization ... acceptance."
And Travis realizing his losing (initial) battle against his attraction to Kennedy ...
"I smelled her. Like a damn animal, I'd actually smelled Kennedy's scent lingering in the house, and I wanted to go to her, strip away her clothes and all the layers of stuff between us and just ... take her. Over and over and over until she couldn't move. Over and over until the only thing she breathed, and thought, and felt was me."
Okay, did I say earlier that the author's voice shines most brightly in the voices of her characters? I take that back. This is all her. And it's all good. Highly recommend this one.