Not celebrated for its design, Portugal has nevertheless a number of extraordinary historical solutions and materials that are down to two contradictory forces: extreme isolation and poverty on the one hand, and on the other easy universalism due to the frenetic commerce and travels of the former imperial power. The result in this selection of ethnographic objects that caught the eye of Jasper Morrison is the strength of necessity in each object. Photographed as sculptural pieces, they carry the smell of harvests and the sweat of hands.