This survey explores 60 remarkable photographs from the collection of The Museum of Modern Art, all acquired with the support of Robert B. Menschel and meticulously selected for the book by the museum’s chief curator of photography, Quentin Bajac.
Ranging from the contemporary artist Andreas Gursky to William Henry Fox Talbot, one of the medium’s founding figures, these works collectively tell the story of photography from its beginnings, but upend and newly illuminate that story through their arrangement in reverse chronological order. Each image is the subject of a brief, elegant text. The book borrows its title from a work by Carrie Mae Weems, one of the many great photographs that Menschel has contributed to the collection.
Quentin Bajac is a French museum curator and art historian specialising in the history of photography. He is the director of the Galerie nationale du Jeu de Paume in Paris. Bajac has held positions at the Musée d'Orsay (1995–2003), Centre Georges Pompidou (2003–2010), Musée National d'Art Moderne and École du Louvre (2010–2013) and Museum of Modern Art (MoMA) (2013–2018). He has published a number of works on photography, most notably the three-volume series—La photographie—on the history of photography (2000–2010), which belongs to the collection Découvertes Gallimard, as well as Parr by Parr: Discussions with a Promiscuous Photographer (2011), Stephen Shore: Solving Pictures (2017), Being Modern: MoMA in Paris (co-author with Olivier Michelon, 2017). In 2013 Bajac was made a Chevalier (knight) of the Ordre des Arts et des Lettres.