The reverberations of the Great Depression weren’t pretty. Three movies mired in the Depression Era examined the new realities of work, love and family all with a grim assessment. Lives are destroyed and a country is left in ruins– and hope seems foolhardy.Features articles on Heroes for Sale (1933), Wild Boys of the Road (1933), They Call It Sin (1932), Una Merkel, Frankie Darro, and Richard Barthelmess. All profits from the sale of this issue are donated to the ASPCA.
Danny Reid is a librarian who has been writing about pre-Code Hollywood for over a decade at pre-Code.com. His published writing includes Murder on Celluloid: A Companion to the Hildegarde Withers Film Series and acting as editor for the essay collection Thoughts on the Thin Man. Danny has introduced pre-Code film screenings around the world and appeared on podcasts to discuss the era. He currently lives in Germany with his wife, two kids, and three very silly dogs.