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198 pages, Hardcover
First published September 12, 2006
"I want to chase the butterflies."

• Betia and Oliza. Most of the reviews for this were written years ago, but holy shit! I hope these reviewers have changed their views since 2006, because I've never seen more blatant homophobia on Goodreads before.
I mean, I see this a lot when there's a LG pairing in a story, especially if it's not stated to be an LGBT book. People will say, "it was abrupt" or "I just didn't see the connection." I watched Ash by Malinda Lo get a similar treatment, and that came out years after this. Not saying that every time someone doesn't like an LG pairing in a book it's automatically homophobia, but I feel like it's just a little suspect, especially in the case of Wolfcry.
Because their relationship was clearly developing from friendship into romance. Oliza danced a seduction dance for Betia, like??? It couldn't have been any more clear that this was a romantic pairing. If Betia had been a boy, I have no doubt that people would read their relationship as romantic.
But, bottom line, it did not come out of nowhere. And maybe it's just me, but it was very obvious that Oliza was not straight from the start. She rejected all of the male attention she received. She was never interested in any of her suitors.
ANYWAY, these two were so so cute and I shipped them like. A lot. I loved their story. I loved Betia. I will protect these two with all my heart. I want a shapeshifting girlfriend who brings me deer and makes me pretty scarves.
• The first half of the book. There was actually conflict and action! I feel like the last two books were sorely lacking in that; there was just a bunch of walking around and asking questions and info-dump. So I was happy to have a book that started off so strong. I do wish Wolfcry was longer and some of the travelling wasn't glossed over, and also that the pacing was a little better, but I'll get to that later.
• As much as Hai reminds me of a deviantart OC with her blood-red eyes (to be fair, all Cobrianas have those) and broken wings, I love her. I wanted to know more about the Cobriana's relationship with her, though. Did they ignore her, even though she's Anjay's daughter? Were they frightened of her? What did Irene and Zane feel about her? And Salem, too? I'm hoping I get to know more about all that in the next book, because I feel like she was just...there in this one. Being cryptic and shit.
• This is something I've loved since Hawksong, but the presence of matriarchal societies. Specifically the Avians, even though they're not featured as heavily in this book.
• Oliza had to make difficult choices. It should be a given in any book, but I felt like the last two books were so neat and clean and that the characters didn't have to struggle all that much. Nicias' plot for some reason didn't resonate at all with me; it might be something to do with the falcons and how it seemed like if anything bad happened, it would be far into the future. But Oliza was forced to make difficult choices, and make them quickly, and I really felt for her. She'd come home only to have to leave again. I mean, she could have stayed; I wish she did. I think leaving completely wasn't necessary, but I get why she did it.
• I was heartbroken. Which isn't like, a good thing necessarily. But Falcondance left me emotionally shrugging, so it's nice to feel so strongly about the series again. And I am very, very conflicted because on one hand, I knew this was where it was headed since Falcondance but on the other...I just wish it didn't have to be this way. Again, it would have been better if Wyvern's Court wasn't created, and the serpiente and avians lived separately in peace, but I can't blame Danica and Zane for trying.
And just...the ending really got me, probably because I read Hawksong when I was so young before I even knew there was a series, and it means so much to me, that I wanted everything to work out perfectly. The ending was bittersweet, but more bitter than sweet for me. :^(
•
• This book, along with the others, absolutely needed to be longer. The reason I think they suffer so badly from infodump is because there is no room to worldbuild. That's not to say the world is underdeveloped, because it definitely is not. I'm just saying every book would have been so much better with at least 100 more pages. Some parts are very abrupt, especially the endings, and there is a severe lack of description. I like minimalism, I really do, but these books suffer from it on account of this being fantasy, a genre that needs more detail than others.
• Going off of that, a part of the reason I feel like there should be more description is because some characters feel lacking in personality and distinctive traits. Everyone feels...the same. Some characters stick out more than others (Hai, Velyo, Urban), but a lot of the other characters are kind of...vague? I love them all, but I wish they stood out more.
• As I said, all of the weaknesses in the previous books are in this one, too. The ending is very rushed. I don't know whether it's because of YA wordcount constraints at the time, or the author's preference, but a lot of scenes that should have more impact fall flat. And there's never a structured story, really. Not that every book needs to have structure, but AAR's climaxes and endings feel the same as any other part of the book. There's no ramping up of the tension, you know? This was the biggest failing with Snakecharm, and Falcondance, but luckily it's not quite as bad in Wolfcry. (At least we're actually there for the climax. Stares at Snakecharm)
• I will never not be sad about the previous main characters of these books being pushed to the side. Danica and Zane haven't had any shine since Snakecharm and it's weird to me because they're still acting as rulers of the serpiente and avians, I assume? But they also rule Wyvern's Court, since they're the ones that go to Kalisa when she delivers the message? Except Oliza seems to act as queen most of the time, so who knows what's going on!
That confusion aside, I really wish we could see more of them, especially since they're the ones who built Wyvern's Court and were the MC's of Hawksong. I'm hoping that the next book at least pushes them closer to the forefront, even though I know the next book going to break my heart even more. I just want to go back to Hawksong when everything was hopeful and nice and we had Danica and Zane and the falcons were just on the periphery.
• The last half of this book is a lot of talking, abandoning the action in the first half but I still liked it because there was still a sense of urgency behind everything. Still, a lot of the book felt like characters entering-and-exiting in attempt to squeeze the large cast in, especially near the end.
• This is a complaint that has more to do with Snakecharm than Wolfcry, and I did think the same way back when I read Snakecharm, but never expanded on it. Danica only being able to have one child because of the falcon magic was such a transparent plot contrivance, and it makes me so mad. Because if they had more than one child, they would have kept the serpiente and avian societies separate, and none of this would have happened.
I mean, I get all the choices made and I can't hate the author for them. I thought it was tragic when Danica found out she could only have Oliza. But I still think Danica and Zane should have let Oliza choose who she wanted to rule when the time came - and if she wanted to rule - and if not, let Sive and Salem rule their respective courts.
“You don't have to speak. Words fade," she whispered. "I know that better than anyone. Words are forgotten; they are regretted. Unnecessary.”
“I am of you, of all of you, avian and serpiente. I have for all my life wondered how, beyond my very existence, I can prove to you that we can live together. In my parents' time, the mission was to stop the bloodshed, but in mind, my goal has always been to stop the hatred.
“And I have never known how.”
“We have tried to marry two worlds, but one cannot perform a marriage while both parties hold knives to each other's throats. One cannot sew two pieces of cloth together while both unravel.”