Atalarımız tarih öncesi zamanlarda, doğanın haşin koşullarından kaçmak için barınaklar inşa edip tarımla uğraşmaya başlayarak yerleşik hayata geçmişlerdir. Günümüzde, kentsel tehlikelerden kaçmak için kentlerin eteklerindeki daha güvenli ve yeniden şekillendirilen mesire yerleri ve parkların dünyasını kullanıyoruz. Coğrafyacı Yi-Fu Tuan’a göre insanlar, bazen akılsızca, çoğu zaman da yaratıcı ve ustaca bir şekilde kaçmanın yollarını aramışlardır. Camdan gökdelenler, uydukentler, alışveriş merkezleri ve hatta Disneyland, hayatın ve nihayetinde doğanın kısıtlamalarından ve belirsizliklerinden kaçma çabalarımız arasındaki en son eserler arasındadır. Tuan bizlere “Hangi kültürel ürün kaçış değildir ki?” diye sormaktadır. O’na göre insan kültürünün tamamı gerçeklerle yüzleşmeme isteğinin sonucunda ortaya çıkan bir tür kaçış mekanizmasıdır. Yazar, bu kitabında kaçışın, insan düşüncesinin ve kültürünün kaçınılmaz bir unsuru olduğunu göstermektedir. “Kaçış” dini öğretilerden şempanzelerin çiftleşmesine, Afrika yerlilerinin yeme içme alışkanlıklarından tarihte yükselen ve daha sonra yok olan medeniyetlere kadar birbirinden çok farklı konuları işleyerek merak uyandıran, iddialı ve kışkırtıcı bir okuma deneyimi sunuyor.
Fu Tuan (Traditional Chinese: 段義孚, born 5 December 1930) is a Chinese-U.S. geographer. Tuan was born in 1930 in Tientsin, China. He was the son of a rich oligarch and was part of the top class in the Republic of China. Tuan attended University College, London, but graduated from the University of Oxford with a B.A. and M.A. in 1951 and 1955 respectively. From there he went to California to continue his geographic education. He received his Ph.D. in 1957 from the University of California, Berkeley.
One of the best books you're likely to read if you want to understand the nature of human behaviour, and why some of us felt the need and necessity to invent distractions to occupy us throughout our daily lives. On top of that, Tuan writes not only in very specific terms, but has a lovely ability to stream sentences which lends itself the ability to seem more like poetry than non-fiction.
I read this book during my final year at NUS... Somehow the title provoke me... I am someone who doesnt really like to inform people of my whereabouts and loves to run away whenever I could. Tuan looks at the notion of escapes from everyday notions of life to soul migration from physical being to something really immaterial.. not everyone's cup of tea though.. chapter 3&4 are my favs! sometimes it is just a thin line between reality and fantasy....
very interesting and eye-opening perspectives relating to human nature, though i didn’t enjoy how many chapters were written with a pessimistic tone. i think human beings are much kinder and more selfless than they are given credit for in many parts (maybe i am too much of an optimist) and i felt some points and the language used were outdated- of course, this was expected. tuan offered insight into religion, nature, and language that i’ve never considered before. overall loved the way it was written poetically despite how academic and philosophical the topics.
Very dense and philosophical, but with very interesting statements about human nature. I'm sure I'll have to reread this at least once to understand all the points that Tuan makes.
I dove into this book with gusto which then petered off somewhere in the middle; certain examples just didn't interest me. I picked it up again a few weeks later and voilà even those sections (about heaven for example) aroused reflections.
*** يفتتح المؤلف الكتاب بسرده لقصة دعوة لكتابة ورقة بحث عن لاندسكيب ديزني
ولكون تخصصه في الجغرافيا بدلا من اللاندسكيب، خصوصا لاندسكيب الملاهي، كاد أن يرفض فلدى الاكاديميين ميل نحو القاء الملاهي الترفيهية كملهاة لذوي العقول البسيطة
لكنه استجاب للدعوة واستغرب من استمتاعه بهذا المهرب ومن هنا ولدت فكرة الكتاب، لماذا يهرب الانسان.. وما هي وسائل هروبه؟
فكرة الهرب من شيء ما ليست جديدة علي.. ولكن ربما هي متغلغلة في لا وعينا اجتذبتني عبارته ان الانسان هو الحيوان الذي يقفل عيناه ليهرب، ويحلم، ويتأمل.. ريثما الحيوانات لا تحلم وتشرد بذهنها بعيدا، لأن بقائها ونجاتها معتمدة على وجودها في اللحظة وفي العالم الحقيقي.. بينما الانسان هو الحيوان الوحيد الذي لا يرى الاشياء على ما هي عليه P. 6 ***
تطرق بشكل سريع الى قابلية أغلبية الناس، في حال انكارهم للحياة الاخرى، بالايمان بجهنم أكثر من ايمانهم بجنة، لأنهم رأوا الكثير من الجحيم وربما لحظات من النعيم في دنياهم
يقول بأن الكثير في الثقافة الأكاديمية السائدة يميل للنظرة التشاؤمية، كيف لا ونحن نرى الاشياء كما هي عليه؟ هذا الكتاب، على العكس، ينظر الى العالم بنظرة ايجابية، لكن ما قرأته الى الن، يحلل بنظرة موضوعية البشر وثقافتهم.. اتسائل حاليا ان كان المؤلف سيفي بوعده عندما أقفل الكتاب وقد تكونت لدي فكرة ايجابية..
p. XVI ****
تطرق الى تكوين المجتماعات البشرية للثقافات كمهرب ايضا
فمع أن البشر بنوا المباني واستخدموا الأدوات المعقدة للتغلب على قوى الطبيعة، فإن الكبيعة ظلت متربصة بهم، هي الأم والوحش في آن.. الأم التي تغذي البشر، والوحش الذي قد يثور عليهم قيبقلب ظواهر الطبيعة من فيضان وزلزال عليهم
ولكن ما بناه البشر من عمران ليس دوما تفوق على الطبيعة، وأعطى مثال مباني الصينيين الأثرية وثقافة الأزتك بنت المعابد ليس للتكبر على الطبيعة، ولكن لمراضاتها، فالمعابد الضخمةى بنيت لتقديم الأضاحي لهذه الطبيعة الأم.. فقدني قليلا في ارتباط هذه النقطةو بالهروب، هل هو هروب من الغضب، مثال (ففروا الى الله) أو اننا لن نفر من ذاك الذي هو أكبر منا الا بالهروب اليه؟ ربما.. وربما اسقط فهمي على ما يقوله المؤلف توان..
*** الطبيعة الحيوانية
كلما تحضر الانسان، كلما ابتعد عن طبيعته. p. XIV
نحن أيضا نهرب مما يذكلانا بأصلنا الحيواني، نهرب من رائحتنا البشرية، وننظر لى الاخرين اذا ما فاحت روائحهم بنظرة دونية، لأنهم اقرب الي الحيوانات
اننا نهرب بذلك ونوهم انفسنا بأننا افضل من سائر المخلوقات *** يتبع ***
I just "discovered" Yi-Fu Tuan, although he has been around for a long time. I just finished this book and have begun another, Who Am I. Also, I have purchased Topophilia, but haven't started it yet. Yi-Fu Tuan is a geographer who is interested in human relationships and geography. Escapism is a book which explores the role of escape in the evolution of cultures. Tuan writes clearly and elegantly. I am not sure I can adequately summarize what his book means to me, but I can say that it is a book that is beginning to change my thinking about so much. For Tuan, escape is a fundamental aspect of being human. Some escape is bad, especially if it becomes obsession. Other forms of escape are necessary and take us to places we need or want to be.
This text explore the psychological/philosophical factors associated with tourism, nature, and consumption, organized around the theme of escape. The parts about people attempting to escape from the animality of their own bodies was most interesting to me. The author spends significant time discussing food, the act of eating, and the steps we've taken to distance this necessary action from its animal connections.
My other 5 star book...I can't even begin to explain what this book really is about...it is fascinating and one of the very few books I've ever re-read parts of...a philosophical look at many cultural issues..it starts with a meditation on the human desire to escape the humdrum and goes on to astute analyses of morality, ideas of heaven and earth, Christianity...not one bit dry...very global thinker.
I've been (slowly) reading this book for a couple months now. The depth to which it explains modern human behavior is impressive. It outlines how we try and escape our animal selves in such ways as using utensils to separate ourselves from the gruesome act of eating. (Still haven't gotten to the other "selves" yet...will update ;)
I had no idea this is what "Geographers" wrote about. Maybe it isn't. Tuan looks at what it means to be human, with all its weirdness, contradictions, and possibility. What is imagination? Culture? Sex? Violence? Art? Escape? It's the smartest, plainest, most earnest book I've read in years.
Interesting viewpoint - how humankind's essential nature is to escape whatever situation we are in: brutal nature to civilized society, civilization's "back to nature" movement, etc. While I agree with the premise, I thought the author ultimately got carried away with, and over-extended, his subject matter, research and observations. I am frankly surprised by all the raving reviews.
This book tells you a lot about how we humans layer our reality with distractions, as to soften the blow of our corporal existence. Even if you disagree with some of Tuan's points - it gets you thinking.
A must read for someone looking for symmetry between disciplines in the humanities. It basically sums up human nature in a new light, and light that hopes the reader will be more thoughtful towards the real and unreal.
I loved this book. Tuan's prose is elegant yet daring, and he dives into human taboos - ranging from eating to more violent actions - with wonderfully confrontational descriptions that made me uncomfortable then in turn question my discomfort. He argues that culture IS escape, and I am convinced.
A book about a lot of things, and nothing in particular. The author --a Chinese-American-- is the definition of erudite. A mine of ideas and insights. Impressive!